Stripper's Guide

NEA's "Freckles" Enters 25th Year With Blosser

At eight o'clock Wednesday morning, Sept. 25, Merrill Blosser, NEA service creator-cartoonist of "Freckles and his Friends," sat down to his drawing board and began working on his strip. He sketched until two that afternoon, covered his board and relaxed. It was his way of observing "Freckles" and himself entering their 25th year as a daily newspaper feature.

"Freckles" made his first appearance in strip form (he had appeared a few weeks earlier as a panel) on Sept. 20, 1915, and very few of the present-day readers would be able to recognize him. When he made his newspaper bow, "Freckles" was about six or seven years old. Now he is 17, a high school senior, and captain of the football team.

Blosser Is NEA "Old-Timer"
In point of service, Blosser is the "old-timer" among NEA Service comic artists, "Freckles" being the oldest NEA strip. Yet Blosser, in his middle forties, looks 10 years younger both in his appearance and outlook. Enthusiastic, he has the drive and love for fun of the high school youngsters he draws.

His chief hobby, he tells you, is "living." He likes to take moving pictures, to go to football games, to mingle with kids, go for long automobile drives, which he and his wife do several times a week.

He closes up shop every day at about two in the afternoon, which leaves him the rest of the day for recreation.

Because he is able to do this, Blosser is the envy of virtually every other comic artist of his acquaintance, not one of whom has been able to master the deadline bugaboo the way he has.

Has Licked Deadline Bugaboo
In nearly a quarter of a century of drawing for daily publication, Blosser never has permitted himself to get behind. He tells you that he realized early in his career that he would never have any fun, or peace of mind, unless he licked the deadline problem at the start by staying religiously ahead of his schedules.

Consequently, he sets aside a certain period each day for drawing and planning and sticks to it as meticulously as though he were punching a time-clock in an office.

The NEA cartoonist was born in Nappanee, Ind., where he grew up in a small town community much like the Shadyside locale of "Freckles and His Friends." For the last dozen years or so he and his wife have lived in Los Angeles.

Blosser's daily strip now is used by more than 500 newspapers, while his Sunday page appears in 130, NEA says.

Note from Allan: actually Freckles and his Friends debuted on August 16, 1915.

Labels: News of Yore

 

Merrill Blosser is generally remembered for just one feature -- Freckles and his Friends. While it might seem like creating a popular strip that ran for almost sixty years is plenty of work for one lifetime, Blosser has several additional credits to his name if you look back at his early days at NEA in the 1910s.

One of those credits is for Chestnut Charlie, an unusually skinny strip that was formatted to span the entire width of a newspaper page. It appeared amongst a spate of similar strips, including A Reel of Nonsense.

Chestnut Charlie offered riddle gags that are sometimes preceded by a bit of business that leads up to the riddle, but often just a few panels with not much point to them. Features like this make it plain that Blosser was smart to stick with Freckles and his Friends.

Chestnut Charlie was distributed by NEA, and ran daily from August 4 1916 to May 6 1918*.

*Source: NEA archives at Ohio State University.

Labels: Obscurities

Francis William “Mike” Parks was born in Indiana on July 22, 1899. Parks’ birth date was recorded on his World War I draft card, and his birthplace was mentioned in the Warsaw Times-Union Spotlight, September 14, 1974.

In the 1900 U.S. Federal Census, Parks was the youngest of two sons born to David and Mary. His father was a Presbyterian minister. The family resided in Center, Indiana.

According to the 1910 census, Parks, his parents and two siblings lived in Cincinnati, Ohio at 2103 Langdon Avenue. The family moved when Parks was six years old. He cut out and collected political cartoons from the newspaper.

At some point, Parks moved to Nappanee, Indiana, where he started the eight grade and finished high school in 1917. A Landon School advertisement said: “Four Successful Landon Students From One Village. Here is the record of Four boys—all from Nappanee, Ind., (2200 population) who after taking the Landon Course, won national reputations.” The four cartoonists were Merrill Blosser, Henry Maust, Fred Neher and Parks.
Parks signed his World War I draft card on April 12, 1918. His address was 1255 Westlake, Lakewood, Ohio. The artist was employed by the Newspaper Enterprise Association. Parks named his mother, in Gooding, Idaho, as his nearest relative. The description on the card said he was of medium height and build with brown eyes and hair.

In the 1920 census, Parks was at the same address which was the home of Charles J. Seaholts, a newspaper artist, and his family. Seaholts was also a Landon School student.

American Newspaper Comics (2012) said Parks produced several series for NEA. Nutty News debuted April 3, 1919, which was followed by O.U. Busher on December 26, 1919. The following year saw the release of Current News in Verse and Views, January 10; Rare Birds, April 22; The Third Party, August; and Betty and Her Beau, October 27.

The 1921 Cleveland, Ohio city directory listed Parks at 1212 West Clifton Boulevard.

The Fourth Estate, May 28, 1921, noted Parks next move: “Francis Parks, formerly a cartoonist on the staff of the Newspaper Enterprise Association, is now a cartoonist for the Milwaukee Journal.” It’s not known how long Parks was with the Journal.

Parks relocated to Omaha, Nebraska. The 1926 city directory had Parks, an Omaha Daily News artist, at 1036 South 31Street, Apartment 4. The 1929 directory said Parks was an art manager whose address was unchanged.

The 1930 census recorded Parks, his wife, Lillian, and four-year-old daughter, Patricia, at the same address. The newspaper cartoonist was 23 when he married.

Omaha directories from 1934 to 1936, said Parks was an Omaha Bee-News artist who lived at 4659 Woolworth Avenue. At some point Parks moved to the World-Herald newspaper. He was listed in a 1939 Omaha directory as a World-Herald artist who resided at 4509 Walnut.

Parks packed up the family and moved to Oakland, California. His home address in the 1940 census was 22 Vetuan Way. The census said Parks had completed one year of college.

A 1953 issue of Telephony said:

“Another artist, Francis Parks, son of a Presbyterian minister, has worked for the Hearst newspapers in the capacity of editorial cartoonist. Currently he is with the San Francisco Call Telegram. His productions are tops from an artistic as well as idea portrayal. Many of his cartoons are reprinted in the largest eastern papers.

The 1963 Santa Rosa, Sonoma, California city directory listed cartoonist Parks and his wife at 906 Monroe. The following year’s directory said Parks was retired and residing at 2810 Montgomery Drive.

Parks passed away February 22, 1979, in Santa Rosa, according to the California death index. He was buried at the Santa Rosa Memorial Park.

Labels: Ink-Slinger Profiles

"Irma", Radio-Movie Star, Goes Newspaper
(E&P, 7/29/50)

Flushed with success over Hopalong Cassidy's newspaper fling following TV and radio build-up, Los Angeles Mirror Enterprises Syndicate will do more of the same. This time it's "My Friend Irma" (Marie Wilson on CBS and in movies) who will be the subject of a comic strip.

The gag-a-day, without continuity, and due Sept. 11, is drawn by 33-year-old Jack Seidel, who sold his first cartoon at 18 and has been coached by Merrill ("Freckles and His Friends") Blosser, Ed ("Mark Trail") Dodd, Jimmy ("They'll Do It Every Time") Hatlo and others.

The contract was with Columbia Broadcasting, which owns character rights. Cy Howard created and directs the radio program.

Labels: News of Yore

On Collecting Comics

by August Derleth

Labels: News of Yore

Cartoonists Important Factor In Keeping Nation's Morale

Knights of the Syndicate Drawing Boards Are Doing Valuable Work for U. S - All Serving Gladly Without Remuneration

By S. J. Monchak (E&P 9/19/42)

The knights of the drawing board are doing their bit to help Uncle Sam speed the day of victory over the Axis.

The nation's syndicate cartoonists whose material appears in newspapers over the land have enlisted for the duration to aid in doing the job of keeping up the morale of the fighting men and the folks here at home. And they're performing a valuable service, government officials say.

Aid in Every Way
It's impossible to compute how many millions of dollars worth of War Bonds and Stamps have been sold through the constant plugging of the cartoonists in their daily releases, or how many pints of blood have been donated to the Red Cross through their efforts, or to arrive at results directly attributable to their other war promotions.

But it can safely be assumed that these figures, if there was a way to arrive at them, would show the cartoonists up near the top among the various agencies now doing similar work throughout the country, if only for the fact that so many millions of persons read the comics daily and are influenced by them.

All of the top-flight cartoonists and many others are giving their services without stint and recompense other than the satisfaction of knowing that they are doing their bit for the cause.

One artist even has given his life in the struggle for freedom. Young Bert Christman, who drew "Scorchy Smith," an aviation strip, for Wide World Features, gave up his drawing board in 1938 for a pilot's job in the Navy. Joining the Flying Tigers, he was one of the first U. S. pilots to die in the defense of Burma shortly after we entered the war last December. His plane was shot down and Christman's body was riddled with machine gun bullets as he parachuted to earth.

Heeded U. S. Call
When Christman gave up drawing to be a pilot, Frank Robbins took over the strip (actually Robbins took over about a year later - ed.). Scorchy is, for the present, in the thick of the battles, ferrying bombers across the Pacific and is headed for the Russian front.

Government officials early saw the possibilities inherent in newspaper comics as a medium for getting their morale-building messages across to the people, and long before Pearl Harbor the cartoonists were called upon to do the job.

They responded magnificently, not only through their own daily creations but with extra-curricular activities. Many have drawn special posters, others have entertained the
service men, all are doing something for the war effort.

Incidentally, the Office of War Information has arrangements with the larger syndicates to be supplied each week with proofs of the more widely syndicated comics. These comics are short-waved weekly by OWI to the fighting men in foreign lands.

For example, Ed Reed, author of the Register and Tribune Syndicate gag panel "Off the Record," is head of the Treasury Department's organization of cartoonists assisting the sale of War Bonds. During the past year Reed has devoted the bulk of his time in organizing the nation's cartoonists in this respect, has traveled extensively across the country doing a bang up job. He is a dollar a year man for Uncle Sam.

Another outstanding contribution has been that of Ham Fisher, McNaught Syndicate cartoonist and creator of "Joe Palooka." He was the first cartoonist to introduce the war motif in his continuity. Late in 1939 he made a tour of Army camps, equipped with a letter of introduction from the Under Secretary of War, in order to obtain background material.

Shortly after—even prior to the draft law's enactment, Joe Palooka gave up his championship boxing title and joined the Army to contribute his bit in the fight for democracy. So authentic was the material used in the comic that Palooka soon became known throughout the ranks as the soldier's best friend.

In recognition of this fact, the Army's morale department has on many occasions requested Fisher's cooperation in bringing to the attention of the men various phases of training. Several months ago the strip, at the request of numerous soldiers as well as officers, devoted a whole release to outlining procedure for an enlisted man's entrance into officers' training school. Fisher is one of the most ardent anti-Axis haters in the country. Incidentally, Fisher's strip is a "must" in Stars and Stripes being delivered to the soldiers in Ireland.

Fisher spends every possible moment away from his drawing board appearing at War Bond rallies, entertaining men at service clubs and Army camps and directing the activities of the "Joe Palooka Smokes & Entertainment Fund."

Perhaps the most fitting tribute to Fisher's work comes from Elizabeth Knaust, formerly connected with the Berlin propaganda bureau. She fell into disfavor with the Nazis and managed to escape from the Reich to Lisbon where she secured passage on one of the refugee ships. Upon her arrival here she was asked by a newspaper man what medium Goebbels considered to be the most effective anti-Axis propaganda. She promptly replied, "Joe Palooka."

The artists of NEA Service and the service itself, are 100% in serving behind the morale effort. That goes for Jim Williams ("Out Our Way"), Merrill Blosser ("Freckles and His Friends"), Edgar Martin ("Boots and Her Buddies"), Roy Crane ("Wash Tubbs"), Fred Harman ("Red Ryder"), V. T. Hamlin, ("Alley Oop"), Bill Freyse and Bill Braucher ("Our Boarding House"), Galbraith ("Side Glances"), R. A. Herschberger ("Funny Business"), and Howard Boughner ("Hold Everything").

Treasury Aided
Herblock, NEA's editorial cartoonist, is another who has been making regular contributions.
In addition to producing their quota of special posters for the Treasury Department, these cartoonists also prepare scores of cartoons which NEA issues in its service in two-column size to all its clients.

NEA is outstanding in its efforts toward the Treasury's end. Last May 21, the syndicate received a letter from Burns Lee of the department, saying: "Every one here is greatly enthusiastic about the way in which NEA has gotten behind the war saving campaign. It was a joy to behold all those mentions of bonds and stamps throughout your cartoon material. We like this effort on your part so well that we are planning to make up a special presentation for Secretary Morgenthau showing what you have done."

The Treasury also called upon Jim Williams recently for an "extra special" cartoon for the bond campaign. This assignment was important enough for a Treasury official to call up the cartoonist on the 'phone all the way out to his ranch in California.

Williams, by the way, has just finished a poster which is being distributed by the National Safety Council. Great emphasis is being placed upon the importance of accident prevention in the war industries and Williams made that the theme of his poster, part of a nationwide campaign.

Artists have done their bit also in assisting the scrap metal drive, emphasizing the need for household economy and conservation, campaigning for rubber conservation and less consumption of gasoline.

Forest Service a Beneficiary
NEA also has a daily cartoon release which was inaugurated last June 1. Each day the service releases a one-column drawing of one of its artists. These drawings all carry a patriotic appeal. Each of them represents a little extra effort on the part of the cartoonists.

Even the U. S. Forest Service has called upon NEA and Fred Harman drew a special fire prevention poster which was adopted as the keynote of this year's campaign against fire prevention. NEA received a letter of thanks from every Regional Forester in the country.

Several of the NEA comic characters are on the fighting fronts, while others stress what is going on around the home front.

At "United Feature Syndicate, also, the cartoonists are doing an all-out job. Probably the most spectacular is Al Capp, author of "Li'l Abner." When the Treasury called for cartoons to boost War Bonds, Capp created a Sunday color page called "Small Fry," a. regular running feature distributed by the Treasury free to newspapers.

It appears every-other-week from coast-to-coast and the Treasury has advised United that the feature is the most important and effective individual feature in the sale of bonds.

Jack Sparling, who draws Drew Pearson's comic, "Hap Hopper," also has a regular running feature for the Treasury. This is a cartoon called "Penny-Wise," distributed nationally and shows the housewife how she can save money and put her savings into War Stamps. Sparling also contributes special editorial cartoons to the Treasury.

Ernie Bushmiller, author of "Nancy" and "Fritzi Ritz," has not only contributed many cartoons to the War Bond drive, but the continuity in his features has frequently centered on campaigns to collect salvage, to sell bonds, to emphasize the importance of "sealed lips," etc.

John Hix, with "Strange As it Seems," has found the feature particularly adaptable to wartime exploitations. He has cooperated especially with the Office of Emergency Management which has supplied about 70 ideas that he has worked into the feature.

In addition to supplying Treasury cartoons, Robert M. Brinkerhoff, author of "Little Mary Mixup," has done many posters, including 30 for a Red Cross sale at Captiva Island, Fla., where they were sold for charity at fabulous prices.

Originals Requested
Paul Berdanier, UFS editorial cartoonist, had three posters in the memorable exhibition of war posters at the Salamagundi Club. He also has done posters for Army Emergency Relief and contributed especially to Full Speed Ahead, the Navy publication which is distributed to shipyard workers. His daily cartoons on various phases of the war effort bring many request for originals from high officials in Washington.

Alan Maver, UFS sports cartoonist, has contributed cartoons to the Treasury, works with the Coordinator of Inter-American Affairs, and does posters for his local Civilian Defense unit. Bud Rosser, author of "Race Riley and the Commandos," is the artist who drew one of the most remarkably effective USO posters which has had wide distribution throughout the country both as a poster and as an ad.

Burne Hogarth, who draws the "Tarzan" Sunday page, has a full schedule of Civilian Defense activities. He works with the West Side (New York) Defense Council on salvage collections and various other activities, and has organized a unit to work on drawings for the Red Cross. He has also contributed posters to the Army Emergency Relief.

Rex Maxon, who draws the "Tarzan" daily strip, contributes posters to the Civilian Defense organization at Port Washington, Long Island, which was recently congratulated by Commissioner Landis for raising its own funds for Civilian Defense without asking for federal aid.

Raeburn Van Buren, author of "Abbie an' Slats," has also contributed local defense posters at Great Neck, Long Island, and has done a series of special cartoons for the Treasury. Ed Dodd, author of "Back Home Again," also draws posters for the local OCD group. Harry O'Neill, author of "Broncho Bill," reports that the job of which he is proudest is contributing his three husky sons to the Army. The three boys are now on active service. O'Neill has also been very active in contributing foreign propaganda ideas to the OWI. Rudolph Dirks, author of "The Captain and the Kids," has likewise contributed his only son to the service. John Dirks, recently out of Yale, is now with the Army in Great Britain.

Henry Formhals, who does the "Joe Jinks" Sunday page, is a zone air raid warden in Altadena with 150 wardens in his area. He has reflected his experiences in the Sunday pages giving readers first-hand information on phases of Civilian Defense. He also did a poster for the Altadena "Hospitality House" which is posted all over Southern California to invite service men to drop in when they are in that section. Gus Arriola, author of "Gordo," has been a steady contributor of cartoons to the Los Angeles defense efforts.

Contribute Defense Cartoons
Charlie Plumb, who draws "Ella Cinders," has been sending his defense cartoons from his home in Cuernavaca, Mexico. Denys Wortman, author of "Everyday Movies," has also contributed defense cartoons. Frank Owen, author of "Jasper," is drawing posters for "Artists for Victory," has got out a book of cartoons satirizing Hitler's Russian campaign, and is enrolled as an Auxiliary policeman in his home town of Ridgewood, New Jersey.

Dick Moores, author of "Windy and Paddles," got an actual taste of war when the submarine shelled Santa Barbara where he lives. Moores is the creator of "Herkimer Gain," a special war feature symbolizing the typical un-American American; the man who hoards anything there might be a shortage of, who continues to drive his car fast without regard for the rubber, who chisels with the rationing Board and cheers on the war effort but never contributes a penny. Moores has also created "Oscar Thumbs Up" to symbolize the citizen who is taking all war sacrifices with a smile. Both cartoons are widely distributed in California. (as far as I know these were characters introduced in Moores' regular strip -- has anyone seen them in a special series? - ed)

Virtually all of the comic strips have sequences dealing with the war or with the war effort. The gag strips have been particularly effective as a medium for boosting war bonds and stamps.

Cartoonists "All Out"
Wide World's "Strictly Private," drawn by Quin Hall, was among the first strictly military panels in the field. Since his inception, "Private Peter Plink," the panel's rookie hero, has found himself an adoptee of several Army camps.

All of WWF comic artists have been cited by the Treasury for their aid in the War Bond drive, and war has taken a real place in the lives of the comics characters. Even Don Flowers' sophisticated "Modest Maidens" are having adventures with victory gardens, learning first aid, entertaining soldiers and sailors, serving as wardens and lookouts.

"Dickie Dare," a Tom Sawyer gone to sea, has already rounded up several spies, captured a submarine and presently is trailing a treasure in Latin America where he spreads the good neighbor spirit. He proposes to give the treasure to the war effort.

Charley Raab's bright-eyed little actress, "Patsy," bade goodbye to her swashbuckling friend, "Skidd," who joined the Navy, while Fred Locher's blunder-puss, "Homer Hoopee," is trailing spies. Tom (Pap) Paprocki's "Sports Slants" pay frequent tribute to sports figures in their country's service, while Milt Morris' old "Hoss-feathers Peters" has taken up jiu-jitsu for self defense.

Staff artist Joe Cunningham and Comics Editor Frank Reilly are both in the Army and Coulton Waugh, a New York Guard, burns the midnight oil doing war posters and cartoons.

The veteran Fontaine Fox, who draws "Toonerville Folks" for McNaught, has done much along conservation lines and recently George H. Lyons, Chief of Press and Periodicals in the Office of Emergency Management, wrote him: "That's a grand bunch of clips. They drive home exactly the points we are anxious to have made and so all of us are standing up and cheering for you."

"Mickey Finn," Lank Leonard's strip, has urged the importance of civilian defense activities by building continuity around First Aid classes, auxiliary police training and air raid warden duties. All this background has been gained by Leonard the hard way—that of signing up himself for these activities in his home town of Port Chester, N. Y.

Some Have Timely Continuity
Frank Tinsley's "Captain Yank" strip and page prior to Pearl Harbor concerned itself principally with "Yank's" activities as a flying explorer on secret missions and later as a special investigator for the government in sabotage cases. When war broke out, Tinsley had "Yank" recalled to his command with the U. S. Marines and given orders for Commando service in the Far East. In building up this continuity, Tinsley had "Captain Yank" train for several weeks on the West Coast and it was during this period that he defeated a plan for a Jap submarine to fire on a West Coast city. The day he blew up the submarine that was to do the job, all of our papers carried the headlines detailing the attack on the southern California town.

"Dixie Dugan," the creation of Striebel and McEvoy, being a pretty girl, cannot join up in the armed forces but she does much in her daily and Sunday activities to promote the cause of the American Red Cross, the U.S.O., and the purchase of War Bonds. She has visited training camps, air fields and canteens in her efforts to boost morale and her creators have made every effort to keep up with the demand for life-size portraits to be hung in the recreation rooms of camps and ships.

Frank Beck, creator of the "Bo" daily strip and page as well as the "All in a Lifetime" panels, is daily contributing to the war effort by bringing to the attention of his readers the need for everyone's cooperation in the present conflict. His panels depict many amusing incidents in the civilians' activities to conserve tires, gasoline, old metal, etc., and their efforts to cooperate to the fullest extent in civilian defense work. "Bo" and his master "Junior" are at present on the trail of several spies and saboteurs and their juvenile efforts in the past have done much to assist the local police officers to avert the dynamiting of important bridges, the broadcasting of short wave propaganda, etc.

Many people call Milt Caniff, creator of "Terry and the Pirates" for the Chicago Tribune-New York News Syndicate, "America's No. 1 Jap Fighter." He prophesied the Jap-Nazi hookup long before it happened and long before Pearl Harbor—he used Japs but called them "The Invaders" for State Department reasons. Now he calls them by name.

Caniff was one of the first dollar-a-year men to volunteer his services to Uncle Sam, turning out posters, illustrating booklets, etc. He is continually making speeches for some war or relief project and his special full-page color illustration on "How to Fight a Jap" feature is now being used by the government for educational purposes.

As one cartoonist who really knows flying, a pilot himself with more than 700 solo hours to his credit, Zack Mosley, creator of "Smilin' Jack," enlisted with the Civil Air Patrol at the very start of its organization. He now is stationed with the Florida Air Patrol as a Lieutenant and also is attached to CAP Task Forces and Public Relations, flying seven days a week. His continuity includes war adventures and his strip is a favorite with the U. S. Army Ferrying Command.

Junior Commando's Started
"Skeezix," hero of Frank King's "Gasoline Alley," is a selectee and King currently is introducing women's part in the war effort—Skeezix's girl friend is working on the home front as a farmerette. "Food and More Food," is her slogan.

Walter Berndt's "Smitty" currently is in a bond drive with his smaller brother, "Herby," as the principal. Berndt has done posters, appeared as lecturer, etc.

Harold Gray, "Little Orphan Annie" creator, has done one of the biggest jobs to date for the scrap drive. His "Junior Commando" project which he inaugurated some months ago, has caught on all around the country and tons of scrap have been collected and contributed to the campaign. The kids sell the scrap and the proceeds are turned into stamps and bonds. Gray, by the way, has some of his strip characters on secret government missions.

Martin Branner has "Winnie Winkle" characters tied-in with the Army, and other artists who are doing their bit in one way or another, include Gus Edson ("The Gumps"), George Clark ("The Neighbors"), Chester Gould ("Dick Tracy"), Stanley Link, Frank Willard ("Moon Mullins"), Carl Ed ("Harold Teen"), and Bill Holman.

The Register and Tribune's Herc Ficklen, while on active service with the Army, delivers a daily gag panel, "You're in the Army Now," while Monte Barrett and Russell Ross ("Jane Arden") have had their heroine cooperating with the FBI in running down saboteurs. Ted Ashby and Walt Depew ("Ned Brant") have just enlisted their hero in the Navy.

Help in Many Ways
The drawing-board brigade of Bell Syndicate, Associated Newspapers, and Consolidated News Features needed no call from any draft board to come to the aid of its country. The roar from Pearl Harbor had hardly died down when it was announced that Frank V. Martinek's "Don Winslow of the Navy" was in the fight for the duration; that Technical Sergeant Frank H. Rentfrow and his brainchild, "Sergeant Stony Craig, Marine," were on active duty with the Devil Dogs; that "Flyin' Jenny Dare" had been engaged by the War Department for special missions; that "Pamela Potter" had been accepted by the FBI in its fight against enemy sabotage and espionage.

Also in the vanguard, was "Mutt and Jeff," who've had a fling in the Navy and got in their slaps at the Japs. Gluyas Williams has had his characters in various civilian defense roles. "Reg'lar Fellers" also are helping to collect scrap through their R.F.A. "Reg'lar Fellers Army."

The "True Comics" strips and pages have been publicizing the current heroes in the armed forces on all the fronts and in the production forces on the home front. Fred Neher's "Life's Like That" panels and Roland Coe's "Crosstown" panels have been important morale builders. Not forgetting J. Millar Watt's "Pop." Pop was in the Army long before Pearl Harbor, while Stanton's panel, "Tin Hats," sees the service through the eyes of a rookie. Many of these artists have been active in creating special posters.

Martinek is a former lieutenant commander in the Navy Reserve who in 1917 went to Washington, D. C., and organized the Physical, Chemical and Photographic Laboratory for the Office of Naval Intelligence. In 1918 he was sent to the Far East as Fleet Intelligence Officer attached to the staff of Admiral William L. Rogers, then Commander-in-Chief of the Asiatic Fleet.
Later he delved into international intrigue when President Masaryk of Czechoslovakia approved Martinek's appointment as liaison officer between the American forces and the Czechoslovak army in Siberia where he had to report accurately what was doing along the eastern coast of Asia between Vladivostok and Singapore. After World War 1, Martinek became a special agent in the Department of Justice, for which he spent four years criss-crossing the country tracking criminals while studying criminology. Later he joined Standard Oil as manager of personnel and statistics, and is now contact man between Standard Oil Company and all defense units— Army, Navy, Coast Guard, F.B.I.—and has been placed in charge of all sabotage and espionage work.

Technical Sergeant Frank H. Rentfrow, creator of "Sergeant Stony Craig," is now on active duty along with Craig. Rentfrow served overseas during World War 1 and remained in the National Guard until 1928, when he enlisted in the Marine Corps. Called to active duty with the Leathernecks, Rentfrow has continued to keep Stony Craig in action—on land, at sea and in the air.

King Artist with OWI
King Features Syndicate's big-name artists and others are doing their bit in the morale drive. Darrell McClure, who draws "Little Annie Rooney," is with the Coast Guard's sea frontier patrol, serving part-time with the fleet. He also does a page of drawings each month for the Coast Guard Bulletin.

Ray Moore, who draws "Mandrake the Magician," is in the Air Corps Reserve undergoing training and soon will be assigned either to the Transport or Ferry Command. Lee Falk, creator of "Mandrake" and "The Phantom," is a dollar a year man as Chief for Radio, Foreign Language Division, Office of War Information.

One of the best known comic characters, the irrepressible "Popeye," who was adopted officially last year as mascot for the Navy, has been appearing in his role as morale builder in special posters and panels. He also is a standby in Full Speed Ahead, official Navy publication for shipyard workers. Popeye also is doing his bit in the Treasury drive and Army and Navy relief.

Ad Carter ("Just Kids") recently revived his safety campaign in connection with the National Safety Council's nationwide drive to prevent accidents on the home front.

Incidentally, "Snuffy Smith," Billy De Beck's creation, brought about a term now common in the Army— "Yardbird" (there are Yardbird clubs in camps throughout the country). Another Popeye distinction is that RAF pilots call their Wellington bombers "Wimpys."

Chic Young ("Blondie") also has been doing war work, as has Clyde Lewis ("Private Buck"), Alex Raymond ("Flash Gordon") and Otto Soglow ("The Little King"). Russ Westover has "Tillie the Toiler" in the WAAC's and Westover now is in Des Moines getting material for his feature.

Sid Hoff and George McManus ("Maggie and Jiggs") are doing special work for Uncle Sam, and Olson and Johnson, comedians, have "Elza Poppin" serving in the Army as a hostess. "Secret Agent X-9" appears with an anti-sabotage theme and "Tim Tyler's Luck," drawn by Lyman Young, revolves around life in the Coast Guard.

Walt Disney has created a number of insignia for the Army Air Corps and also has done special work, while Bob ("Believe It or Not") Ripley also is aiding. The H.M.S. Ripley, British destroyer, has placed an original of the ship done by Ripley in its wardroom. "Jungle Jim" also is fighting the Japs in its present continuity.

Reg Manning, Phoenix Republic & Gazette Syndicate editorial cartoonist, has turned his pen to helping the cause and he holds a Treasury Department citation for "distinguished service rendered in behalf of the National War Savings Program."

Manning also conducts "The Big Parade," a weekly current event cartoon page (now beginning its 17th year of publication), in which he has been able to contribute to the Arizona effort in a manner not possible in an editorial cartoon. Since the Arizona National Guard was called into service he has conducted a "roll call" section in the Big Parade which is devoted exclusively to letters and cards from the soldiers—and the urging of the home folks to send mail to their boys (and, lately, their girls) on the fronts or in the camps. His letters have come from Alaska, Wake Island, Midway Island, Corregidor-Philippines, India, Australia, Africa, England, and many other nearer points—Canal Zone, South America.

Manning gives chalk talks, once traveling 2,000 miles to make talks to the boys at Camp Barkeley, Texas. He has delivered talks to local camps and also, just before the war, made an appearance before fliers at a Salt Lake City base who later fought in the battles of Java, Australia, etc.

"Ruff Riter," a strip cartoon carried weekly in the Big Parade, has been engaged in counter espionage since before the war. A campaign carried on in this page resulted in the formation of a camp library from contributions of the readers, sent to former National Guardsmen of Arizona. This was months before the national drive which was later conducted. Manning is a state vice-chairman of the Arizona Council of Civilian Defense.

"Superman" and "Navy Bob Steele," McClure Newspaper Syndicate's two most popular comic strip characters, are aiding the war effort on both land and sea. "Superman," the phenomenal man of tomorrow, is devoting his tremendous strength and remarkable powers to stamping out saboteurs and spies on the home front, using his popularity with millions of fans throughout the country to stress the importance of conserving vital war materials.

Another cartoonist doing his bit is Press Alliance artist Bob Dunn, whose "Brassband Bixby" enlisted in the armed forces shortly after Dec. 7. The hero is in Navy Intelligence. Dunn has made many personal appearances at Army camps and U.S.O. centers making caricatures of the officers and men as well as entertaining them with his amateur magician and card tricks.

Saunders and Woggon, who do "Chief Wahoo," have their characters fighting the Axis, and, long before Pearl Harbor, one of the strongest villains was "Mr. Watsiki," who embodies the more unlovely traits of the Japanese character. The cartoonist team also is doing its bit to help U.S.O., the scrap, Treasury drives, etc.

Labels: News of Yore