Saturday, August 07, 2010
Friday, November 29 1907 -- In an odd pairing we have Herriman chronicling a college football game between St. Vincent College and Oregon State, while the photo in the middle is of a high school game between LA and Lick High School (of San Jose?).
Labels: Herriman's LA Examiner Cartoons
Friday, August 06, 2010
Obscurity of the Day: Sgt. Preston of the Yukon
Nothing more was heard of Sgt. Preston, whose TV cancellation seemed to be his permanent retirement, until 1981 when Lone Ranger Television Inc., the owner of the Preston brand, flush with the excitement of a Lone Ranger revival, decided to try their luck with Preston. Unfortunately the somewhat outdated story of a Northwest police officer failed to garner much interest. The best they were able to do was place a comic strip with the beyond-obscure Inter-Continental Press Syndicate. The new strip started in a tiny number of papers on September 20 1982.
Art on the strip was by the ever-superb veteran cartoonist Don Sherwood and the writing was by Stan Stunell, of whom I know nothing. If the name's a pseudonym that's a good thing because the writing is almost unbelievably awful. Stories make little sense, characters pop up and disappear constantly for no reason, and up to four different (incoherent) stories are being juggled at any given time.
For many years I thought the Sgt. Preston strip was just a legend, one of those features that never actually got off the ground but yet was talked about as if it did -- syndicate sales brochures were the only evidence I ever saw for it. It wasn't until recently that I came across a run of the strip in the Seattle Times that finally turns this phantom strip into a reality. However, a few mysteries still remain:
* the strip was advertised as daily and Sunday, but I've never found a Sunday. I think there must have been one, though, because there are always story gaps between the Saturday and Monday dailies.Did the Times, or any other paper for that matter, print them?
* the strip ends in the Seattle Times on March 16, 1983, a Wednesday, with a 'The End' announcement and a story wrap-up using pasted up art from old strips. It would be VERY odd for a paper to end an ongoing feature on a Wednesday, so I assumed this final strip was from the syndicate and did indeed signal the demise of the strip. Yet the feature was advertised in the 1983 E&P Syndicate Directory, not issued until months later. I also found original art advertised on the Comicartfans website that appears to be later since none of the strips is from a storyline in my Times run. The repro is too blurry to tell dates with certainty, but I think they are from July. What is weirder, though, is they seem to be set in bygone days, not the modern setting of the strips I have.
Sherwood exhibits the same bravura work that made "The Partridge Family" comic book such a success.
Bill Kost: 9/28/12
Stunell, Stanley January 24, 1930 - November 24, 2011 Stanley Stunell 81, passed away peacefully on Thanksgiving Day, November 24, 2011. He was born Jan 24, 1930 in Philadelphia, Pennsylvania. Stan was raised in England and Scotland and served in the British Royal Navy. He moved back to Chester, Pennsylvania with his mother in 1949 and then to Los Angeles in 1959 where he met and married Mildred Risk, who survives him. Stanley was vice-president, head of the film division at Wrather Corporation. He resigned in 1983 to design and build a 50 foot sailboat, which he sailed through the Panama Canal to the Mediterranean, on which they cruised for six years. In 1992 they returned to live on Bainbridge Island, Washington before moving back to Southern California. In addition to his wife, he is survived by two sisters-in-law, Mary Shook and Terry Zeoli and husband Gene. Stanley was a devoted uncle to seven nieces and nephews and their spouses, and six grand nieces and nephews. A memorial will be held in January.
Published in the Los Angeles Times on December 16, 2011
Wednesday, August 04, 2010
Stripper's Guide Bookshelf: The Cartoon History of the American Revolution
G.P. Putnams, 1975
12" x 9.5" hardcover, 191 pages, indexed
I've had a hankering to read this book for a long time, but the price on the used market, usually around $50, held me back. It is, after all, pretty far afield from my area of greatest interest, so I wasn't willing to shell out that kind of dough. But lately the price took a precipitous drop, as low as $10, on ABE so I finally bought one.
Jones does a fantastic job of giving us a concise yet full-bodied history of the American Revolution, telling the tale with the show-and-tell of contemporary cartoons. Particularly interesting is that much of the perspective comes from the British side. This is necessarily so because there were very few American period cartoons outside of the famous ones by Ben Franklin and Paul Revere. Being a Canadian who's knowledge of the Revolution is a bit sketchy, I was surprised at the fact that the vast majority of the British public, and therefore the Brit cartoonists, were against the King's war -- not so much that they sided with the colonists but that they (correctly) predicted that the British economy would suffer greatly from the adventure.
As good as Jones' text is, the reproduction quality of the cartoons is pretty awful. Given the age of the source material I suppose that's not too surprising, but the often too-small reproduction certainly doesn't help any. Much of the lettering on the cartoons (and there is a lot) is indecipherable, at least to my eyes. In some cases Jones recognizes this problem and tells us what it all says, but that's the exception rather than the rule. Generally his discussions of the cartoons seem to assume more legible reproduction than he actually got. The quality of the artwork itself ranges from absolutely gorgeous (Gillray and Rowlandson, for instance) to amateurish but dynamic scribbles.
If you're looking for a coffee table art book you can give this a pass, but if you are interested in seeing the state of editorial cartooning during an exciting period in history I highly recommend the book despite the reproduction problems.
Labels: Strip Teasers
Tuesday, August 03, 2010
Obscurity of the Day: Hazel the Heartbreaker
Hazel the Heartbreaker ran in the New York Evening Journal as a weekday strip from March 8 1910 until an unknown date in 1911, during the same period when the Hall-Room Boys were also appearing there. I wonder if readers were able to tell the difference?
Why some cartoonists continued to use the style long after others had amply demonstrated that it wasn't necessary I don't know.
Sunday, August 01, 2010
Jim Ivey's Sunday Comics
Labels: Jim Ivey's Sunday Comics