Saturday, August 10, 2024

 

One-Shot Wonders: Duke de Plaster Paris by Eddie Eks, 1905

 

Well, it's about doggone time that One-Shot Wonder Saturdays finally heard from the inimitable Eddie Eksergian, the rootinest, tootinest, wackiest cartooner that there ever was. Eddie's Sunday comic stripping was mainly for the St. Louis Star, but in 1904 he switched hometown teams and went over to the St. Louis Globe-Democrat. The above strip is from the tail end of his comic strip career, appearing on April 9 1905, the week after the last of his Sunday series had bitten the dust. Eks stayed in the cartooning game for years more, but as far as I know, he never penned another newspaper comics series.

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Eddie Eks died in 1943; his 1/29/43 obituary in the Globe-Democrat notes that he had eventually drifted out of cartooning; he seems to have done a lot of spot sports cartoons in the teens and twenties.
 
In comments to that bio post, Eddie Eks's daughter tried to make contact with Mark Johnson. I wonder if they finally got in touch.
 
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Friday, August 09, 2024

 

Selling It: Standard Oil and Disney

 




When I think of Walt Disney and marketing, naturally my thoughts turn to Mickey Mouse watches and all the other untold bazillions of products emblazoned with the iconic faces of Mickey, Donald, Pluto, Goofy, and the rest of the Disney cast. 

But Disney was no stranger to cross-marketing, either. The company might have wanted its characters on nearly every product under the sun, but they knew where to draw the line. But if they wisely chose not to start a chain of Goofy Gas Stations that sell Mickey's Motor Oil, hey, if someone else wanted to run with that ball and give them a taste of the gate, go for it. 

And so in 1938-40 the Standard Oil Company of California (which I'm now told is distinct from the company that became Esso/Exxon, but still one of the conglomerate under control of old man Rockefeller) licensed the characters to appear on their advertising and on promotional materials at their stations. Disney provided some absolutely beutiful renderings of their characters for this marketing blitz, of which we have a small taste shown above (these were run in early 1940). I don't know if we have many Disney experts following along here at Stripper's Guide, but I bet some of those knowledgeable folk can even tell us the staff artist who created these lovely images. 

Oops, I should have known better. Disney being so well documented, I actually found a post about this ad campaign at the Disney History Institute website. Over there they seem pretty convinced that the Standard Oil account was serviced mostly with the artwork of Hank Porter.

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Here's a film introducing the campaign to Standard dealers and employees, ending with animation adapted from previous projects (and later repurposed to sell war bonds):
https://www.youtube.com/watch?v=OBAj7nsSZag


 
These ads are for Standard Oil of California, which later changed its name to Chevron Corp.; it was Standard Oil of New Jersey that became Exxon, and for years carried the pre-breakup trade name of Esso.
 
Ah, thanks for that EOCostello, I had no idea they were two separate companies. Post edited.
 
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Wednesday, August 07, 2024

 

Ink-Slinger Profiles by Alex Jay: Jefferson Machamer


1928

Thomas Jefferson Machamer was born on July 5, 1898, in Holdredge, Nebraska, according to his World War I and II draft cards. The 1900 United States census recorded the same month and year. His birth year was in error on a 1931 passenger list (1889), the Social Security Death Index (1900) and California Death Index (1901).

In 1900, Machamer was third son of Daniel and Lillie. The family resided in Holdrege, Nebraska. His father was a printer.

1910 census counted the Machmers, which included a daughter, in Fairbury, Nebraska at 203 West 4th Street. 

According to the 1915 Kansas state census, the Machamer family of five lived in Belleville.

On September 7, 1918, Machamer signed his World War I draft card. He was a cartoonist at the Kansas City Star. Machamer’s description was medium height and build with gray eyes and dark hair. 


The 1920 census said Machamer was an artist, a self-employed painter. He was one of four people staying at 125 East 34th Street in Manhattan, New York City.

From 1921 to 1922, Machamer was a regular contributor to the New York Tribune. The Metropolitan Newspaper Service hired Machamer to illustrate stories. 

Machamer produced several comics series including covers, panels and strips. American Newspaper Comics (2012) said East Side, West Side, All Around the Town was a weekly panel, from December 25, 1921 to August 5, 1923, from the  New York Tribune. King Features Syndicate’s Petting Patty ran from April 16, 1928 to October 5, 1930. Its topper, Past Performances, appeared in January 1929 to 1930. Adventures of Patty was a Sunday strip from September 30 to November 11, 1928. Newspaper Feature Service syndicated Winky’s Week-ends from July 26 to September 27, 1931. Machamer drew Gags and Gals beginning in 1932 to December 27, 1936 and February 14, 1937 to February 6, 1938. James Trembath contributed from January 3, to February 7, 1937. The toppers were Bubbling Bill, and Simple Sylvia. Nifties was produced in 1937 for the McNaught Syndicate. From the same syndicate was Hollywood Husband, from January 29 to October 27, 1940. Machamer was one of many artist who did Wheaties cereal cartoon panels from 1944 to 1946. Machamer did the daily panel, Today’s Laugh, from September 6, 1947 to 1960, for the Chicago Tribune-New York Daily News Syndicate. 

Machamer illustrated many covers for Judge and College Humor magazines. 

12/1933

According to the New York Evening Journal, April 12, 1928, Machamer married Grayce Mack in 1922. In April 1928, she left him to marry eighteen-year-old Edward Tarrant of San Antonio, Texas. Machamer consented to the divorce but wanted their dog back. The New York Evening Journal, April 8, 1929, said the couple reunited and married in Port Chester, New York (April 4, 1929, New York State Marriage Index). Years later, they divorced again.

In the 1930 census, Machamer, his wife, sister-in-law and a servant were in Sands Point, Nassau County, New York on Barkers Point Road.

On January 26, 1931, Machamer, aboard the ship Governor Cobb, arrived at Key West, Florida. The purpose of the trip is not known.

Machamer was an avid and competitive golfer who participated in the Artists and Writers tournaments

Machamer and Pauline Moore’s marriage was reported in the Harrisburg Sunday Courier (Pennsylvania), May 24, 1936. 
Miss Pauline Moore Marries N. Y. Artist
Miss Pauline Love Moore, daughter of Mr. and Mrs. J. J. Moore, became the bride of Jefferson Machamer, New York artist, this week at the Methodist Church at Westminster, in the presence of the immediate families.

The pair left after the ceremony for a trip through the West, and after October they will reside in New York. Mrs. Machamer is a graduate of the William Penn High School and has played in a number of New York theatrical productions. Recently she has been posing for magazine covers. Her husband contributes comic strips to magazines and newspapers. 
In the second half of the 1930s Machamer wrote and appeared in several short films produced by Educational Pictures. 

Machamer moved to California. He was listed in the 1938 Beverly Hills, California city directory at 143 1/2 South Beverly Drive.

The 1940 census counted him, his wife and two daughters (one born in Maryland, the other in California) in Los Angeles at 2203 Camden Avenue. Machamer had two years of college. 

The Greensboro Daily News (North Carolina), November 9, 1941, reported Machamer’s wife, Pauline, and daughters’ visit. Pauline attended public schools in Greensboro where some of her relatives reside. Machamer joined them later. The Greensboro Record, August 13, 1942, reported the canteen set up by the Woman’s Christian Temperance Union. 
... Posters for the canteens are being made and donated by Jefferson Machamer, well-known cartoonist, who is now living on the Huffine Mill road.
On February 16, 1942, Machamer signed his World War II draft card. His address was Route #5, Greensboro, Guilford, North Carolina. His description was five feet eleven-and-a-half inches, 175 pounds, with brown eyes and black hair. 


Collier’s, December 11, 1943, said
Jefferson Machamer says too many people ask: “How do you ever get ideas for cartoons?” (Ideas like the one on page 50.) And he gives an answer. He says: “Well, an idea might bloom this way: Business demands me in Washington, D. C., for a few days and I ask my wife to help pack a bag.

“ ‘A bag?’ she stonies. ‘You’d better put a couple of windows in our steamer trunk and let me makeup a bed in it and-’

“ ‘Quiet!’ I yell, race for the drawing board and rough out a businessman starting for Washington with a combination trailer trunk. Which bears out advice Clare Briggs once gave me. ‘Listen to or watch anyone in the world for ten minutes, and they’ll say or do something funny enough to draw!’ ”

Machamer turned to painting after he wrote (and starred in) eight two-reel comedies for 20th Century-Fox. “I painted 60 oil and pastel masterpieces in three months at Los Angeles,” he says, “and had a one-man show, but he didn’t buy anything. . .

“Am now living on a wonderful old North Carolina plantation which we named Four Chimneys. It has four coal-burning fireplaces, three coal-burning stoves and a coal-burning furnace. I have to tend all and sometimes I just don’t know whom I agree with, Harold Ickes or John L. Lewis!”
The Greensboro Record, November 11, 1946, said Pauline was dismantling the farm and packing her husband’s art supplies for their return to Santa Monica. 

In 1947, Macahamer started his art school. He advertised in the Los Angeles Times.

4/20/1947

5/25/1947

1/9/1949

The 1947 Santa Monica city directory listed Machamer at 409 Santa Monica Boulevard in room 202.

In 1950, Machamer, his wife, two daughters and son, were living in Santa Monica at 1315 23rd Street, apartment C. He was an art teacher at a government school. 

Machamer did a cartoon for the Travelers Safety Service that appeared in the The Republican (Oakland, Maryland), August 12, 1954. 


Machamer passed away on August 15, 1960, in Santa Monica. Obituaries appeared in the Los Angeles Times and The New York Times on August 17, 1960. 


Further Reading and Viewing
The Hearst Sunday Newspaper Magazine Cover Indexes Part 2: The 1930s ‘Continuing Series’ Series
The Hearst Sunday Newspaper Magazine Cover Indexes Part 6: The Cover Series of Longer Stories (thru 1929)
Lambiek Comiclopedia
Figure Quarterly, Volume 11, selected pages From Laugh and Draw with Machamer (1946) 

Selected Judge Covers: April 9, 1927August 6, 1927October 1, 1927November 5, 1927December 10, 1927January 14, 1928February 11, 1928March 10, 1928April 14, 1928August 4, 1928November 10, 1928February 16, 1929April 6, 1929May 4, 1929June 1, 1929

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Monday, August 05, 2024

 

Smilin' Jack Debuts ... Sorta

 

Smilin' Jack, the unique flying strip with a roll call of memorable characters and zany plotlines, was a fixture of the Chicago Tribune and a very healthy client list for just a hair shy of four decades. But it didn't start out with that name. The first Sunday, shown above, is how it debuted in the Tribune on October 1 1933. At the outset the strip was titled On The Wing, and the star of the show was a midwestern hayseed type named Mack.  

How the strip got into the paper in this fetal stage I don't know, but according to creator Zack Mosley, it wasn't long before Colonel Patterson, that midwife of great Tribune comics, sat down with him and brainstormed how to turn this instantly forgettable copycat aviation strip into one that flew higher than the competition and outlasted it by decades. 

Patterson took a cue from Mosley himself, whose nickname was Smilin' Zack, and decreed that the strip and its hero would be renamed Smilin' Jack. With that simple reader-attracting hook in place he encouraged Mosley to write the strip to his own strengths, which ran to the quirky and tongue-in-cheek. The strip was Sunday-only at this time, and between the installments of December 24 and 31 1933, the title and character name change were put in place. The strip did not immediately turn into its zany mature self, but Zack started loosening up his cartooning style, began evolving his hero into the dapper ladies man, and the boring flying school stories were dropped in favour of more exciting fare.

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Sunday, August 04, 2024

 

Wish You Were Here, from Cobb Shinn

 

Time to inflict on you another postcard by Cobb Shinn. Here's a case where the cartoon, for all its faults, has a recognizeable subject, but it just doesn't serve to bring home the gag that is alluded to by the caption. Cobb, oh Cobb, what are we going to do with you. 

 This one has no maker or copyright information, but it was postally used in 1911.

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Wow. That's really horrible.
Is that "Henry" two days in a row?
 
Do you have any of the other "Wow" Cobb cards? I searched for them, and regretted it. I don't want to suffer alone, though.
 
My collection of Cobb Shinn cards is, I'm sorry to say, extensive.
 
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