Thursday, November 01, 2018
Ink-Slinger Profiles by Alex Jay: George F. Kerr
In the 1870 census, Kerr’s parents were in the household of William Schilling, his maternal grandfather. Kerr’s father was a bookbinder. They resided in Williamsburg, Brooklyn.
The 1880 census said Kerr, his parents and seven-year-old brother, Albert, were still part of the Schilling household. Their address was in Brooklyn at 104 South 3rd Street.
Kerr’s early life and career were mentioned in The Illustrated American, October 14, 1898, and said in part:
Mr. Kerr became an artist for the very good reason that he had to earn his living and naturally went to work to earn it in the most congenial manner. His father, a business man, died when he was ten years old, and he became a general utility, or devil, which ever you may like to call it, at a printer’s. Then he went and occupied a similar position at Tiffany’s jewelry store, subsequently doing some designing work for a firm of lithographers. Mr. Kerr studied at the Academy of Design and at the Art Students’ League, and has been through his novitiate on the World, the Herald, a newspaper syndicate, and is now working on the New York Sunday Journal. He thinks his partly illustrative work—such as picturing incidents in children’s fairy stories, for instance—is best for him.
An early work by Kerr was a contest drawing submitted to and printed in The Press (New York, New York), March 23, 1890. Kerr won second prize.
Regarding Kerr’s early newspaper days, the Herald Statesman (New York), October 23, 1953, said
Mr. Kerr first illustrated feature stories for the old New York Herald and then became the first artist employed by William Randolph Hearst when the latter bought the New York American. For about 30 years he was the illustrator of the American Weekly, national Sunday supplement of the Hearst newspapers. He also did cartoons for editorials by Arthur Brisbane of the American.Kerr’s art gained much attention. The Brooklyn Daily Eagle, January 17, 1892, praised his work in New York Herald. According to the Herald, February 17, 1894, Kerr had wash drawing in the Salmagundi Club’s Black and White exhibit.
The New York, New York, Marriage Index, at Ancestry.com, said Kerr married “Marie L[ouise]. Steutlle” on June 1, 1893 in Brooklyn.
The 1900 census said artist Kerr and his wife, Louise, had a son, Jerome, and two servants. Their home was in Brooklyn at 755 Ocean Avenue. In the 1905 New York state census, Kerr had a second son, Eric, and the house number was 473.
in 1904 Kerr was a regular contributor to Haper’s Bazar. He illustrated stories in the July, August, September, November and December issues, and two covers (below).
Kerr illustrated Curtis Dunham’s The Golden Goblin in 1906. The Brooklyn Daily Eagle, December 30, 1906, praised Kerr and the book illustrations.
The Brooklyn Daily Eagle, June 19, 1907, reported Kerr’s divorce proceedings.
In 1907 Kerr provided the art for Dunham’s The Amazing Adventures of Bobbie in Bugaboo Land. The book received a favorable review in the Brooklyn Daily Eagle, December 22, 1907.
Justice Carr in the Supreme Court, Brooklyn, yesterday granted Mrs. L.M. Kerr a decree of absolute divorce from George F. Kerr, the artist, of 743 Ocean avenue, the custody of her two children and $60 a week alimony. The suit had been pending since May, t907. Violet E. Mayho [sic], an artist’s model, was the corespondent in the case.Later in 1909, Kerr married Virginia Mayo in New Jersey according to the state’s marriage index at Ancestry.com.
Caleb Lewis’s Almost Fairy Children, illustrated by Kerr, was published in 1909.
According to the 1910 census, Kerr, his wife and mother resided in Brooklyn at 743 Ocean Avenue. Kerr was a self-employed magazine illustrator.
Details of Kerr’s divorce were published in the Brooklyn Daily Eagle, October 10, 1910.
On September 20, 1911, Kerr and his wife returned from a trip to Cuba.
American Art Annual, Volume 12 (1915) included Kerr in its listings, “KERR, George, Art Department, “N. Y. Journal,” New York, N. Y. I.—Member: SI 1913.” The same information was repeated in volume 14.
In a 1971 issue of Films in Review, a profile of Walter Lantz said “When he was 15 Lantz got a job as copy-boy at William Randolph Hearst's ‘New York American’ and was soon made jack-of-all-jobs in its art department, the staff of which then included George Kerr and Willy Pogany. ‘They let me do an occasional lettering job,” Lantz says, “and gradually let me draw some of the characters in their comic strips.’”
Mary Frances Blaisdell’s Bunny Rabbit’s Diary was published, with art by Kerr, in 1915.
The 1920 census recorded Kerr, his wife and servant in Mamaroneck, New York at 11 Pryor Lane. Kerr was a self-employed illustrator.
Kerr visited Cuba again in 1926. He returned to the port of New York City on July 20. The passenger list said his address was the Hotel Gramatan, Bronxville, New York.
American Newspaper Comics (2012) said Kerr drew Frolics of Florabel, from May 2, 1926 to April 17, 1927. It was quickly followed by Kerr’s Florabel Flutter’s Abroad, which ran from May 8 to October 16, 1927. Both series were written by Berton Braley,
Kerr has not yet been found in the 1930 census.
Kerr had an entry in the Catalog of Copyright Entries, Part 4, Works of Art, Etc., 1939, New Series, Volume 34, Number 3, “Kerr, George F.* 7375; Radio funnies, the greatest comedy and drama of the air, ( C) 1 c. Aug. 18, 1939; G 33636.”
In the 1940 census, Kerr’s home was in Yonkers, New York at 1 Bronxville Road. The artist and his wife lived alone.
Kerr contributed comic book artwork to Dell in the 1940s.
Kerr passed away October 21, 1953, in Yonkers. The Herald Statesman said Kerr
died Wednesday at his home, 1 Bronxville Road, after a long illness. He was eighty-four and had been blind for the last few years.
In the children’s book field, Mr. Kerr was known particularly for his illustrations of the work of Thornton Burgess in “Peter Rabbit” and “Mother Westwind.”…He did a number of unsigned “Raggedy Ann” comic story books for the Dell Publishing Company.
Mr. Kerr was an honorary member of the Society of Illustrators in New York, having been one of the first in the organization early in the century when Charles Dana Gibson was president. He had been a member of the Artists and Writers Association and the Dutch Treat Club. He was an alumnus of Cooper Union.
Field Guide to Wild American Pulp Artists
Labels: Ink-Slinger Profiles