It has long been my belief that the most important and interesting cartoonist memoir ever published is that of Walt McDougall. Titled "This Is The Life!", it was published in 1926 by Knopf, at a time when McDougall was struggling to find work in a profession that he had practically invented in the 1890s. Though the occasional touch of bitterness shows through in the book, as is to be expected, McDougall in the main does a wonderful job of giving readers an exciting and insightful look at the early years of the newspaper cartooning profession -- a profession in which he had a key role over and over again.
For many years I have have yearned for a chunk of free time in which to produce an index of this book. McDougall's publisher failed to provide one, and the author's habit of jumping around in his narrative makes it practically impossible to locate specific references without one. Since the book is so important, covering information not to be found anywhere else, this has often been a source of annoyance. I can't tell you how many times I wished I could refer to the book for some specific fact that I suspected was lurking within.
Recently I found that the book had been digitized and is available on the Hathitrust
website. Unfortunately, the OCR work, while quite good, isn't perfect by any means, and thus is still not quite the reference I'm yearning for. However, since that website has done quite a bit of the work for me, I decided it was only fair that I meet the book halfway, and do the necessary proofreading and reformatting to turn it into something approaching a proper eBook. Because I'm a glutton for punishment, I also decided to add links to further information when appropriate.
I'm in the long slow process of working through this book (330 pages!) as we speak, and I will bring it to you here on the blog as I make progress. Perhaps this will become a regular weekly feature for awhile. Not sure about that yet, as I need to better gauge the amount of work necessary. As my life is quite stupendously busy right now, I can make no guarantees. Here, though, we start off with roughly half of chapter one of This is the Life!
This is the Life!
Chapter One -- The First Dozen Years are the Worst
How President Grant
raised me … And how General Sherman rejected my advances … The Market Street
home … No fairy but a skeleton in the house … The first fight … My aboriginal
comrade … The “High Street Ghost” … Harry’s unfilial trick … Birch, Backus and
Wambold’s Minstrels … Buffalo Bill at thirty
At sixty-five one is clearly far too young to be
reminiscent. In the first place, his perspective is still too limited, events
are too recent to have proper coloring and atmosphere, prejudice has not
yielded to judgment and reflection, and in the second place, many persons are
still alive of whom stories are to be told but whose feelings might be hurt.
This last consideration has always prevented me from writing certain surefire
hokum in fiction. I was aware that the originals of some striking characters would
instantly recognize themselves, and feared that others might do so as well, and
that many inexplicable happenings in the distant past would be traceable. To reminisce
one should be heartless and also secure.
But if one waits too long one's memory becomes treacherous
and unstable. When a man finds himself groping vainly for the name of one who
had been for years a daily companion in the long-ago, when he forgets the name
of a hotel in which occurred the most tragic of incidents or of the ship in
which he was wrecked thirty years ago or why he has always hated a certain
person, it is time for him to be making notes, at least.
It is at this stage, however, that the mind more readily
gives up its stores of memories of the earlier years. It swiftly forms pictures
of places and persons long since faded into blankness and restores to lively
animation images that have been forgotten for scores of years. One can
visualize the street in front of his childhood home more vividly than he can
the plan of the flat he occupied four years ago. I can recall the name of the
boy who used to sprinkle the sawdust on the barber shop floor in Newark when I
was ten years old but I have already forgotten that of the Colonel with whom I
played chess daily at Camp Meade in 1918. Therefore I feel that I had better
begin before I forget matters of real importance.
Much must be forgiven to one who seriously tries to write an
autobiography unless he is among the great figures who have been of use to the
world; the vanity that spurs him to the task, the self-esteem that attaches importance
to his slightest deed or thought, the fatuous urge to place his book among the
countless dusty volumes cumbering library shelves, these are human weaknesses which,
fortunately, need not annoy us for a moment because we do not have to read his
book. Such books by such writers are of value as textbooks in the study of egoism,
and the more pronounced the egoism, the more valuable the book.
Perhaps only to the creative artist is it fully given to realize
how trivial and futile are the little successes of Life. He who is conscious of
falling far below his aims, of reaching merely the foothills of the
cloud-capped peaks of his early ambition, is never heartened to tell of his
stumbling career, but if his story may ease the journey for other travelers or
shed light upon the path, its telling is not in vain.
Just as some have refused to be honest and have gone to
jail, some have refused to be virtuous and wedded great wealth, others refused
to be editors and have become Ambassadors, so have I refused to take myself seriously,
and having thus placed my own valuation, I could not, out of mere self-respect,
accord better treatment to the other bubble-blowers about me. Therefore, if a
hint of levity or a lack of veneration for dignitaries be observable in these
pages, let it be remembered that from childhood I was accustomed, like the
animal-trainer's son, not only to seeing the lions perform in public but at
their feeding-time and in their hours of relaxation.
Having inherited a talent for drawing quite common in the
family, it is likely enough that early attempts at caricature being applauded
instead of reproved, awakened a childish vanity and created the desire to
obtain a laugh and thus, with nobody warning or restraining me, for in our
highly respectable family such a thing was unimaginable, I gradually developed
into a scoffing, contumelious cartoonist.
This not unusual talent, however, was accompanied by a most
singular and inexplicable, almost uncanny faculty for being, by pure haphazard,
in the vicinity when any fatal accident or important event occurred. A list of
such fortuitous occurrences drawn up to prove this assertion would tell a tale
of horror comprising murders, lynchings, burnings, drownings and the like, as
gruesome as it would be useless, but this mysterious faculty has persisted
throughout my lifetime, and came to be regarded by me as something as natural
as a mole or a grocer's bill, coming to be static and dependable, so to speak.
While it has made me less painstaking, perhaps, this confidence in blind luck
has saved me untold worry and postponed senility materially.
I was born in 1858, in Newark,
N. J., and about ten years later the President of the United States, Ulysses S.
Grant, took me in hand and, recognizing qualities not yet discernible by
parents, teachers or companions, with one prophetic sentence planted in me a
firm, enduring conviction that I was destined for great things, along with a
deep-seated aversion for hard work. The exact date of this memorable event may
be found by ascertaining just when President Grant drove
the famous Dexter
around the track at Waverley Fair Grounds, a couple of
miles south of Newark.
I was there with about half the boy population, but every
incident of the day is forgotten except this historic happening. Loitering back
of the judge's stand, a circular structure, the vast crowd blocked my view
except aloft to this bird-house wherein I knew the President and a number of
notables were watching the races. An enclosed stairway led to the upper
platform, supported by a three-inch post, and urged by Destiny and exuberant vitality,
I amused myself by climbing up this support. Reaching the platform, I was, of
course, checked by the paneled balustrade and slid down, but on a third or fourth
attempt I looked up to find a bearded face looking down upon me with kindly
amused eyes. A hand was extended to me and raising mine, I was drawn up and
lifted over the balustrade.
"You'll get up in the world, my boy!" said the
bearded man as he set me down. Every eye in the judge's stand was fixed upon me
and I expected an instant expulsion, but a pleasant grin upon the handsome face
of Patrick Quinn, the Secretary of the Waverley Association and a friend of my
family, gave me some confidence. I stared eagerly about me but saw no face
resembling the well-known one of General Grant. After a moment, Congressman
Courtland Parker, also a family friend, asked me with a teasing smile:
"Who are you looking for, son?"
"Why, I'm looking for General Grant!" I stammered.
"I thought he was up here."
What he replied I cannot recall, but there was a general
laugh following it, and in my embarrassment I turned about toward my introducer
as a refuge. Instantly I recognized the familiar face, but wreathed in a broad
smile. The shock was such that I bolted down the stairway, unlatched the door
and fled. Before I reached home I was highly exultant, but when I told my story
my mother was deeply mortified by such unseemly conduct and insisted that I
write the President an apology. Poor mother, with six boys to guide, had none
as erratic as I, and she feared that my little adventure would get into the
paper, but, unfortunately, it didn't.
One day in '86 I went with James
, the sculptor, to Grant's house in 65th Street to watch him make some sketches
for a battle monument he was designing. I asked the General if he remembered
driving Dexter at Waverley.
He said that he had driven the horse several times but did not recall the name
of the place in New Jersey,
and he was highly amused when I related how he had uplifted me and given me a
slogan to live up to. Also, I told him how I had climbed up the steeple of the
old First Presbyterian Church at the risk of my neck and with a narrow gouge
carved the legend "Bound to Rise" on the ancient shingles. It may be
there yet for all I know.
Grant was then writing his memoirs and was suffering from
the throat trouble that soon ended his days. He was far from being the
"Silent Man" of popular tradition; he was, in fact, voluble, even
loquacious to us two youngsters that day. On another occasion, when I made five
or six sketches of his profile, which he kindly signed, he was taciturn, but we
knew that he was suffering greatly.
Somewhere about the same time as the Waverley incident a great Industrial
Exposition, the first of its kind, I think, in our quiet city, was opened at
the Washington Street Rink and General William
was the main attraction. An immense throng attended that
formed an endless line to shake hands with the hero of the March to the Sea. I
remember well the gaunt yet handsome figure he made as he underwent this ordeal.
I slipped into the slow-moving line and finally felt the tingling thrill of
contact with that smooth but formidable sword-hand. The sensation was
delicious, but, not content, I wormed myself into line again and took another
electric shock. When I reached him for a
third thrill, the General glared down upon me and said gruffly:
"You get out of here! I've shaken hands with you twice
One evening years afterward when I had come to know him, as
I shall relate in another place, I told of this incident at a big theatrical
banquet. The General wrinkled his brow meditatively for a moment, then smiled and
"Why, I remember that little episode very well, but you've
got it wrong. Didn't I kick you? Seems to me I did!"
"You did not, General, but I deserved it," I
replied. "I suppose it irks you to discover that you neglected an opportunity?"
"Well! Well, I still think I did!" he insisted,
grinning. "Anyway, I guess I knocked a lot of conceit out of you!"
When I try to estimate how much time I have wasted at play,
I marvel that I learned anything, yet probably that is why I am a husky old boy
still playing outdoor games. At the age of nine I acquired a cavalry carbine captured
from the enemy by a man who worked in my father's photograph gallery, a scarred
and dilapidated breech-loader which I loaded from the muzzle with boyish
disregard of life or limb, and tried to shoot flickers in the apple trees in
our back yard. Always play with the maximum of risk! There was plenty of time
for it then; the myriad things that children of today must learn had not been
discovered. Geography was narrower by Africa, Australia,
the Great West and Alaska,
the modern torments of Arithmetic, Electricity, Physics and Grammar had not
been invented and germs were inconceivable. I fell off a tall gateway upon a
fence studded with long rusty nails, and hung there for a space with a nail through
one hand and two through another, literally crucified. My mother simply wrapped
up my hands in pork fat to "draw out the rust" and, strange to say,
no trouble ensued, but if a woman adopted such archaic measures today the Board
of Health would get after her promptly. Perhaps the germs of long ago were as slow
and easy-going as the people. On another occasion, in my uncle's sash and blind
factory, I put my finger against a circular saw in order to convince myself
that it was moving. It was, and it took an inch of finger off. Picking up the
fragment, I stuck it on and ran for the doctor, who was dubious, but at my
earnest solicitation he stitched it on. It is there still with the plain marks
of his workmanship visible. At that tender age an older boy tattooed a big blue
star on the back of my hand and mother pumice-stoned it out, with suitable
remarks about my vulgar tastes that were as painful as the operation which
removed about a quarter-inch of cuticle, yet no other than a temporary
I learned early to ride a horse. To the team that hauled the
overloaded street cars up the steep grade of Springfield Avenue was always added an
extra horse just opposite our door. The boy who rode this horse, who afterward
owned most of the stock in the trolley company, was exceedingly glad to let me
take his place at any time. The horse was a fat steady old plug, but the skill
and agility needed to hook him on to the swiftly moving street car made the job
strenuous and exciting for any boy. As the old steed struggled up and then
galloped bravely down the steep hill paved with rounded cobblestones, great
flocks of swallows skimmed low along the roadway's center. The boys used to
stand with slats to swat them in passing. Years afterward I learned that a
century or so before this a wide shallow stream had flowed down this slope,
afterward being covered over and converted into a sewer. A sample of the
persistence of race memory. For generations the swallows had continued to haunt
the course of the vanished stream, skimming the cobbles precisely as if the water
still rippled in the Spring sunshine. Perhaps the insects upon which they fed
were also the victims of the same instinctive habit.
Market Street, where I was born, now one of the most crowded
thoroughfares of the world, was then a grass-grown avenue down which frowned a
courthouse built in the somber Egyptian style, similar to the famous Tombs, New
York's prison, which was precisely opposite my birthplace, a house erected
about 1797 by my grandfather, Hugh McDougall, a pious Presbyterian who
organized Newark's fire department and was its first chief. The house was an
immense one, with a broad porch and wide steps, and strangers frequently took
it for a hotel, unceremoniously invading our dining room to demand board and
lodging. On the day after Lincoln's
assassination the wide space of street was thronged with tearful people gazing
reverently upon a half-finished portrait in oil which my father had been
painting and which mother had placed over the front door and draped in black
cloth. This, very likely, is my earliest recollection of an event of
Our house had always been the resort of notabilities, I am
convinced. It was in its atmosphere. Father, a successful and popular painter
of miniatures and portraits, knew everybody in New York
worth the knowing, and in those days the eight-mile journey to Newark had no terrors for the sturdy heroes
of the stage or the brush and pen.
Grandfather's diaries record that he often walked across the
meadows to see the girl he afterward married in Newark, and mention that once he and another
gallant removed their handsome expensive boots from motives of economy and made
the journey bare-footed.
A broad hall ran through to a stairway wide enough for the
traditional coach to pass up, large fireplaces were in each room, with square
openings in the walls through which the heat circulated, and in the rear was a
long apartment the floor of which sloped earthward with its burden of years,
which served as a battle-ground, a ballroom or a bowling alley, as our will dictated.
The moss-covered roof slanted down to within a few feet of
the ground at the rear, and a roll down this velvety green slope upon a pile of
hay held never-to-be-forgotten thrills. I once slid down the front roof, caught
by accident on the copper gutter, and was rescued by the nearby fire company.
Far into days of manhood my fancy carried the dimming memories of that old house
with its cavernous cellars, its dark shadow-haunted garret and many rooms,
placing therein the locale of every scene and character in fiction from Grimm's
Fairy Tales to Dickens' works, and through its halls and chambers have moved
the forms of kings, crusaders, pirates, scouts, knights and giants, from the
valorous Cid el Campeador down to timid Oliver Twist, until at last Time
blended them all in a misty haze.
A Doctor Dougherty, called away to war, had left in father's
care a finely articulated skeleton, large and marvelously white, in a glass
case which was placed in the garret back under the eaves and safe, it was
supposed, from sacrilegious hands, and there it rested for a space. The
familiarity that breeds lack of consideration gradually converted the ghastly
object into a plaything. We used to take it from its case and treat it as if it
were a giant doll, christening it "Jeff Davis" and hanging it over
the second floor railing, in the absence of our elders, hauling it up with more
or less care in case of an alarm. I have often marveled that its thin bones and
thinner wires survived our rude handling.
One day a servant whose presence in the house was unsuspected
stepped into the hall to encounter the grisly Jeff doing a Dance of Death in
the gloom like a great marionette. Her shrieks subsided into a fainting fit,
but not before she had seen the awful apparition dart hastily upward, and her
subsequent testimony swiftly led to our conviction. We youngsters felt the loss
of this unique plaything keenly, even more painfully, perhaps, than the loss of
a relation would have affected us; we often used to regret that we had been
unable to have kept a finger-bone or a bit of vertebra as a souvenir of those
hilarious hours. Probably this early intimacy with Jeff Davis created in me the
ambition to be a great surgeon, which endured until I was about fifteen; at any
rate, a skeleton never meant any more to me than any other highly instructive
object. I will wager that since the Stone Age no human bones ever furnished so
much innocent happiness to a group of gentle and refined children.
To the old Market
Street house came many famous men and women. Horace Greeley
frequent visitor. In our games of mimicking our elders, he who first secured an
ancient beaver hat once belonging to grandfather and put it under his chair,
played the part of the great editor. One day father came into the house to find
a newspaper with his feet stuck into one of the square ventilation holes in the
wall. "Take your feet down, Horace," he counseled. "No heat is
coming in there. There's no fire in yonder and the windows are all open."
The editor held up his hand, felt the icy draft and snapped: "Damn it! Why
couldn't you have kept your mouth shut? I was just getting nicely warmed!"
ex-consul to Peru and author of "The Serpent Symbol" and other
phallic works, with his beautiful wife, afterward the well-known Mrs. Frank
Leslie, were visitors there, and it is supposed that here she met the engraver and publisher,
, with whom she later eloped, creating one of the liveliest scandals
of those days. When I met her in her old age, fat and faded, yet patronizing
and dictatorial, there was no evidence of the beauty that had compelled my
father to paint her portrait in miniature. Not long after she married Sir William Wilde
happened to be walking behind a squabbling old couple on Fifth Avenue who, I judged from their
conversation, had been banqueting freely and were having a slight difficulty in
making the grade up Murray Hill. When like a good Samaritan I lent an arm to
each for a block or two, I was delighted to discover that the two pugnacious
old sports were the bride and groom.
was another guest, and we children now and then spent summer
days at his Peekskill country place; once I
in uniform on the porch and my wondering if his horse
would swim across the wide Passaic
River beyond which he
lived in an imposing mansion. GeorgeArnold
gentle poet whose great ode
has always seemed to me a perfect poem, Edwin Booth
, Tom Hamblin
famous, manager, Henry Clay
John McCollough, and John
are names often mentioned by parents and brothers as visitors to
our home, but of none of them have I any recollection, of course. Richardson of the Tribune
and McFarlane, who killed him,
were frequent guests.
The Richardson Murder created intense excitement in1869. It
would have attracted my attention even had not the principals both been known
to me. Daniel G. McFarlane, moved by a suspicion of the unfaithfulness of his
beautiful wife, shot and killed Albert D. Richardson on the steps of the Tribune office on Park Row.
Among the witnesses at the trial were Horace Greeley,Amos J. Cummings
, Whitelaw Reid
, F. B. Carpenter
and Fitzhugh Ludlow
Elbridge T. Gerry, John Graham, C. S. Spenser and Noah Davis were among the
eminent lawyers. The verdict of "Not Guilty" was the subject of much
excited discussion for some time afterward.
son, who sat beside me at school, one day drew from his pocket a misshapen bit
of lead and, as he showed it, whispered with tragic intensity:
"That's the bullet that killed my father!"
*** END OF CHAPTER ONE, PART ONE ***
Labels: McDougall's This Is The Life
That legendary lumberjack Paul Bunyan seems like a perfect subject for a newspaper comic strip, so it is actually a little surprising that it took until 1949 before someone brought the idea to light. The Mighty Bunyan
, by Clyde Yeadon
, debuted on January 2 1949 in a short list of northwest state newspapers, distributed by Bell Syndicate.
Clyde Yeadon didn't have a particularly distinguished career as a cartoonist, but you've got to give him points for coming up with the idea for a Paul Bunyan strip, and then hanging onto his brainchild tenaciously until he brought it to fruition. Based on newspaper and Editor & Publisher
articles, we know that Yeadon had put together his likely one-man operation of Paul Bunyan Productions*
shortly after the end of World War II. He tried to sell a Paul Bunyan cartoon in various forms, and may have self-syndicated an early version of what later became The Mighty Bunyan
to a few Michigan papers (unfortunately I cannot come up with any direct proof that it really happened). He did at least get a few individual cartoons published featuring his character.
Though Yeadon's cartooning is pretty raw, Bell Syndicate evidently saw the hustle the man was willing to put into the strip, and probably figured it was worth a chance. Yeadon was a real go-getter, and probably did more to sell the strip than Bell ever did. Things were a little rocky from the start, though. After announcing the start date of the strip as October 11 1948 in E&P
, something seems to have gone awry, because the actual start date ended up being the aforementioned January 2 1949. A Sunday strip, announced to start with the daily, ended up debuting on February 13, probably with the Milwaukee Journal
as the only taker. When the Journal
lost interest and stopped printing the Sunday on May 8, that appears to have been the swan song for it.
Soon Bell Syndicate too was losing interest in the strip. Starting on July 25, the strip no longer included the Bell Syndicate copyright slug, and seems to have been self-syndicated by Yeadon's Paul Bunyan Productions from then on.
The strip's storyline, after a breakneck run through the classic legend, diverged into new stories devised by Yeadon. Unfortunately, he was not all that comfortable with telling a story in short daily spurts, and his plots tend to jump all over the place with storytelling gaps from one strip to the next. In fact, reading the strip you constantly have the feeling that every second strip must have gotten lost in the mail.
While Yeadon obviously delighted in adding to the Bunyan legend with appropriate and theoretically entertaining stories, they were, quite frankly, not very well told. So despite his heart being in the right place, his market was limited mostly to newspapers that he probably sold to personally. The strip continued with its short client list until December 9 1950.
Tomorrow tune in again for Alex Jay's Ink-Slinger Profile of Clyde Yeadon.
* That's incorrect. Yeadon was assisted in the marketing of his Paul Bunyan cartoons by a promoter named Les Kangas, who was made president of Paul Bunyan Productions. This information is from Kangas's son, Les Kangas Jr.