Tuesday, March 12, 2024
Mystery Cartoonist: Three Samples from 1914
Shoehorning an extra post in on Tuesday this week hoping SG readers can help me through what I think might just be a mental block.
As I'm slogging through my boxes of unsorted material trying to bring some semblance of order, I came upon these three strips, evidently clipped out of an August 1914 bound volume of some midwest paper (I can't narrow it down any farther based on these tearsheets).
The style seems familiar but unfortunately not singular enough for that "Aha!" moment for me. I thought H.T. Webster but no, I thought Maurice Ketten but no, none of them quite make sense. Can you help?!
Labels: Mystery Cartoonists
Wednesday, January 04, 2023
Can You Identify the Mystery Cartoonist?
The Stripper must be getting old and addle-pated, because I feel like I should know who this is. This sports cartoon ran in the February 6 1928 edition of the Atlanta Georgian, a paper that I just clipped up for its cartooning content. As I was clipping this cartoon out, I was just assuming it would be by Feg Murray. But then I looked at the scrawl of a signature, and that sig sure isn't his.
The style seems sort of familiar, in a generic sorta way, and this was no minor local cartoonist since he was syndicated by King Features, but my neurons refuse to fire properly. Help!
Labels: Mystery Cartoonists
https://www.newspapers.com/image/50169863/
Paul -- If Sords swiped it, he could have saved us a lot of trouble and added an "apologies to" line.
: 1/08/2023 6:53 PM Quin Hall is the man after all. Just have been slogging through the pages of THE DAILY REPORTER of White Plains, NY; a small undistinguished paper, lost in a sea of likewise New York metro area dailies. As a result, they didn't have clout to get first tier strips, and took stuff like "Telling Tommy" and "How Do They Do It?".
So they also took "B" sports cartoons. In 1926 they would run Wil Gould's King Features panels. In December of that year, There are some that are not signed, they are clearly from a different hand than Gould, most apparent in the "Cartoony" elements. On 22 December the first one with a signature appears, that being "QUILL". It would seem a (excuse the pun,) good pen name for Quin Hall. The artwork sure looks like his. There must have been a reason for having one, and as sometimes the style is obviously different, perhaps Gould still in it somewhat, but the "Quill" signature is apparently a house trade mark. There's a lot unsigned as well, but it's QH most of the time.
Sometimes, by July 1928, the "Quill" cartoons are attached to a story about whatever subject the cartoon is about, written "By QUIN HALL". At the same time, fewer and fewer cartoons are done by him, and an unsigned cartoonist takes his place.
In amongst the sports cartoons, A series by itself appears, Every thursday the panel is given over to "The Thurdsay Evening Bowling Club", a group of archtypical worn-out husbands and neighbourhood grouches that do an "Indoor Sports" turn. These are still signed "Quill". From 12 January to 3 May 1928.
On 3 December 1928, Hall, using his full name, starts supplying King Features editorial cartoons, which goes on until 31 October 1931, replaced by Clive Weed.
The last of the "Quill" sports panels was 20 july 1929, replaced by Burnley.
: 9/24/2023 7:04 PM Monday, November 22, 2021
Mystery Cartoonist: "Kaulee"
I was recently contacted by Karen Green, curator of comics and cartoons at the Butler Library of Columbia University regarding some comic strips she found. They were discovered in the papers of the Society for the Prevention of Crime (ironically, an organization that vilified comic books). What she found were a couple of proof sheets for strips titled Hopeless Henry and The Same Old Hokum, bylined by "Kaulee."
Green contacted me on the chance that I might be able to ID the artist. Unfortunately I could not do that, and I had never seen the comics strips either.
Online research led me to an obscure set of series evidently issued through the auspices of the United Nations. There seems to have been three series, the first of which was titled Hopeless Henry. In this series the UN keeps a relatively low profile, concentrating more on material about European war relief. Some strips don't even mention the UN. Green has two proof sheets for this strip, with the strips numbered 1 through 7, which appears to be the extent of the series. Here are some samples:
The proof sheets credit Community Relations Service, located at 386 4th Avenue in New York City. I can find little on this organization, but it seemed to be in the business of issuing pamphlets and other printed materials for various religious, community and social do-gooder organizations. Whether "Kaulee" worked for them, the U.N., or some contracted art agency is unknown, but the latter seems like the best bet.
Hopeless Henry strips were issued as freebies to newspapers, and so assigning definitive dates to the series is relatively meaningless since the issuer does not seem to have prescribed specific running dates. Very few papers took the bait to run strips from this series, and I found none that printed all seven. Of those few who did use Hopeless Henry, the earliest I can find ran it in July 1947.
Although Hopeless Henry failed to get many takers, a second series was issued, this time titled Hopeless Herman. Why the name change? I dunno. Maybe they ran out of rhymes for Henry. But the new series was also credited to "Kaulee". Here's a few samples:
For this series we don't have the benefit of proof sheets, so these samples are from digitized microfilm. The highest number strip I can find is #6, but it wouldn't surprise me if this series also consisted of seven strips. This series is more openly cheerleading for the U.N. and lobbies primarily for the Universal Bill of Human Rights, which would be passed in December 1948 and would become quite influential in world politics. The earliest I can find Hopeless Herman strips running is in October 1948.
Finally there is a third U.N. series, yet again with a new title, this time the cheerier outlook of Hopeful Herbert. "Kaulee" is credited once again, and once again the series seems to consist of seven strips. Here are some samples from microfilm:
The earliest printed example from this series I've found is from October 1949.
This appears to be the last U.N. series produced, but "Kaulee" has another credit, on The Same Old Hokum, a series that uses the same style and format as the U.N. ones:
This series is aimed at combating racism and promoting ethical behavior in veterans. It is not at all obvious who paid for this series to be produced, but it seems unlikely to be the U.N. as the subject seems a little out of its purview. This was apparently quite a long series in comparison to the others; the highest number found is #22. It also varies from the other series in that it appears to have only been distributed to military base papers and veterans' publications (thanks to Alex Jay for ferreting out these appearances).This series has been found running as early as 1947 and as late as 1949.
"Kaulee" also produced some other material for Community Relations Service, including a pro-immigration booklet titled The Face At The Window, which impressed the editors of the Des Moines Tribune enough to run it on their op-ed page. The pamphlet seems not to have credited the work, but it is obviously our "Kaulee":
Green alerted me to another booklet obviously produced by "Kaulee", this one about workplace discrimination and unionism. It was titled "Discrimination Costs You Money" and it was produced for the National Labor Service:
In researching this pamphlet I came upon several different versions of it floating around the interwebs. The typical version, as usual, offers no creator credits, but finally I hit paydirt on the Civil Rights Movement Archive website, where they have a digitized version of the pamphlet that offers full credits at the back. And that's where the mystery ends, because they tell us that "Kaulee" is the team of writer Sonya Kaufer and artist Lee Levy.
Sonya Kaufer pops up in newspaper archives during the 1950s as a pamphlet writer, poet and civil rights activist, but sadly for artist Lee Levy the trail goes cold.
Labels: Mystery Cartoonists
: 11/24/2021 12:11 AM One item that caught my eye in noodling around was that there was a comic artist for DC comics named Harris Levey, also born in 1921, who worked under the pseudonyms Lee Harris, Leland Harris, and Harris Levy. Could it be possible he also worked under the name Lee Levy, mixing names from two of his pseudonyms? I admit that's a longshot, but it's a very curious coincidence. As of February, 1942 (his draft registration card), at the age of 20, he was living in the Bronx, and working for "Superman, Inc." He died, it seems, in 1984, up in Lake Placid.
Monday, May 18, 2020
Mystery Cartoonist: Lynn Daily Evening Item Circa 1921 -- JB? BJ?
As I go through my boxes upon boxes of files awaiting sorting, I come upon the occasional mystery item. Here's a couple clippings from 1921 issues of the Lynn (Massachusetts) Daily Evening Item, featuring an editorial cartoonist who signs him or herself with what looks to me like an interlocked J and B. Searching around I cannot find a cartoonist who was associated with that paper that has these or similar initials. Can you identify the mystey cartoonist?
Labels: Mystery Cartoonists
"Jack Beckwith, for the past 22 years cartoonist and all-round artist for the Lynn (Mass.) Daily Evening Item..."
Gonna have to find something really challenging -- maybe a tiny scrap of paper with a stick figure from an unknown paper.
--Allan
