Monday, June 02, 2008
Stripper's Guide Bookshelf: Dondi
by Gus Edson and Irwin Hasen, edited by Charles Pelto
Classic Comics Press 2007
262 pages, $21.95
The Dondi comic strip, created by Gus Edson and Irwin Hasen, was about the adventures of a war orphan from Europe. He is befriended by two American G.I.’s and comes to live with them here in the States. The Dondi reprint book by Classic Comics Press reprints the first 19 months of the strip, from it’s inception on September 25, 1955 until March 17, 1957. The book’s format (11" x 8.5") allows for 3 dailies or one Sunday per page, which is a perfectly acceptable presentation — the strips are readable while the book is manageable. There is a delightful introduction by Jules Feiffer about Irwin Hasen and an extensive interview of Hasen by Bill Baker. The reproduction is superb — only one or two strips have a few minor dropouts — noticeable more by contrast with the excellent reproduction of all the other strips than by any glaring fault of the few affected strips.The Sundays are reproduced in crisp black and white.
As a child I was a fan of the Dondi strip but only had access to the Sundays, reading them in the Pittsburgh Press in the late 60’s and early 70’s. So it was with great anticipation that I began reading these early strips; my memory of details had faded and the Sundays simply could not tell the whole story. I mostly remembered the sweet innocence of Dondi and the obnoxious Mother McGowan. The strip’s storyline begins with two American G.I.’s—Corporal Ted Wills and PFC Whitey McGowan—returning from Europe and reminiscing about the war orphan — Dondi — they had befriended and taken in. But when the Army says it’s time to move you move, so, missing the lad, they are headed back to the states in a far darker mood than you should be after two years away. But Dondi, showing the ingenuity that will serve him well throughout the strip, has stowed away on the troop transport and is reunited with his ‘buddies’.
The strip continues to tell the tale as the state must decide Dondi’s immigration status and whether or not Whitey will be allowed to adopt him. We learn that Whitey is a bit of a millionaire playboy, but has a good heart in contrast to his over-bearing mother who is far more concerned about her position in society than the well-being of her only child. Because of Whitey’s money, Ted reluctantly agrees that Dondi will be better off living with the McGowans in New York than going with Ted to small town America where he lives with his mother and drives a delivery truck. But not to worry — Ted’s not written out of the strip — not by a long shot!
Gus Edson does a masterful job of keeping the strip moving while managing to fill in the back-story so new readers won’t be lost. In these first 19 months we have marriage and death, poverty and privilege, prejudice and tolerance, all handled intelligently but not belabored. While the strip would seem to be an innocent diversion about an orphan, Edson and Hasen used it from the start as a commentary on whatever struck them as important. In the Baker interview we learn that later, after Edson had died and Hasen took over the writing, the strip would tackle such topics as toxic waste and child abuse. Even in the early strips the reader is confronted with some unpleasant aspects of society, such as entrenched attitudes about immigrants and the state of public education.
Anyone who was even a passing fan of this 31-year strip should enjoy reading (or re-reading) these early strips — I certainly have!
Classic Comics Press published it, and that fans of classic comics have a chance to enjoy it. There are so many great strips that deserve a book!
PS Great review! I hope we get to read more reviews from you, Mrs. Holtz!
What does that mean? Are the colour Sundays reproduced in halftone or is the original black and white linework (sans colour) printed?
The Sundays all appear to be reproduced from b&w proofs, not halftones of printed strips.
She has scrapbooks full of them. Amazing huh. Esther
Sara Duke (who grew up reading Dondi too)