Tuesday, January 31, 2012
Ink-Slinger Profiles: Harry J. Tuthill
I was born in Chicago, Illinois and sold newspapers until I was old enough to answer advertisements for 'strong boy, not afraid of work,' and in this capacity experimented with employers for several years, at the rate of one job a week. One per week is a generalization, because too frequently some boss with a particularly low voltage nervous system was willing to call one day long enough.
In the 1900 U.S. Federal Census, the Tuthill family of six lived in Chicago at 731 West Ohio Street. His mother, a widow, was a laundress. He was a newsboy and the oldest of five children. In the World Herald, Tuthill said:
Then a man with more faith than vision sent me out of town to sell enlarged pictures. After that I sold soap, knobs for tea-kettles, baking powder, calendars, solicited patients for an itinerant malpractitioner who specialized in bunions, and, for a part of a season traveled with a medicine show which tried to pass a business depression that was running on the same track.
The September 26, 1935 Niagara Falls Gazette (New York) elaborated on his medicine show days:
The corn doctor and his able assistant covered most of the towns between the Adirondacks and the Rockies, and Harry picked up, besides his weekly pay, a wealth of impressions and mental notes.
...I worked for several years in a dairy, studied steam engineering and got a license to practice it.
During all of this I liked to draw and finally made enough progress to justify a preliminary skirmish with a managing editor. After my wounded vanity was able to be up and around I took a course in drawing and returned to the editor many times. Youth against age. I wore him down to the point where he hired me to get rid of me.
I spent eight years as topical cartoonist and then joined a syndicate as a comic artist.
|St. Louis Star editorial cartoon 1916|
He signed his World War I draft card on September 12, 1918. He resided in St. Louis at 4537 Tower Grove Place. His occupation was cartoonist at the St. Louis Star. His description was tall, slender brown eyes and hair. The Editor & Publisher reported, on October 16, 1919, Tuthill's move to a syndicate: "Harry J. Tuthill, late cartoonist of the St. Louis Star and the Post-Dispatch, will join the forces of the New York Evening Mail Syndicate, October 27th." There he created the strip Home, Sweet Home, which changed it's name to The Bungle Family around 1923.
He was counted twice in the 1920 census. He resided in Manhattan, New York City at 534 West 153 Street. He was a newspaper cartoonist. He lived in St. Louis at 4537 Tower Grove Place. The head of the household was his brother-in-law George Morrison, who was married to Tuthill's sister Irene. The childless couple looked after Tuthill's sons Harold and George.
Tuthill was the head of the household in the 1930 census, and lived in Saint Ferdinand, Missouri at 102 Elizabeth Avenue. Harold, the eldest son, was a newspaper reporter. His sister Irene was a widow who had a son. The Niagara Falls Gazette said:
|From possible undocumented cartoon series, 1916|
…He has an old-fashioned home of many large rooms, set back among the trees. A separate building houses his studio and a workshop where he tinkers with automobile engines in his spare time. He is a widower, and has two sons in college. His sister presides over his home, and Harry's friends know the place as one of the most hospitable in the hospitable city of St. Louis.
…Tuthill has always spurned the lures of Broadway. He is one of the few strip cartoonists who insist upon living in the middle west. He likes the outdoors and enjoys a motor trip through the Ozarks more than he enjoys a visit to New York night life. He visits the big city once or twice every year, and goes back to St. Louis more than ever contented with home life in Missouri.
Official Gazette of the United States Patent Office published his April 5, 1946 application for "Shading Process for Photographs".
1. The process of applying dots to a graphic composition which consists in providing a thin sheet of transparent flexible material having a multiplicity of perforations extending therethrough, laying such perforated sheet upon said graphic composition, applying to the exposed face of said sheet a liquid solvent therefor which flows through the perforations therein to the underside thereof and causes said sheet to removably adhere to said graphic composition, and then applying to said exposed surface of said sheet a viscous marking fluid which flows through said perforations and adheres to said graphic composition in the form of dots corresponding to the shape, size and spacing of said perforations.
Tuthill passed away on January 25, 1957, in St. Louis. His death was reported, on January 26, in the New York Times which said he died of heart disease at St. John's Hospital. "The Bungles were just an accidental creation," Mr. Tuthill once explained. "I didn't have anybody in mind when I drew them. They just happened."
Labels: Ink-Slinger Profiles
One thing about Tuthill and the Bungle Family that I've never heard remarked on is how large his original art was. I've bought a few pieces over the years, and they dwarf the originals of his peers. Was this the result of bad eyesight?
Again, thanks for writing this.
Anybody here interested in comics should know that Heritage still has lots of these wonderful Sundays, many gorgeously hand-colored, for sale each and every week, and they are an absolute steal. I bought six of them.
The continuing stories in the dailies are quite different in tone. They are epic stories written like Broadway plays.
And although he switched to typeset lettering later in his career, the lettering on the earlier strips has got to be the best ever until Dan Clowes came along decades later.
I show four of the Sundays in my collection here, as well as my theory of why Tuthill's and the Bungles' fame plummeted after his death.
Get into the Bungle Family!