Saturday, December 29, 2012
There's a lot to the story of the LA trolleys, way more than I can even hint at here. Try this short but informative history on for size, dust off your videotape of Who Framed Roger Rabbit, and read about an attempt to bring the streetcars back to L.A.
Labels: Herriman's LA Examiner Cartoons
Friday, December 28, 2012
Sci-Friday starring Adam Chase -- an Introduction
Occasionally when I publish a post asking a creator to come forward I get lucky. But that wasn't the case with Russ Morgan. Although I had what I believed to be a correct email address, the creator of Adam Chase remained stubbornly private. That is, he did until just a month or so ago.
Much to my delight, Russ Morgan finally stumbled across that old blog post (he'd never gotten my email) and sent me a gracious and friendly message offering any information I might want about the strip. Never one not to take a mile when an inch is offered, I found out that Russ had archived a set of his strips (which actually ran two years, not the one year I thought), and with very little arm-twisting I convinced him to loan them to me for scanning.
It turned out that the strip I had termed 'a wacky sci-fi romp' based on a few isolated sample strips was actually not a campy fantasy at all, but relatively serious science fiction. In other words, think Star Trek, not Lost in Space. But you don't have to take my word for it. Because starting today, every Friday on the Stripper's Guide blog are now Sci-Fridays, in which we can all enjoy an episode of Russ Morgan's Adam Chase!
Asked to provide some background on himself, Russ provided this succinct bio:
About Adam Chase, he had this to say:I started teaching myself to draw in high school and developed an interest in comic strips and science fiction. In 1966, as a staff artist at his local newspaper, I offered the idea of Adam Chase to the editors and they bought it. It ran for two years in color as a feature page in the Sunday newspaper's magazine, Emerald Empire. After completing the strip, I opened my own graphics and advertising company, which I operated for 25 years. Most recently, I returned to being a staff artist at a daily newspaper, the Bend Bulletin in Oregon and retired in 2010. I play lots of golf, travel and restore classic Ford cars.
Hopefully, as Sci-Fridays unfold Russ will find time to comment further upon his experiences doing a local science fiction strip in Oregon. But for now, let's get Sci-Fridays started with Adam Chase strip #1, originally published June 5 1966!Adam Chase ran for two years in a medium-sized Oregon daily newspaper with a circulation of about 35,000 at the time. I was a staff artist at the R-G doing ad art, maps, story illustrations, cartoons etc., but I also had an interest in sci-fi, rockets, space, etc. I came up with the idea of the strip and pitched it to the editor. He wanted to see an outline and some examples of my "comic strip" work. I told him I'd do four or five panels and give him a two year story line. When I presented it to all the editors, they bought it immediately and I was off to the races. They commented at the time that the R-G would probably be the only newspaper in the US with a strip of this kind all their own. I did the comic strip on my own time and was paid separately from my regular job. It was part of the Sunday magazine and ran in color. It was printed thru the old technology of zinc engravings, mats and lead plates, which explains some of the poor quality and registration. Some weeks, the printing plant might omit the red or blue plate. I illustrated mainly with brush but used pen and ink for some detail. Color overlays were produced on acetate, using zip-a-tone and black ink for color tints in C-M-Y. I both wrote and illustrated the strip. I quit the strip because I left the Register Guard to go into business for myself, besides, it paid virtually nothing. It was a labor of love. I guess you could say that I was influenced by my imagination and passion to create something that would capture peoples' interest.
|Copyright renewed (c) 2012 Russ Morgan. All rights reserved.|
Labels: Adam Chase Sci-Friday
Thursday, December 27, 2012
Ink-Slinger Profiles: Al Fagaly
Albert Jacob Fagaly was born in Kentucky on January 5, 1909, according to the California Death Index at Ancestry.com. There are three family trees at Ancestry.com; one of them has his middle name, while the other two say he was born in 1908. His son, Robert, wrote about his father and it was posted at a family tree. In the 1910 U.S. Federal Census, Falgaly was the youngest of three sons born to Robert and Laura [sic: Lura, according to Robert]. They lived in Waynesburg, Kentucky. His father was a farmer.
In the 1920 census, Fagaly was the third of five sons. They lived in Vancouver, Washington at 704 West 18th Street. His father was a carpenter at a shipyard. About his father's childhood, education and occupation, Robert said:
Lura’s father…owned a lumber mill on the Columbia River. Since there was some work there…the family moved to Washington state in 1912. In 1914, the family moved to Vancouver, Washington…
…From his telling, his schooling was average except in geometry, in this he was extremely good…in fact one of his teachers suggested that he go on to college...But, I think that geometry was the only technical subject that he excelled in. He was editor of his high school yearbook and graduated from Fort Vancouver High School. And while in high school, was a member of an amateur boxing team and played baseball….He also had a good art teacher.
He also did sign painting, as one of those things for extra money. He did swap outs, where he painted signs, for someone for free and in return would take clothes and other services. He did not want to be a painter, but he did want to be a cartoonist. That was his goal….
The Fagaly family was recorded in the same city according to the 1930 census; the address is illegible. Fagaly's occupation was sign painter. The Miami Daily News (Florida) article “Al Fagaly Talks of Cartooning Career”, published April 1, 1949, said:
Although he never attended art school he took a correspondence course from the Landon School of Art. This, he said, helped him more than anything else in his art work.
Robert wrote, “In the 1930's he moved to New York and began one of the many attempts to become a successful cartoonist. He did comics—seven or eight comic books, on his own and with others. He did many strips in the 30’s and 40’s….And one of his roommates in New York was Mickey Spillane, who was also trying to write a novel. He was either the best man at my father's second marriage, or was my Godfather….” Fagaly may have ghosted Calvin Fader’s Doggy Dramas Present in the late 1930s. His comic book credits are here.
Fagaly passed away April 25, 1963, in Orange, California, according to the California Death Index; Robert said the date was April 23. The Press-Courier, (Oxnard, California), published news of his death April 30.
Mr. Fagaly died Thursday [April 25] at Hogal [sic: Hoag] Presbyterian Hospital.
Survivors include his widow, Mrs. Margaret Fagaly, a son, Robert, and two daughters, Russelle and Maralyn.
Labels: Ink-Slinger Profiles
Do you know if he worked directly for Hatlo as an assistant, or if he worked on "It Happens Every Time" as a syndicate employee?
Wednesday, December 26, 2012
Ink-Slinger Profiles: Jack Kent
His comic strip, King Aroo, debuted November 1950; it was distributed by the McClure Syndicate. Newsweek, July 14, 1952, explained how Kent’s war-time service figured in King Aroo.
The King’s Tagalog
Comic-strip addicts, probably as a survival technique, quickly get used to the strange words of their favorite characters. So, when Wanda Witch, one of the weird figures who inhabit a batty land called Myopia in the McClure Syndicate’s strip King Aroo, began mouthing strange incantations, most readers just went on to the next balloon.
To the editors of The Philippine-American Advocate, a new monthly tabloid in San Francisco, however. Wanda’s incantation conjured up something quite meaningful. Last week, in its first issue, The Advocate explained that the chant, “halika, multo, madali, madly,” is purest Tagalog for “come here, ghost, quickly, quickly.” It was not the first time nor the last time that King Aroo characters would chatter in the native language. Jack Kent, the Texan who draws the strip, had studied the language while overseas in the Philippines with the Army. Moreover, for the witch talk, he had even checked the Tagalog with authorities at the National Language Institute of the Philippines.
In 1952 Doubleday published a collection of King Aroo strips with an introduction by Gilbert Seldes who wrote: “Jack Kent brings to the small company of fantasists the primary faculty of being able to create a compact universe that adheres strictly to a logic of its own.”
In the Springfield Union (Massachusetts), June 25, 1951, columnist Walter Winchell noted Kent’s pursuit of Leigh Allen, who was in the Broadway production South Pacific: “…Sends her a red rose daily, neatly boxed, which arrives just before curtaintime backstage…” His marriage to Juliet Bridgman, on September 27, was reported in the Chicago Tribune, October 2, 1952. Who’s Who said he remarried to June Kilstrofte, June 9, 1954. In the Mobile Press and Register, Kent said, “…In 1954 a gal reporter from the San Antonio Express came to interview me and we got married and lived happily ever after….” Their son, John Jr., was born in July 1955. Kent’s father passed away February 4, 1959, according to the Texas Death Index at Ancestry.com.
Who’s Who said his address, in the mid-1960s, was 103 West Johnson Street, San Antonio. When King Aroo ended in June 1965, American National Biography, Volume 12 (1999) said: “…Kent returned to the uncertain career of a freelancer, selling greeting-card designs to Hallmark Cards and advertising art and cartoons to a wide variety of publications, from Humpty Dumpty, the Saturday Evening Post, and Collier’s to Playboy, and at times supplementing his meager earnings by driving trucks….”
Kent passed away October 10, 1985, in San Antonio. A profile by his son is here. Another profile is here. In 2010, the Library of American Comics published King Aroo Volume 1: 1950–1952, and it has Bruce Canwell’s biography of Kent, from his birth to 1952; volume two is forthcoming. King Aroo original art can be viewed here.
Labels: Ink-Slinger Profiles
Tuesday, December 25, 2012
Merry Christmas from Stripper's Guide
Monday, December 24, 2012
Why Christmas Almost Wasn't, Part V
Labels: Christmas Strips
Sunday, December 23, 2012
Jim Ivey's Sunday Comics
Labels: Jim Ivey's Sunday Comics