Saturday, January 29, 2011
Labels: Herriman's LA Examiner Cartoons
Friday, January 28, 2011
Obscurity of the Day: Little Darling
Veteran cartoonist Carr pretty much sleepwalked through this strip ... well, that isn't fair. I imagine he must have had to schlep to the paper's morgue and leaf through those heavy bound volumes looking for Newlyweds gags to rehash. Points for effort there.
Little Darling ran as a chintzy little quarter-pager in the New York World's Sunday comic section from June 12 1920 to February 6 1921.
Thanks to Cole Johnson for the scans!
Thursday, January 27, 2011
Obscurity of the Day: Petting Patty
The King Features strip, which starred a hep jazz age flapper girl, began on April 16 1928 as a daily only. Machamer was still pretty young, not yet known as one of the successors to John Held, Jr., but his style was already mature. Despite the appealing art, the strip didn't sell very well, but King must have seen a bright future for it. In September 1928 Patty moonlighted in a series of appearances on Sunday magazine section covers (starting either on the 16th or 30th, sources disagree). The magazine cover series was initially titled Adventures of Patty, but the final two installments (11/4 and 11/11) used the daily strip title.
King Features may have gotten encouraging feedback on the magazine cover series, because a Sunday page was soon added to the strip. I can only verify this starting in January, but I wouldn't be surprised if it actually began a little earlier, maybe right after the magazine series ended.
The now Sunday and daily strip continued until September 5 1930. The strip had never sold very well, even with the addition of the Sunday. Machamer, who was now becoming a hot property, probably tired of the grind of a seven day a week strip when he could make more money by freeing up that time for other cartooning and illustration work.
More Petting Patty strips can be seen over at Barnacle Press.
Wednesday, January 26, 2011
Obscurity of the Day: Mr. Lose-Out
Information about the running dates of this strip, penned by Scott while still a teenager, is still sadly lacking, but at least we now know that it really did exist. A tip of the hat to Hanley, who has a website about Indiana cartoonists.
For those who haven't had the pleasure of dealing with newspaper microfilm and are unaware of the challenges involved, here's an exhibit that can give you some idea -- the original photocopy from microfilm of the strip above:
You did a good job cleaning up that mess I sent. Do you have to do that with all your posts? Anyway, I'm glad you could use Mr. Lose-Out.
No, thankfully I'm usually working with scans from tearsheets. While there is still some restoration work involved, it's seldom a major challenge like this was. My Saturday Herriman posts, though, are all microfilm photocopies and they can be a royal pain. Seldom as bad as Mr. Lose-Out tho!
Tuesday, January 25, 2011
Obscurity of the Day: Adventures of the Stranded Dime Museum Freaks
For those unfamiliar with dime museums, they were entertainment venues, where, for a mere tenth part of a dollar, you could marvel at all sorts of wonders and freaks of nature. Mermaid skeletons, devil babies, two-headed cows, medical oddities ... you name, they had it. I imagine around the turn of the century you'd find at least one operating in any major American city. Most of the exhibits, of course, were fakes, or at least fancifully represented, but hey, whaddya want fer a dime, buddy? Here's a brief introduction to them from Wiki, and here's a page about Hubert's Dime Museum in New York City, and below (if the link works) is a Youtube video of some of the exhibits at the American Dime Museum, probably the last of its kind and recently shuttered. I am surprised at how little there seems to be online about dime museums, a great (if not necessarily all that proud) part of American history:
Thanks to Steven Stwalley who provided the scan!
In the 1900 U.S. Federal Census there is a Philadelphia "Benjamin P. Elliott", born August 1868, who fits the age of the Inquirer Elliott. However, the census has his occupation as "Indext Maker"; he married in 1894 and had a year-old daughter.
On February 16, 1902 the Inquirer reported on various visual arts activities. At the Philadelphia Sketch Club, a "B.P. Elliott" was elected to the House Committee.
There was a 1911 publication, "Address of the President, the Rev. Azel W. Hazen, D.D., on the First Decade of the Society", produced by the Middlesex County Historical Society in Connecticut. Page 37 listed item 133: Painting by Benjamin P. Elliott, who lived on the corner of Court and Pearl Streets, Middletown [Connecticut].
So, there was an artistic Benjamin P. Elliott at the time of "Adventures of the Stranded Dime Museum Freaks" but I'm uncertain I correctly identified him.
Monday, January 24, 2011
News of Yore 1922: Young Cartoonist Struck Dead
Note that all the samples are from microfilm sources, so the quality is low, but the best we can do. Also, notice that one sample includes a different comic, Who Stumbles Most Dances Best by someone named Acker -- so having learned about one obscure cartoonist, in the process we find another unknown. Isn't it always the way... (see comments at bottom for info Alex has since gathered on this oddball item).
Thomas Cyril Long was born in Old Fort, North Carolina on December 29, 1897, as recorded on his death certificate. He was the only child of Luther, a life insurance agent, and Theresa. According to the 1910 U.S. Federal Census the family lived on Main Street in Newton, North Carolina.
Cyril was the preferred name as recorded in the censuses and the Charlotte and Greensboro newspapers. Beginning in 1914 the society pages of both papers reported on his violin playing, travels, college comings and goings, and other activities. He signed his World War I draft card on September 12, 1918; he was a student at the time. In the 1920 census the Longs still lived in Newton, at 1306 North Main Street.
Long's interest in baseball was noted in the Charlotte and Greensboro newspapers in the spring of 1922; he was an umpire. June saw the publication of his comic strip, "Mose Bones". On June 6 the Charlotte Observer picked up the announcement from The Hickory Record:
The newspaper public in various parts of the South will be introduced today to "Bones," a new comic strip prepared by Cyril Long of Newton. Some of Mr. Long's friends realized that he was a genius at drawing, and their pleasure will be increased by the publication of his strips. The Record is glad to be able to run "Bones" and it trusts that its readers, many of who know the young author personally, will remember that they were not done in New York, but in Newton. It's good work as Mr. Palmer, sketch artist of The New York World, remarked when shown the advance copies in this office the other day. Here's hoping that "Cy" will sell every paper in the country.
Long drew about a month's worth of strips, each of which were dated consecutively beginning with June 1, but they were printed out of order in the Charlotte Observer and Greensboro Daily Record. For example, the Observer printed the June 2, 3, and 5 strips together on June 4th; the June 1 strip appeared the next day. The Daily Record printed the June 24 strip on the 19th. The Observer published the news of Long's sudden death on the front page, July 2, 1922.
Young Cartoonist of Newton Taken While Playing Ball
Was Just Introducing Negro Comic, "Mose Bones"—Funeral at Wilmington Monday
Thomas Cyril Long, better known, especially among newspaper men of the south and east, as "Cy" Long creator of the comic cartoon strip of negro characters, including "Mose Bones," was killed by lightning while participating in a baseball game at or near Newton, N.C., his home town, Saturday afternoon, according to information received from Newton by telephone.
The body will be taken to Wilmington, N.C. former home of Mr. Long's mother, where funeral services will be held Monday morning according to information received in Charlotte.
Mr. Long was about 24 years of age, was the only child of Mr. and Mrs. Luther F. Long, of Newton, his father being a well-known insurance man of that town. Deceased was an alumnus of Catholic university at Washington, to which institution he went after completing the course at Belmont college, Belmont, N.C. He was a young man of high ambitions, energetic, of pleasing address and manner, and very popular among those who knew him.
Only the past week he returned to his home at Newton for a few days after completing a tour of the southeast and as far north as New York City, introducing his new comic, to which he had devoted most of his time and thought during recent months and on which he had been working several years. He was enthusiastic in his belief that his comic, the first in the country based upon the dialect and character of the southern darkey [not by a long shot-ed.], would prove a great success, and he had received much encouragement from newspaper men throughout the southeast and in larger cities north.
He had made arrangements with a publisher at Cumberland, Md., to prepare his cartoons for his newspaper clients and was just conducting a campaign to place his comic in the larger papers of the south and east generally. He was in The Observer office Thursday night and had a conversation with the managing editor about his cartoon, which had been recently published at intervals in this paper. The Observer has a number of the comic strips on hand for publication.
The first news of Mr. Long's death to reach Charlotte came by long distance telephone in a message from his father to O.A. Williams, Jr. of this city, a close personal friend and former school mate of the deceased.
On July 5, the Observer printed this tribute:
Of a verity it was a case of genius nipped in the bud when Cyril Long, of Newton, made answer to the sudden summons. This young artist had developed a talent for cartooning and The Observer is moved to happy reflection that it was the first paper to which he made advances and that it received him cordially, seeing in the character of his product a case of native talent which called for encouragement. He gave promise of development in the illustrated field to position similar to that held by Joel Chandler Harris in the dialect field and his "strips" were developing a popularity of the sort that has been accorded the older established cartoons of Mr. Jiggs and publications of the kind. His talents had become recognized by the newspapers in general and he was on the way to closing contracts which would have extended his fame throughout the land. The tragedy of his taking off was of the sort that could not fail to arouse painful contemplation.
|Final strip, published posthumously, July 15 1922|
Labels: News of Yore
"I think I have the story behind the strip Who Stumbles Most Dances Best. This strip was really an ad for a new song titled "Stumbling", and a Broadway dance couple. The Trenton Evening Times (August 15, 1922) article tells the story of the song "Stumbling", and the couple who sought to capitalize on it. The Rockford Republic (August 12, 1922) published a photographic sequence of the couple in action.
I found a cleaner copy of the strip which was produced by the Music News Bureau N.Y.C. Presumably the artist, Acker, was based in NYC; maybe the name was a pseudonym. I couldn't find any info on the Music News Bureau; maybe they produced other strips promoting new music.
Sunday, January 23, 2011
Jim Ivey's Sunday Comics
Labels: Jim Ivey's Sunday Comics