Thursday, October 13, 2016
Ink-Slinger Profiles by Alex Jay: Ving Fuller
Ving Fuller was born Isaac Filler in Kisselynn, Russia, on March 17, 1903, according to the Immigration and Naturalization Service form, Declaration of Intention, which was filed in Los Angeles, California, on August 4, 1941. The form said Fuller was a newspaper cartoonist who had sailed aboard the S.S. Canada from Liverpool, England. He arrived in Portland, Maine, on January 15, 1913.
According to the census, Rose emigrated in 1904 and her father in 1911. The rest of the family started their journey in 1912 and arrived in the U.S. in 1913, as seen on the passenger list.
The Fillers’ residence in the 1921 Worcester city directory was 5 Mott Street.
Moving Picture World magazine published “Fuller on Bray Staff” in its August 15, 1925 issue. Ving was doing animation work for J.R. Bray. Ving left Bray and found work at the newspaper, New York Graphic. American Newspaper Comics (2012) said Ving produced Laff-O-Graphics from 1927 to 1929 for the Graphic. A photograph of Ving is here.
The Patchogue Advance 11/6/1928
Ving’s brother Samuel also worked for the Graphic. In the mid-1930s, Samuel moved to California and started a career in filmmaking.
Ving has not been found in the 1930 census. His mother and brother Raymond had the surname, Fuller, and lived with Rose’s family in Queens, New York, at 3825 56th Street. Rose’s second child was Stanley.
The Bridge World, February 1933, noted Ving contribution to the bridge club.
A portrait of assorted contented cows, executed by Mr. Ving Fuller, the club's artist, was unvealed [sic] shortly before the dinner.The Brooklyn Daily Eagle, August 13, 1933, reported the exhibition of Ving’s portraits.
An interesting exhibition of sketches of officers and members of the Woodmere Country Club by Ving Fuller, former cartoonist for a number of metropolitan newspapers, is now being held in the lobby of the clubhouse. The cartoons are embellished with biographies of the subjects—including their idiosyncrasies and talents. Among the portraits on display are those of Supreme Court Judge Clarence G. Galson, Lewis J. Robertson, president of the club; Timothy McCarthy, Oscar Seagar, William Meissel, Harry Ackerman, William Wolff and Ellis H. Wilner.American Newspaper Comics said Ving drew Helen Kane’s The Original Boop-Boop-a-Doop Girl from August 5 to October 21, 1934. It appeared in the New York Mirror.
Ving accepted me, probably because he had few friends. He was at least 25 years older than I and bitter that he had been reduced to ghost-drawing a comic strip called Joe and Asbestos for Ken Kling. The feature enjoyed its popularity on sports pages because each day’s strip contained a horse racing “best bet.” Kling was not much of an artist but he was a respected handicapper.Kanter and Bert Gold, an aspiring artist, contributed more jokes to Joe and Asbestos. Kling eventually assigned the writing to Ving who paid his two young writers.
In Fall 1936, Ving drove his mother, Kanter and Gold to California to see his brother, Samuel. A week after their arrival in Hollywood, Ving ended his relationship with Kanter and Gold. It’s not known how long Ving and his mother stayed in Hollywood.
Back in New York City, Kanter told about a chance encounter with Ving.
Ving Fuller approached me sheepishly on Seventh Avenue and asked it I could afford to buy him a hot dog. He told me he was unemployed, broke, alone. He was remorseful about his treatment of Bert and me in Hollywood….At the time, Kanter was hired to write Ole Olsen and Chic Johnson’s Eliza Poppin. Meanwhile, King Features searched for an artist. Kanter explained what happened.
Ving’s name was, of course, known to the editors at King, and when I urged Ole to give him a shot at the strip, he agreed. Ving quickly drew three or four different faces of “Eliza.” Ole, Chic and Dick Hyman of King Features picked one. I typed out a week’s worth of comic strip dialogue, advanced Ving money to buy a Whatman board, India ink, pens and gum erasers and production began on Eliza Poppin. Ving’s work was fast, crisp, funny and quickly accepted by newspaper editors. The strip got off to a flying start….American Newspaper Comics said Ving drew the strip from June 19, 1939 to January 6, 1940. It was continued by George “Swan” Swanson.
The Brooklyn Daily Eagle, November 10, 1939, reported the cartoonists’ contributions to a Chinatown restaurant.
Lum Fong will shortly dedicate a “Cartoonist’s Corner” at his Canal St. restaurant. The Corner will be decorated with original sketches by such artists as Arthur William Brown, Billy De Beck, Rube Goldberg, Ving Fuller, Paul Fung, Chick [sic] Young, Ham Fisher and George McManus.Ving has not been found in the 1940 census. His mother and brother Raymond, a cafeteria worker, lived in Manhattan at 336 West 95th Street. The date of his mother’s passing is not known. Raymond moved to Los Angeles where he died October 22, 1957. Samuel, a writer, lived in Los Angeles at 2050 1/2 Ivar Avenue.
At some point Ving returned to California and in 1941 filed, in Los Angeles, to become a naturalized citizen.
The Catalog of Copyright Entries, Part 1, Group 2, Pamphlet, etc., 1942, New Series, Volume 39, Number 8, had this entry: “Fuller (Ving)* New York. Olive drab. © July 6, 1942; A 125087. 25047”.
During World War II, it was the City of Angels where Ving enlisted in the army on November 10, 1942.
It’s not known when Ving was discharged from the army but he was in New York City when his naturalization was approved October 15, 1943. This was about six weeks after his mother was naturalized on September 2 in New York City.
Ving’s longest running strip was Doc Syke, from January 8, 1945 to 1960, according to American Newspaper Comics. It also appeared in comic books. Later, Ving changed the title to Little Doc and distributed it through his Ving Features Syndicate.
Ving patented a toy bank in 1953.
Be it known that I, Ving Fuller, a citizen of the United States, residing at 4546 Stem Ave., Sherman Oaks, in the county of Los Angeles and State of California, have invented a new, original, and ornamental Design for a Toy Bank or Similar Article…Ving and Walt Kelly were mentioned in Li’l Abner on December 7 and 14, 1958 and September 12, 1959.
Ving passed away August 2, 1965 in Los Angeles. His death was reported the following day by the Los Angeles Times. Samuel passed away October 30, 1997 in Los Angeles.
Further Reading
The Masters of Screwball Comics
—Alex Jay
Labels: Ink-Slinger Profiles
