Friday, August 10, 2007
Nate Collier's Resume
Nate Collier had a regular column in Guy Lockwood's Art and Life magazine, and in his first installment he obliged readers with a career summary:
Art & Life November 1924
One correspondent asks if I had a hard time getting started.
Two years and a half after I started my first correspondence course in drawing I sold my first comic to the American Boy for $6. That was in 1906. I had taken a correspondence course from the National School of Illustrating, Indianapolis, Ind., and spent a few months at their resident school in 1904, also studied with J. H. Smith, contributor to Judge from 1904 to 1907. Took correspondence course in cartooning from Acme School of Drawing, Kalamazoo, Mich., 1905. Attended their resident school a few months at the start of 1906. In May same year obtained my first position as cartoonist on the Kokomo, Ind. Dispatch. In 1907 I sold a dozen or so drawings to Judge's amateur contest and also freelanced comics to The Chicago Daily News. In 1908 took Lockwood's cartoon course and worked in a country print shop at $6 a week to get enough money to attend his resident school. Went to Kalamazoo in January 1909 and remained a couple of months, continued selling comics to Chicago News, and sold my first drawing for the regular pages of Judge.
Later in the same year went to Sandusky, Ohio, as cartoonist on the Star Journal of that place, remained there until November 1910.
Sold my first drawing to Life in 1910.
From 1911 to March 1913 I conducted a humorous column, made sport cartoons, and illustrated the Sunday Magazine Section for the Duluth, Minn., News Tribune; also freelanced work to Hope, Coming Nation, News Times,and sold a few to Life and Judge.
In 1913, '14, '15 to May 1916, Cartoonist, Chicago Daily Journal and freelanced a lot of comics to The Motion Picture magazine.
From October 1916 to October 1917 animated ads for a Cleveland Ohio Film concern.
Came to New York in October 1917.
1917, 1918 and 1919 Animated Katzenjammer Kids, Happy Hooligan and Jerry on the Job. Had comic strip put out by International Syndicate of Baltimore, Md., called "Our Own Movies" and sold a number of drawings to Life.
1920, Made "Our Own Movies," was cartoonist for The Associated Newspapers. Freelanced to Life, Judge, Harpers, Brownings Magazine, Cartoons magazine, etc.
1921. Freelanced to Judge and Fun Book and animated Mutt and Jeff.
1922. Freelanced to Judge and animated Aesop's Fables, and with Hearst Syndicate a while.
Since April 1923 have had my studio at home and am at present doing work for Saturday Evening Post, Life, Judge, Harper's, McNaught Syndicate, The World Color Printing Co., of St. Louis, and others.
From 1909 to 1919 I submitted over four hundred drawings to Life out of which I sold 14, and I have made enough comic strips, that never landed to keep a syndicate going a year or more.
Most students think that they are ready to hold a position long before they are. It takes years of study, persistence and a never-give-up attitude; and above all a love of the work for the work itself to overcome all obstacles and discouragements.
I'll add that Collier was then doing the art on Kelly Kids for World Color, but would give it up in the next year. His only other verified newspaper credit is for Goofus Animals which he did 1930-31. He's listed in E&P for a few other later features I've not been able to find. Collier was much more successful selling freelance gag cartoons, which he placed in not only the A-list magazines but lots of trade, semi-pro and oddball publications.
Comments:
Allan, the Library of Congress possesses the original drawing for the single panel cartoon that begins with Mrs Jinks nearly fainted... - it's in the Art Wood Collection. The title is Buckeye Corners but the year is scratched out of the little circle that follows his signature. Any clue about when or where it might have appeared. I have no info, except an editors mark 4" under the drawing.
Sara Duke
Curator, Popular & Applied Graphic Art
Prints & Photographs Division
Library of Congress
Washington, DC 20540-4730
Sara Duke
Curator, Popular & Applied Graphic Art
Prints & Photographs Division
Library of Congress
Washington, DC 20540-4730
Hi Sara --
Sorry, but I'm not aware of a series by that name. Considering that Collier would place his cartoons in any backwoods publication willing to write out a very tiny check, it could have appeared most anywhere. The fact that the year is scratched out indicates he was probably trying to resell it later to another publication, too.
Best, Allan
Sorry, but I'm not aware of a series by that name. Considering that Collier would place his cartoons in any backwoods publication willing to write out a very tiny check, it could have appeared most anywhere. The fact that the year is scratched out indicates he was probably trying to resell it later to another publication, too.
Best, Allan
Sara -- ...but you're probably asking where I came up with the image shown with this post, just realized. I had a photocopy of the original art, probably from one of Jim Ivey's old sales lists.
--Allan
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--Allan