Saturday, September 17, 2011
Did you notice that famed cartoonist Jimmy Swinnerton gets caricatured in this collection of vignettes? And have you noticed that Herriman's duck, someday to be known as Gooseberry Sprig and have a strip of his own, is now a regular mascot to his sports cartoons?
Sam Coulter, the fellow with the bandaged ear, was a local boxer; he has only two known professional fights, both of which he won. Dick Dunnigan was a local attorney; I don't know why he had privileged access to Jimmy Britt.
Labels: Herriman's LA Examiner Cartoons
Friday, September 16, 2011
Ink-Slinger Profiles: Ed Goewey
Edwin A. "Ed" Goewey was born in Albany, New York in July 1871. Goewey's father was a resident of Albany when he received his patent for an improvement to a tea kettle design, as recorded in Commissioner of Patents Annual Report, 1864; also, he was listed in the Albany Directory 1875. The date of birth is from the 1900 U.S. Federal Census.
Edwin A. Goewey, who for the past five years has been connected with the Leslie-Judge Company, first as art manager of Judge and later holding a similar post as well as that of sporting editor with Leslie's Weekly, will soon leave for the West to join the forces of the Kansas City (Mo.) Post. On the latter publication Mr. Goewey will have charge of the dramatic desk, acting both as critic and dramatic cartoonist. His series of caricatures of stage folk that has been running in Leslie's Weekly for some two years will be continued as a feature on the Post. Mr. Goewey was with the World for some years as a writer and artist, and later conducted newspaper art departments in St. Louis.
Goewey—Edwin A., husband of Gertrude B. Goewey, July 18. Funeral services Sunday, Albany, N.Y.
Labels: Ink-Slinger Profiles
I know this is an older post, but is there any chance you have any notes or anything on this? I've gone through both issues and can't find it anywhere...
Thursday, September 15, 2011
Obscurity of the Day: Do You Remember Your Kid Days?
The bottom sample may be confusing to today's audience, so I should explain that back in those days rag recycling was an actual occupation. Rag-pickers would gather up clothes and other materials that were beyond use and in turn sell them to companies that recycled them. Rags were used in paper-making (you've heard of rag paper?).
Thanks to Cole Johnson for the samples!
Wednesday, September 14, 2011
Ink-Slinger's Profile: Fred Morgan
Labels: Ink-Slinger Profiles
Fred the illustrator may have been 10 years old when he arrived in America in 1875, according to the 1900 census. Again, we don't know how accurate that date was. About twenty-five years had passed when he was asked about his year of immigration. My experience with census information is that inconsistencies and errors abound.
I concede that the reference to the painting "School Belles" was probably the work of Fred the painter.
Looking back at the first paragraph, there is this line about Fred the illustrator's father, "His father was an artist of renown in Great Britain." Here are two lines from Fred the painter's biography at Rehs Galleries website, "Frederick Morgan was born in London, England in 1847. His father John Morgan (1823-1886) was a genre artist who received his training in Paris France under the French painter and teacher Thomas Couture (1815-1879)." Fred the painter and John Morgan are the two most prominent Morgans in the art field, of that time, that I am aware of. If Fred the illustrator was not the son of Fred the painter, could he have been the son of John Morgan, who would have been around 42 years old at the time of Fred's birth. Another question would be, "Who was the mother?" Of course, this is speculation, but it might explain why Fred the illustrator was sent to America.
Who were the parents of Fred the illustrator remains unclear.
On a more positive note, the first editorial cartoon by Morgan appears to have been published on July 21, 1898 in the Philadelphia Inquirer; on the day before, there was an unsigned cartoon that resembles Morgan's work.
I can not verify this as family records were Lost. I was told Fred came to USA some times between 1885 and 1890. His wifes name is no where to be found Yet. ( I am still looking for that) Fred's wife that he did have 3 children with were Horace, Ruth Florence, Dorothy, Died not long after giving Birth To Dorothy. Fred not having anyone here to help him with the Children put them into a home for children untill he could care for them. No records could be found on them so far. The Fred Morgan (1847) you talk about was an Uncle to our family. As for him Leaving England, My Mother was told that he was doing policial cartoons on the Royal Family and was told to leave England. I do know that My Fred Morgan Got Married around 1889 before coming here to stay in USA. Fred's Children Dorothy lived a quiet Life in Phila Untill 1960 and then moved to Cape May NJ where she passed in 1980. Ruth Florence Did not live with her father as she was married in england to a J Rawlinson from London. She divorced Him and went back to school to become a Nurse working with Mental Handicapped people in Phila.Until she passed away. Horace I have no infomation on him as no one ever spoke of him, I found him on the 1900 census In House of Industry. I am trying to locate the records for the House of Industry, as if someone was sick and got off a boat from another country they were sent to this place to live, Parents were seperated from the Children, untill a family could prove that they made enough money to support their family. My mom or Grandmother never had a drawings that Fred did. But I know that they were In England in 1893-1894 as I have a oicture of my Aunt from England Photographer. I hoppe this helps with some of the confusion..
Tuesday, September 13, 2011
Ink-Slinger Profiles: F.R. Morgan
It should be noted that this is not the Fred Morgan who drew editorial cartoons for the Philadelphia Inquirer for many years in the first quarter of the century.
Labels: Ink-Slinger Profiles
Monday, September 12, 2011
Obscurity of the Day: The Nut Club
Dolly the Drummer and Philadelphia Inquirer editorial cartooning. Well, F.R. is indeed a Fred, but there are two Fred Morgans. And to even suggest that Fred Morgan, editorial cartoonist of the Inquirer, would stoop to such ephemeral productions for second-rate syndicates is, when given some thought, utterly ludicrous. Alex Jay has produced profiles on both of these Freds and they'll be presented here in subsequent posts.
The other interesting thing about The Nut Club is the syndicate. Western Newspaper Union, provider of boilerplate material to rural papers, really didn't get into the comic strip game until the 1920s, so to find a comic strip series from 1913 distributed by them was quite a surprise to me. It sure does make me wonder if there could be a lot more WNU comic strip material from the 1910s lurking out there. Nice to know that they were putting prominent copyright tags on their material, though, so I don't have to start worrying that they produced material that I've credited to other syndicates.
But there's even more to the syndication. The early strips in this series were copyright by Joseph B. Bowles and ran in the Chicago Daily News. Bowles ran an eponymous newspaper syndicate in the 1900s-10s which specialized in short articles about science, history and the like. Comic strips seemed to be way out of his line, and the Chicago Daily News certainly had no need of his wares between having their own cartooning staff plus whatever they wanted from Associated Newspapers. Why they ran The Nut Club (and a second strip named Butch) from Bowles is a mystery. Bowles' only other comic strip connection is that he brokered a deal between George Peck and the Philadelphia North American to do a Peck's Bad Boy strip back in 1906-07. So how and why did Bowles, WNU and the Chicago Daily News, all based in Chicago, come together for this one comic strip? Wish I had an answer to that. It's certainly not like F.R. Morgan was a huge draw that brought rivals together to capture his genius.
So, some interesting stuff going on here, perhaps the least of which is the actual strip itself. Not that it was a bad strip, mind you. In fact it's pretty funny. I especially like the membership applications, with questions like, "Number of Bats in Belfry ____". The strip ran from February 10 until about November 1913. Several papers have been found running the strip into 1914, but I think they're all late. The Racine Journal-News has a relatively consistent run that ends on November 4.
Sunday, September 11, 2011
Jim Ivey's Sunday Comics
Labels: Jim Ivey's Sunday Comics