Monday, October 01, 2018
Ink-Slinger Profiles by Alex Jay: Louis G. Ferstadt
Who’s Who in American Jewry said Ferstadt studied at Chicago’s Hull House from 1916 to 1917. The Chicago Daily Tribune, June 27, 1918, published lists of graduates from several high schools. Ferstadt completed the Four Year General Course program at Medill. He continued his art training at the School of the Art Institute of Chicago from 1918 to 1923. Ferstadt was on the Chicago Tribune art staff from 1918 to 1919.
St. Nicholas, January 1918, included Ferstaft, for his drawing, on its Roll of Honor.
In the 1920 U.S. Federal Census, Ferstadt, his parents, Harry and Jennie, and two older siblings, Dora and Ben, were Chicago residents at 1612 South Lawndale Avenue. His father was a dry goods salesman. Ferstadt was unemployed.
Works by Ferstadt were included in The Book and Catalogue of the Second Retrospective Exhibition of the Art Institute Alumni Association (1922) and The Thirtieth Annual Exhibition of the Works of the Art Students League of Chicago (1923).
Who’s Who in American Jewry said Ferstadt won a scholarship, in 1923, to the Art Students League in New York City. Who’s Who in American Art (1935) said Ferstadt was a pupil of Harry I. Stickroth (Art Institute of Chicago) and Kenneth Hayes Miller (Art Students League, New York).
The 1925 New York state census recorded artist Ferstadt and his brother Benjamin, a bookbinder, in Brooklyn, New York at 91 Hicks Street.
American Newspaper Comics (2012) aid Ferstadt drew The Kids in Our Block aka Our East Side Gang, beginning in 1926, for the New York Evening Graphic.
Eastern Edition of Advertising Arts and Crafts (1927) had this listing, “Ferstadt, Louis G., 108 East Ohio, Sup 3666 Chicago, Ill.”
Who’s Who in American Jewry said Ferstadt married Sophie Freedman on January 16, 1930 in Brooklyn.
According to the 1930 census, Ferstadt lived alone at 178 Clinton Street in Brooklyn. He was a self-employed portrait painter.
The Kingston Daily Freeman (New York), November 26, 1931, covered recent exhibitions and said
…There is another opening this week, that of paintings by Louis G. Ferstadt at the Studio Gallery in New York. Mr. Ferstadt is a talented young painter who is better known in New York than he is in Woodstock, where he lived and worked the past two or three summers. Ferstadt combines a modern technique with something of the emotional imagination.Ferstadt was listed in volume 29 of the American Art Annual (1932), “Ferstadt, Louis Goodman, Public Theatre Bldg., 66 Second Ave.. New York; h. 166 Ross”.
The Pennsylvania Academy of the Fine Arts’s Catalogue of the Thirty-Second Annual Water Color Exhibition and the Thirty-Third Annual Exhibition of Miniatures, November 4–December 9, 1934, included a work by Ferstadt, “Students” (Lithograph, scratched on Solid Black). His address was 66 Second Avenue, New York City.
Two pieces by Ferstadt were shown in the Whitney Museum of American Art’s Second Biennial Exhibition, Part Two: Watercolors and Pastels, February 18 to March 18, 1936. His address was 242 East 19th Street, New York City.
Who’s Who in American Jewry said Ferstadt wrote scenarios for animated cartoons in 1935. Who’s Who of American Comic Books 1928–1999 said Ferstadt worked at the Eisner and Iger studio from 1937 to 1939. Ferstadt formed his own studio and produced material for several comic book publishers. Ferstadt copyrighted Bob Kodar, The Hoppers, and Peter Gritt.
Architecture critic Lewis Mumford mentioned Ferstadt in his review published in The New Yorker, April 17, 1937. Mumford’s review was reprinted in Sidewalk Critic: Lewis Mumford's Writings on New York (1998).
…The most important innovation in wall decoration, however, was the design for a colored sign by Louis Ferstadt for the whole outside wall of a building. This is the first time, so far as I know, that a serious artist has attempted a wall decoration in electric lights, and though Ferstadt’s design was in the nature of a comic strip, I think this sort of thing need not be passed off with a Wrigley laugh. Is there any reason glass or pre-cast concrete tile should not be equipped with sockets so that entirely new effects could be worked out in colored lights, using smaller bulbs, placed more closely together?Ferstadt produced a subway mural for the 1939 New York World’s Fair.
Ferstadt has not yet been found in the 1940 census. During the 1940s Manhattan city directories listed Ferstadt’s address as 2 West 45th Street. In 1953 his address was 510 West 124 Street and in 1959 it was 110 East 99th Street.
Who’s Who in American Art, Volume 9 (1953) said Ferstadt was an art director at Fox Features Syndicate and affiliated with the Federal Art Project.
The copyright for Ferstadt’s Sir Hokus Pokus and Junior was held by his wife, Sophie. The success of the book was reported in Publishers Weekly, March 8, 1947.
Louis Ferstadt’s first book, “Sir Hokus Pokus and Junior” which he published late last fall, has now sold 60,000 copies.
Mr. Ferstadt who did both the illustrations and text for “Sir Hokus Pokus and Junior” started his own firm, Louis Ferstadt Productions, in August 1946 (PW, August 31). Now that the first title has been launched, the firm plans to do a second printing of the same book, another story about “Sir Hokus Pokus” and other children’s books.Ferstadt passed away August 18, 1954 in Phoenicia, New York. The New York Times, August 20, 1954, said the cause was a heart attack at a summer camp. Ferstadt lived at 110 East 99th Street in Manhattan.
Labels: Ink-Slinger Profiles