Stripper's Guide

Mario Risso, who took credit simply as 'Mario' on this panel, sold the historical humor series Jesterday to Iowa's Register & Tribune Syndicate. I can't say I'm a fan; I've seen this sort of thing done better. Risso's cartooning is fine, but the gags fail to do much tickling of my funnybone. 

Jesterday was a real throwaway sort of feature, so of the few client papers that bought it I imagine quite a few used it ROP. However, I did manage to find a few papers that ran it consistently enough to formulate some possible start and end dates, to wit, August 4 1975* to March 6 1976**. Wouldn't surprise me to learn that the feature ran out its one year contract, but finding it actually running anywhere that long I've come up dry. 

Risso would later make a return to the funny pages with the strip Father's Day, and author and illustrate a number of books.

* Source: Jackson Sun

** Source: Minneapolis Tribune

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 0 comments

August Hutaf did a whole series of postcards about apples, one of my favorite subjects. These were put out by the A.B. Woodward Company in 1907. I wonder how many people even know what a russet apple is these days?

Labels: Wish You Were Here

# posted by Allan Holtz @ 7:00 AM 0 comments

January 9 1910 -- Boxer Jim Jeffries is touring the country, putting on theatrical shows of fisticuffs for the throngs of fight fans who want to get a glimpse of him before he goes up against Jack Johnson in July. Herriman speaks for his fellow Angelinos who pine for the return of their local hero.

Labels: Herriman's LA Examiner Cartoons

# posted by Allan Holtz @ 7:00 AM 0 comments

Here's one of those kid strips from the 1900s that number in the hundreds. This kid is named Gimpey, and if he's not careful he's going to lose his star status to this Judge Sobersides joker who is horning in on the fun. 

Gimpey ran as an occasional feature of the Boston Globe Sunday comics sections from March 5 1905 to February 4 1906*. The strips are signed Williams, and I have long believed that they are by O.P. Williams; the art style is right, and he was in Boston, where he would later cartoon for the Herald and the Traveler. Oddly, though, Alex Jay didn't seem to find any mentions of his being at the Globe for his Ink-Slinger Profile. I'm sticking with the ID, though, until proven wrong.

* Boston Globe index by Dave Strickler.

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 2 comments

Between 1981 and 1982 we lost information on 3 papers, but 3 papers returned which makes us even. The total is still 286 papers. All the 3 papers lost did not have online information for January 1982 or even the last day of 1981. They were Battle Creek Enquirer (MI), Daily News (Huntingdon, PA) and Intelligencer Journal (Lancaster, PA). All these three papers will be back for the 1983 results. The three papers that have returned are the Courier (Waterloo, IA), Del Rio News Herald (TX) and Globe-Gazette (Mason City, IA).

Four strips entered (or re-entered) the top 30 this year: one new strip (The Muppets), For Better or For Worse, Herman and Gasoline Alley, which squeaked in despite not gaining any papers. Three strips dropped out; Berry’s World, Bugs Bunny and Steve Canyon. Garfield made the biggest movement, up 11 spots to crack the Top 10. The top 14 strips all gained papers. The Top 8 stayed in the same spots but next year there will be lots of movement,  because Doonesbury starts its 22-month sabbatical, which will make for quite a shake-up.

TOP 30

 Here are the rest of the features, ranked by number of papers.

 As always, if you would like the complete listings for the year (showing each title and which papers ran it) in a Word file, just send Allan an email with your request.

Labels: Paper Trends

# posted by Allan Holtz @ 7:00 AM 0 comments

As with the previous year, Garfield continues its rise to becoming one of the most successful strips of all time. From January 1980 to January 1981 Garfield gained 28 papers to reach a total 49 papers, which is the highest gain which we have seen so far. Now from January 1981 to January 1982 Garfield shattered its own record with an additional 41 papers!

No other feature would come near that; the next highest was Herman with a gain of 10 papers. Newer strips like Bloom County, For Better or For Worse, Bloom County, Shoe and Far Side all had nice increases. Here is the rundown:

The Biggest Gainers

1. Garfield – 41
2. Herman – 10
3. Bloom County – 9
4. For Better or For Worse – 8
5. Hagar the Horrible, Ziggy – 7
6. Family Circus, Far Side – 6
7. Wizard of Id, Shoe – 5

The biggest losers are story strips, long-running strips and recent strips continuing their downward trend from last year. The biggest drop was again Star Wars which lost 21 papers in the previous survey. This year the strip lost 16 more papers making a 37 paper drop in the last two years. Steve Canyon who had been averaging a loss of 6 papers per year lost a new high of 14 papers during the past year.

The Biggest Losers

1. Star Wars – 16
2. Steve Canyon – 14
3. Small Society – 11
4. Winnie the Pooh – 9
5. Bugs Bunny, Superheroes – 8
6. Nancy, Berry’s World, They’ll Do It Every Time – 7
7. Judge Parker, Tiger, Short Ribs, Donald Duck, Grin and Bear It, John Darling – 6
8. Amazing Spider-Man, Tumbleweeds, Redeye, Goosemyer, Heart of Juliet Jones, Agatha Crumm, Flintstones, Incredible Hulk – 5

 Among the story strips, only Annie managed to buck the downward trend, gaining a single paper. The only other ‘gainer’ was Lone Ranger, which was a new strip. Here is the breakdown:

• Amazing Spider-Man – 51 (-5)
• Alley Oop – 45 (-2)
• Dick Tracy – 43 (-4)
• Steve Canyon – 33 (-14)
• Buz Sawyer – 32 (-3)
• Captain Easy – 30 (-1)
• Phantom – 25 (-1)
• Mark Trail – 22 (-2)
• Steve Roper and Mike Nomad – 22 (-1)
• Latigo – 19 (-2)
• Kerry Drake – 14 (-4)
• Rip Kirby – 14 (0)
• Star Wars – 13 (-16)
• Little Orphan Annie – 12 (+1)
• Joe Palooka – 10 (0)
• Brenda Starr – 9 (-1)
• Flash Gordon – 6 (0)
• Lone Ranger – 5 (+5) – New Strip
• Star Trek – 5 (-4)
• World's Greatest Superheroes – 5 (-8)
• Incredible Hulk – 4 (-5)
• Buck Rogers – 3 (-2)
• Mandrake the Magician – 2 (0)
• Popeye – 2 (0)
• Brick Bradford – 1 (0)
• Modesty Blaise – 1 (-1)
• Secret Agent Corrigan – 1 (0)
• Conan the Barbarian cancelled, had 6 papers
• Rick O’ Shay cancelled, had 4 papers
• Star Hawks cancelled, had 1 paper

The total spots now given to story strips is 429, down from 510 which is a 16 percent drop from last year.

Labels: Paper Trends

# posted by Allan Holtz @ 7:00 AM 1 comments

This is now the fifth year we have covered and again we have lots of new features debuting;  the highest we have ever had since we started this journey. Our big rookie is The Muppets, which ended the year with 70 papers. As with the previous rookie winners this strip would only last a short time. In this case it would be five years. You can see why newspaper editors would have thought that this strip would bring in all types of readers from the young to the old. The Muppets had a successful TV series and a recent successful movie but could not hold the readers in a gag a day strip format.  

The remaining rookies for 1982 had some success and of course some that would disappear in the blink of the eye. Coming in second was a strip that could still be running today if the cartoonist Doug Marlette did not die in an automobile accident;  that would be Kudzu which debuted in 17 papers. Others that had good starts were Duffy with 12 and Dallas with 11. Willy ‘n Ethel is the only debut that is still running today, though it is now self-syndicated.

 Here are the top rookie strips:

1. The Muppets (King Features) – 70
2. Kudzu (Chicago Tribune – New York News Syndicate) – 17
3. Duffy (Universal Press Syndicate) – 12
4. Dallas (Los Angeles Times Syndicate) – 11
5. Le Grand Chef (Chicago Tribune – New York News Syndicate) – 9
6. Willy ‘N Ethel (Field Enterprise) – 7
7. Ben Swift (United Feature Syndicate) – 6
8. Lone Ranger (New York Times Special Features) – 5
9. Wingtips (Universal Press Syndicate) – 5

 Other new strips that debuted in less than 5 papers – It’s Just a Game, Benji, Eggheads, Father’s Day, Adam’s Apple*, Miles to Go, Sonny Pew and Vidiots.

 Here is how the debuts since 1977 stand as of 1982:

1. Garfield (United Features Syndicate) (1978) – 90
2. Shoe (Chicago Tribune – New York News Syndicate) (1977) – 73
3. The Muppets (King Features) (1981) – 70
4. Amazing Spider-Man (Register and Tribune Syndicate) (1977) – 51
5. For Better or For Worse (Universal Press Syndicate) (1979) – 51
6. Kit ‘N’ Carlyle (NEA) (1980) - 22
   

Labels: Paper Trends

# posted by Allan Holtz @ 7:00 AM 0 comments

January 7 1910 --Ad Wolgast is set to face George Memsic tonight at the Naud Junction boxing arena. Herriman suggests in this sports editorial strip that Ad, who is the heavy favorite, just might lose and then all his plans for continuing his climb up the boxing ladder will be in a shambles. 

As it turns out, Wolgast will beat Memsic tonight, making him the winner of his last nine bouts. It will not be until a few more fights down the road when Wolgast's luck will run out.

Labels: Herriman's LA Examiner Cartoons

# posted by Allan Holtz @ 7:00 AM 0 comments

Before creating the long-running Our Own Oddities for the St. Louis Post-Dispatch Sunday comics section, Ralph Graczak was the illustrator of a weekly feature titled Dijever. The feature asked readers to submit puns which Graczak would illustrate. The idea was to complete the phrase "Did you ever ..." with a term, usually two words, where the meaning changes if you treat one of the words as a verb. Look at the samples to get the idea of how it worked. It was a cute idea, and Graczak did his best to eke out a little extra humor from the illustrations.

The feature ran on a Saturday kids page called the Weekly Whizzer, debuting with the page of June 18 1938. Graczak made it a bit less than a year before the Dijever feature was canned in favor of new contest. The last panel ran on March 4 1939. 

This is one of those features that I have trouble with. Is it worthy of inclusion in my listings? If Graczak himself were penning the puns, then no problem. But since he was just illustrating reader submissions that sort of makes this an 'activity feature', which my self-imposed rules disqualify. Yes, I know, if that's the worst problem I have, then things are looking pretty darn bright...

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 3 comments

Unlike most cartoonists working for King Features, Ad Carter, the creator of Just Kids, seemed to know almost exactly what he wanted to do when the syndicate decreed that all Sunday pages would have topper strips added. On May 16 1926* Just Kids gained a topper that would last until the strip eschewed toppers altogether almost two decades later. 

The topper was titled Nicodemus O'Malley (originally titled Nicodemus O'Malley's Uncle for the first two episodes) and it took one of the minor players from the main strip and simply moved him into a starring role on Sundays. Nicodemus was a younger kid than the rest of the gang, always getting into scrapes and trouble. His uncle was there to keep him in line and offer sage advice. 

The relationship is a little murky. Nicodemus was, as best I can tell, the nephew of Mush Stebbins, the star of the main strip. Oddly, though, when Mush played the wise uncle in the topper, he was fitted with a bowler hat and never that I've seen referred to by name. Maybe this was a different uncle than Mush? I dunno. 

It's relationship to the characters in the main strip notwithstanding, the dynamic between the two was very much like that between Skippy and Sooky in Percy Crosby's Always Belittlin', a topper strip to Skippy that debuted about six months after Nicodemus O'Malley.  

The tiresomely fomulaic strip had little to recommend it until a decade later, when suddenly Ad Carter woke up to the fun he could have if he injected a fantasy element. On March 29 1936** the strip was retitled Nicodemus O'Mally and his Pet Whale Palsy-Walsy, taking little Nicodemus to the seas, riding on the back of his new-found friend all over the world. The strip finally gained visual interest, a sense of fun, and much better gags. I hope it is not too much of an insult to Ad Carter, but it makes me wonder if this burst of creativity speaks to a ghost coming on board. 

In the 1940s topper strips started to fall out of favor with newspapers. They had the excuse of wartime paper shortages, but the primary reason was that those third-page holes made good spots for advertising. Ad Carter, probably recognizing the futility of putting a lot of effort into toppers, dropped Palsy-Walsy and the whole fantasy element on August 18 1940***. The topper remained, but went back to its boring old self, now with a slightly more mature Nicodemus and no uncle in sight. The topper drifted along for almost two more years, appearing in fewer and fewer papers, until Carter decided to give up on toppers altogether. The last Nicodemus O'Malley topper ran on April 19 1942***. 

* Source: Columbus Dispatch

** Source: Sandusky Register

*** Source: Montana Standard

Labels: Topper Features

# posted by Allan Holtz @ 7:00 AM 5 comments

Hallmark published quite a few Peanuts postcards. This one is marked 204-1 on the back. The cards are undated, but I'm guessing, what, 1990s? Good gag card to send to a recalcitrant correspondent!

Labels: Wish You Were Here

# posted by Allan Holtz @ 7:00 AM 0 comments

January 7 1910 -- Herriman illustrates a most odd report from the University orf Missouri, in which the boys claim to be growing their beards so as not to be attractive to the girls. This decision apparently made in order to promote higher levels of scholarship from the ladies, who otherwise are overcome by the mere sight of the rapturously handsome faces of the boys. 

Labels: Herriman's LA Examiner Cartoons

# posted by Allan Holtz @ 7:00 AM 0 comments

According to my ghosting credits, all these Sundays would have been ghosted by Russell Keaton.

Labels: Topper Features

# posted by Allan Holtz @ 7:00 AM 2 comments

A February 23 1902 Hearst comics section shows us what sort of shenanigans could happen when cartoonists worked alongside each other in newspaper bullpens. Such crossover strips would eventually become very rare, but in the 1890s and 1900s these treats happened more frequently.

Labels: Archives Sub-Basement

# posted by Allan Holtz @ 7:00 AM 3 comments

I love these Grace Drayton cards from Reinthal & Newman; this particular series has wonderful gags, so unexpectedly earthy in light of those cherubic little Campbell's Kids. 

This card is undated, but postally used in 1916. The card was mailed in Scotland, and I love the similarly earthy message written in a childish scrawl; "Thank you very much for the nice rock. With love from May." I'm sure the recipient, Miss Muriel Perry, was delighted that her gift of a rock was well-received.

Labels: Wish You Were Here

# posted by Allan Holtz @ 7:00 AM 0 comments

About a year and a half ago I had to discontinue our weekly Herriman Saturdays because my LA Examiner source material got packed away in a box 2000 miles away, prepped for the big move. When everything made it to my new home base and unpacking began, I soon realized that the stack of Herrimans was playing a pro game of hide-and-seek. So, here we are a year later and I just uncovered the stack in a totally unexpected box of miscellany. Well, better late than never! 

As you probably do not recall, Herriman Saturday went on hiatus just as we got started on 1910, Herriman's last year at the LA Examiner. However, for our first new post, we're going to turn back the clock to 1908, because in that stack I discovered a giant full-page cartoon by Herriman that got filed out of order. So ....

April 20 1908 -- Herriman offered up a bonanza of cartoons to welcome the Great White Fleet to Los Angeles, among which was this full page of vignettes about the visiting gobs. A few notes on the subject matter:

* in the upper right you see a sailor saluting a handbill depicting 'Bob Evans'. It's not that he's a big fan of fried mush and other down-home heart attack food, but doing what comes natural when he sees the Great White Fleet's Admiral Robley D. Evans. 

* upper left, "Charley Noble" was the slang term for a copper smokestack over a ship's kitchen. Why this sailor addresses his horse that way I cannot guess. 

* middle top, a pier head is the outer edge of a pier or dock.

* left side, 3rd cartoon down, Herriman shills for a favorite Spanish (that is Mexican) restaurant that serves fiery spiced dishes of chili con carne. The restaurant has been tentatively IDed by others as "The Spanish Kitchen", and operated by Ismael (here corrupted as Ysmile) Ramirez.  

* right side, 3rd cartoon down, Jeff is of course boxer Jim Jeffries, who figures in hundreds of Herriman cartoons, but you can be forgiven if you forgot that after this long layover.

Labels: Herriman's LA Examiner Cartoons

# posted by Allan Holtz @ 7:00 AM 0 comments

Answering the question on everyone's mind, "If pigs could be part of human society, would they be a lot like grown-up Charlie Browns?", Steve Stinson's Hamlet set out to provide the answer and it is a resounding "Yes!". The strip about a depressed porker, syndicated by Iowa's Register and Tribune Syndicate, found very few takers, so few that I can find no papers online that ran it. My files confirm that the strip did indeed make it into a paper somewhere, but more than that I cannot say. It began sometime in 1984, and may not have made it out of that year. Can anyone provide specific running dates?

Stinson tried out a number of newspaper features in the 1980s, and believe it or not Hamlet is the one with the highest profile.  He later got into writing and drawing children's books and paints some pretty cool artwork. Go check out his website.

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 5 comments

 

1949 Jayhawker yearbook

 

1950 Jayhawker yearbook

Presently, Bibler is an assistant professor in the art department at Humboldt State College, Arcata, California. He admits to a “beautiful blonde wife,” two daughters, and a son. He notes proudly that his son is already scribbling cartoons about guys flunking biology.

Richard N. Bibler died peacefully in his sleep May 24, 2013. He was a retired Art professor of 30 years at Monterey Peninsula College and creator of Little Man on Campus cartoons. Richard is survived by his children, Ms. Susan Gardner, Dr. Mark Bibler and Ms. Ellen Milinich. His ashes will be placed in the cemetery in Monterey.

Labels: Ink-Slinger Profiles

# posted by Alex Jay @ 7:00 AM 0 comments

 Working away at organizing the boxes and boxes of miscellany here at the Archives, I came across a few Mexican Sunday newspaper comics sections. Of course most of the contents are translated US comics, but each section had a little homegrown content. I decided I had to share a few items with you. First, here is the cover feature of El Heraldo de Mexico for May 18 1980, titled Johnny Galaxy:

I had this one pegged for a foreign import, but clicking around the web I'm not so sure anymore. Seems like this feature appeared in various comics anthologies in various countries, and that the ultimate origin of the strip is surprisingly murky. One website suggested that it was produced by a Spanish comics publisher. I don't know if they mean in Spain, or perhaps in Mexico? In any case, it certainly seems odd that a Spaniard of any country would name his hero Johnny, right? Anyone have any wisdom to share about this feature?

Second, I was pretty blown away by the delight ful art on Chicharrin y el Sargento Pistolas:

These strips from 1984 Sunday sections of an unknown paper may be badly colored and suffering from bleed-through, but I really like the artist's energy. I was very surprised to find that the creator, Guerrero Edwards, started this strip around 1936, and did it into the 1990s. Wow, we're talking about a record run! Hard to imagine art that fresh and joyful could come from a cartoonist by then in his 80s. I found one short bio of the cartoonist online here, which I ran through Google translate:

Born in Pachuca on December 30, 1903, Armando Guerrero Edwards, was the creator of emblematic comic strips, published for decades in the Mexican press, such as Chicharrín and Sargento Pistolas, which were distributed over 66 years.

There is not much information about the cartoonist Armando Guerrero, it is known that he entered a contest organized by the newspaper El Universal, and although he did not win the first prize, he was among the first twenty finalists, some of his works were published.

It would be from 1926 that he began to publish more constantly: Life and miracles of Pinolillo and Nacho Naranjas, Aventuras de Pirrucha and Ranilla.

His most memorable creation was Chicharrín y el Sargento Pistolas, which was published in the evening of Excelsior Últimas Noticias. The strip showed the adventures of a mischievous boy and an abusive cop.

Despite the fact that its purpose was not to generate criticism, as its successors would do with political cartoons, but simply to entertain, at that time it laid the foundations for comics in Mexico; later Rius, Fontanarrosa, Magú, among other moneros and caricaturists would arrive.

José Luis Diego Hernández “Trizas”, president of the Mexican Society of Cartoonists, during the presentation of an edited volume on Guerrero's work, commented: “Don Armando was the creator of characters that became icons in our history, Chicharrín and Sergeant Pistolas have remained in the collective memory, they have made several generations of Mexicans laugh ”.

Armando Guerrero deserves to be remembered as one of the pioneers of Mexican comics and a pillar of the national graphic culture. Chicharrín y el Sargento Pistolas was published from 1936 to the 1990s. Armando Guerrero Edwards died on September 25, 1995.

Labels: Archives Sub-Basement

# posted by Allan Holtz @ 7:00 AM 5 comments

Here's another Garfield card put out by Argus Communications sometime in the 1980s. This one was initally to be P2121 in their series, but that code got Xed out and replaced by P2120. Sure glad we have that all cleared up.

Labels: Wish You Were Here

# posted by Allan Holtz @ 7:00 AM 0 comments

You've got to give Bill Sakren points for  sticking with it. After George Matthew Adams syndicated his pantomime strip Mortimer Mum in the 1930s, you'd figure Sakren would strike out in a different direction. Well, he didn't, but he did wait over a decade and a half before dipping his toe in a second time. 

It All Depends, Sakren's second pass on a pantomime feature for George Matthew Adams, is a very cute idea. The panel shows a pair of characters in a situation and the thoughts going through their heads. Of course each character sees the situation in very different ways. Writing gags for pantomime features can be a real struggle, but this one, it seems to me, offers an unending well of good gags. 

Unfortunately we'll never know how deep Sakren's well was, because the feature did not last long. I can trace it from January 7 1952* to September 26 1953**. It was as fresh and funny on the end date as it was at the beginning, but the Adams syndicate just couldn't seem to get it in many papers. Sakren would get a few more features syndicated, but none that met with anything more than modest success.

* Source: Troy Times-Record

** Source: Allentown Call

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 2 comments

Strips in which the title is also the punchline were popular, or perhaps I should just say often seen, in the 1900s to 20s. They fell out of favor as cartoonists began to come into the mindset that they could be stuck doing the same strip for years and years. Once they realized what a corner they could paint themselves into this genre pretty much died out. 

Starting in 1911 Vic Forsythe began pumping out a lot of material for the New York Evening World, eventually settling on the long-running Joe's Car/Joe Jinks strip that would keep him busy through the late 1930s, and other cartoonists gainfully employed for decades longer. Before that Forsythe peppered the Evening World with a number of other strips, including It Can't Be Done, one of those Title = Punchline things. It ran from November 25 1912 to December 30 1913.

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 0 comments

Last week's Carey obscurity was not one of his best by a long shot, but today's obscurity is, in my opinion, a delight. In Ye Getting of Ye Goat, penned for the New York Evening Telegram, Carey shows us various annoying dolts and some outright scoundrels getting their comeuppance. The cute kicker is that Carey turns the phrase "getting one's goat" into a literal event in the gags. 

Ye Getting of Ye Goat first ran in the Evening Telegram on December 27 1910, then 11 more times in February through early April of the next year. The final strip, which was also Carey's swan song at the paper, ran on April 14. 

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 0 comments

Here's a Cobb Shinn postcard, postally dated 1913, from an unknown maker. Shinn's postcard work is generally crude like this (though I like the framing), but he produced bajillions of them.

Labels: Wish You Were Here

# posted by Allan Holtz @ 7:00 AM 2 comments

Here's one of Nell Brinkley's magazine cover series, this one under the King Features brand. Dimples' Day Dreams ran from March 4 to May 20 1928.

Labels: Magazine Cover Comics

# posted by Allan Holtz @ 7:00 AM 0 comments

Ed Carey managed to escape from McClure Syndicate around 1909, finding some takers for his wares in the higher-class precincts on the New York World and Evening Telegram. But for whatever reason, by late 1912 he returned to the fold as one of McClure's headliners. Being a headliner can be nice, but McClure at this time, struggling to find a market for the now out of fashion boilerplate Sundays, made him a big fish in a very small pond. 

Carey decided not to bring back Simon Simple, his old McClure standby, but instead a new creation, The Troubles of Dictionary Jaques. However, the new strip is pretty much just Simon Simple with a French accent. Jaques (yes, he consistent spelled the name that way, not Jacques) adds on the additional conceit of trying to learn the ins and outs of English by misinterpreting dictionary definitions. 

Carey still offers superb art, but the strip just doesn't seem to have the energy of his earlier efforts. It's no wonder, then, that the strip was retired after less than six months. It ran from November 3 1912 to April 20 1913*. Carey then runs under my radar until mid-1914, when he returned to McClure for another go-round.

* Source: San Francisco Chronicle

Labels: Obscurities

# posted by Allan Holtz @ 7:00 AM 0 comments