Saturday, January 28, 2012
In the Panic of 1907, the Los Angeles Clearing House Association, one of those institutions, had to issue scrip. Today they burn all the cancelled scrip paper, satisfied that the panic is over and it won't be needed again, at least for awhile. Herriman cartoons the scene when huge piles of scrip were fed into the furnace of the Llewelyn Iron Works.
Certain factions in the country today, mainly those with no knowledge of history, shout endlessly about the need for smaller and less intrusive government, and for allowing the free market to fly forward unheeded by government regulation. Financial panics at the rate of one or two per decade are one of the features of the 'good old days' before government interference. Is this what we're supposed to be nostalgic for?
Labels: Herriman's LA Examiner Cartoons
Friday, January 27, 2012
Ink-Slinger Profiles: Hal Forrest
Harry Paul "Hal" Forrest was born in Philadelphia, Pennsylvania on July 22, 1892, according to his World War I draft card. The California Death Index at Ancestry.com said his birth year was 1893, and a Spokesman-Review (Spokane, Washington), August 30, 1935 profile, said the birth year was 1895.
Ten years later, the Forrests were in Philadelphia at 3501 Water Street. It's not clear what his occupation was. The Spokesman-Review said, "From 1911 to 1915 Forrest attended the Art Institute of Chicago. He became a member of the art staff of the Chicago Tribune and then joined troop A, First Illinois cavalry. During 1915 to 1917 he was a member of the headquarters troop, third New Jersey in infantry…." He signed his World War I draft card in April 1917. His home address was in Clementon, New Jersey. His occupation was student at Fort Myers Camp in Fort Myers, Virginia. He was described as tall, medium build, with brown eyes and dark hair.
He has not been found in the 1920 census. His father, a widower, lived in Clementon, New Jersey. The Nevada State Journal published Forrest's United Press International obituary, on November 26, 1959, which said, "…[Forrest was] an editor of the Culver City, Calif., News in the early 20s…." In the late 1920s, he created Artie the Ace, the forerunner to Tailspin Tommy.
The Aberdeen American News (South Dakota) said on November 25, 1959, "…in 1952…Tailspin Tommy…became the basis for a television series, a radio program and several books…."
Labels: Ink-Slinger Profiles
Thursday, January 26, 2012
Obscurity of the Day: Willie
According to an otherwise pretty reliable sounding website about Tailspin Tommy and its creator, Forrest's first pro work was at the Philadelphia Telegraph in 1911, a strip called Percy the Boy Scout. I haven't indexed the 1911 Telegraph, but I'm a bit skeptical of that claim, especially since the author says next "he collaborated with Lee Pape, author of Little Benny's Notebook, on a Sunday page of colored comics in the Philadelphia Record." This was supposedly sometime in 1915-17, but that paper I have indexed and I say it didn't happen. There is, however, Willie, which wasn't mentioned.
Wednesday, January 25, 2012
Ink-Slinger Profiles: William Steinigans
William John Steinigans was born in Connecticut on February 15, 1878, according to Artists in California, 1786-1940 (2002); the source of that date is not stated. He has not been found in the 1880 U.S. Federal Census. He attended Meriden High School in Meriden, Connecticut. He was in the class of 1898 (see photo); an excerpt from the 1898 annual:
Our "Little Willie," or rather William John Steinigans is the sport of the class. In one sense he is always well informed as to the occurrences in the athletic world; on the other hand his sportive wit and grotesque actions causes much mirth and (trouble.) Willie, "Let not thy mirth turn to mischief," so goes the proverb. On one occasion Willie was asked why he did not recite. He replied "I hain't got no book." At other times he would often answer "Because."
In the 1900 census, he was the youngest of two children born to John and Emily, both German emigrants. They lived in Meriden, Connecticut at 880 Broad Street. His father was a knife maker. Steinigans birth date was "Feb 1879" and his occupation was "Type Writer". He was listed as a clerk in the Meriden, Connecticut, City Directory, 1901. The date of his move to New York City is not known. He was on the staff of the New York World which published his strip, The Dream That Made Bill a Better Boy, starting in August 1905. He and George McManus were instructors, in comic art, at the School of Practical Illustrating; an advertisement for its summer school appeared in International Studio, May 1907.
In the 1910 census, he was recorded in Manhattan, New York City at 320 West 96 Street. He married Martha around June 1909 and was a newspaper artist. HIs strip Grimes's Goat ran in the World beginning November 1911. Around 1913, he moved west. In the book, This Way to the Big Show: The Life of Dexter Fellows (1936), Fellows recalled carousing with his cartoonist friends:
…[George] McManus, who boasted that they kept him on the World, his first New York paper, because Joseph Pulitzer, who was then blind, could not see his drawings; Tom Powers, whose cartoons and barblike quips will be remembered by thousands; Bill Steinigans, who drew dog pictures for the World; and I were the four horsemen of Park Row. We rode, for the most part, in search of drink, food, and pleasure and invariably found them all. The little group was broken up in more ways than one when doctors presented Steinie with an ultimatum which gave him a year to live in New York or three years in the West. Steinie elected to go to Banning, in Southern California. Although he lived for five years, it seems to me that he would have been much happier with a shorter stay on this earth spent in New York. In Banning and later in Tucson, Arizona, he was among strangers, people who were not his kind, with nothing to see but cacti and desert.
…Lovely indeed is the Palm Springs of today—and yet this some pilgrim cannot but regret the passing of the picturesque, ramshackle little collection of huts and shacks beloved by the colony of former days, which included Edwin Salisbury Field; Mrs. Robert Louis Stevenson, wife of the famous author; Robert V. Carr, another writer; "Jimmie" Swinnerton, well known Hearst cartoonist; George Herriman, creator of "Dinny Dingbat" and "Krazy Kat"; William Steinigans, New York World comic man; and others noted for their creative talents.
Lost—Mexican poodle dog. Color, yellow and white, spotted, long hair, weighs between 5 and 6 pounds. Answers to the name Japeno. Liberal reward if returned to Mrs. Wm. J. Steinigans, Santa Rita St. Box 114.
William J. Steinigans, comic artist on the staff of the Sunday World, died at Los Angeles, Cal., Friday, January 25.
Mr. Steinigans was a member of the World staff for about sixteen years, most of that time on the Sunday comic supplement. He was the creator of "The Bad Dream That Made Bill a Better Boy," "Splinters," "Mr. Hubby" and other comic series. He was famous particularly for his funny pictures of dogs, which figured in every series that he drew.
About five years ago, Mr. Steinigans went to California for his health, and with the exception of some time spent in Arizona, he remained there until the end. He is survived by a widow.
The Daily Citizen printed a series of legal notices, regarding Steinigans' will.
According to the Connecticut, Deaths and Burials Index at Ancestry.com, Steinigans was born in 1879, and buried at the Walnut Grove Cemetery in Meriden, Connecticut. Steinigans was in Los Angeles when he died. The address of where he lived, at the time, is not known but there are two possibilities to consider. His wife was recorded in the Los Angeles City Directory, 1920 at "1321 N Serrano", and in the 1920 census at 1404 Serrano Avenue.
Labels: Ink-Slinger Profiles
Tuesday, January 24, 2012
Obscurity of the Day: Mister Hubby
Mister Hubby was his last new strip creation for the World, and also the last to end. It started on September 1 1912 and ended December 17 1916. It is not a fitting coda for Steinigans, who obviously preferred penning his dog strips. In fact Mister Hubby is quite bland, to the point where the title couldn't be much more generic.
According to reports on the web, Steinigans died in 1918 at the age of forty, less than a year after Mister Hubby ended.
Monday, January 23, 2012
Obscurity of the Day: Curious Avenue
Tom Toles' Curious Avenue, distributed by Universal Press Syndicate, debuted on April 19 1992 to a lukewarm reception. I'm betting that feature editors who liked Toles' political cartoons grabbed the strip on reputation alone, while others wouldn't touch it with a ten foot pole. The strip, however, was completely apolitical. It featured a cast of rather goofy tykes who sport a host of neuroses. They generally act like kids, but they can express themselves like adults. So yeah, somewhat like Peanuts, but with an edgier and overtly darker sensibility. The strip tended to be a bit on the violent side, with physical encounters between the kids a pretty commonplace occurrence, and sarcasm was as rampant in the strip as in Toles' editorial cartoons.
I found the strip intriguing and the drawing style attractive. I rather liked it, although I did feel it suffered for a lack of likeable characters . Apparently I was in the minority for liking the strip because it went belly-up in less than two years; the latest I've found it running is December 31 1994. I imagine Toles pulled the plug, seeing that it wasn't going to be a major income-producer.
If the samples intrigue you, look for an Andrews-McMeel reprint collection of the strip issued in 1993; it's on the scarce side, but not particularly expensive.
Toles did another comic, Randolph Itch 2AM. I have a tearsheet of that somewhere...
Sunday, January 22, 2012
Jim Ivey's Sunday Comics
Labels: Jim Ivey's Sunday Comics
Keep the stories coming, Jim... you old Rambler, you.