Saturday, March 09, 2019


Herriman Saturday

December 11 1909 -- British suffragettes are rejoicing when Prime Minister Asquith makes a promise to take up their cause. Over the next few years cheers will turn to jeers, and violent confrontations in the street, when Asquith fails to deliver anything more than lip service to his pledge.

Unfortunately I can't make out what the women have written on the pavement, in spite of the newspaper's retoucher trying to make it more legible.


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Friday, March 08, 2019


Wish You Were Here, from Charles Dana Gibson

Here's the very first card from the Detroit Publishing Gibson series, #14,000. As usual with the Gibsons in my collection, the card is unused but nonetheless quite rough around the edges. Veyr nice image, though, as befits the first in the series.


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Thursday, March 07, 2019


Ink-Slinger Profiles by Alex Jay: Bob Addams

1919 Passport

Robert Neff “Bob” Addams was born on November 14, 1874 in Woodbury, New Jersey according to the New Jersey Birth Index at His full name was on his World War I draft card. Addams’ parents were Wellington I. Addams and Sallie. Addams’ middle name was his mother’s maiden name.

In the 1880 U.S. Federal Census, Addams was the oldest of two sons. The family resided in Philadelphia, Pennsylvania at 33 Chelton Avenue. Addams’ father was a merchant. According to the Historical and Biographical Annals of Berks County, Pennsylvania, Volume 1 (1909), Addams’ father “went into business for himself as ‘W. I. Addams & Co., foreign and domestic woolens on commission,’ at No. 611 Chestnut street, Philadelphia.”

The Palm Beach Social Directory (1924) said Addams studied at the Pennsylvania Academy of Fine Arts.

Club Men of Philadelphia (1894) said Addams was a member of the Germantown Cricket Club.

The 1896 Philadelphia city directory listed Addams as a student living with his parents at 60 Chelten Avenue in Germantown. The following year, Addams was an artist at the same address.

During the Spanish-American War, Addams was in the military service from April 27 to November 19, 1898 at Mount Gretna, Pennsylvania, followed by Newport News, Virginia and Puerto Rico. He was with the Pennsylvania Light Battery A and promoted to Gun Corporal in July.

The 1899 Philadelphia city directory said Addams had a studio at 904 Walnut.

In Biographical Sketches of Cartoonists & Illustrators in the Swann Collection of the Library of Congress (2014), Sara Duke said Addams worked for the Philadelphia Press in 1899.

In the 1900 directory Addams’ studio was at 1017 Chestnut and he continued to live with his parents. Addams was in the 1900 Social Register, Philadelphia.

American Newspaper Comics (2012) said Addams produced two series for the North American Syndicate. The first was New Zoology (March 16 to 30, 1902) then Zoo Animal Trip to the Moon (April 6 to 20, 1902). Wild Animals You've Never Met ran from August 18, 1907 to February 16, 1908 for the Philadelphia Press.

Addams’ fascination with animals, in this case reptiles, was noted in the Philadelphia Inquirer, August 13, 1905.

Speaking of python parties, “Bob” Addams, the illustrator, well-known in club and social circles in this city, once had two young pythons for models and they lived with him in his studio on Walnut street. They crawled in bed and slept with him on cold winter nights and festooned about the studio in various artistic serpentine attitudes for Mr. Addams to draw and study. The studio afternoon teas were quite popular until the advent of the young pythons. One morning one of them fell out of the window and a couple, of roisterers homeward bound in the glad dawn were nearly startled out of their wits when his snakeship hit the pavement in front of them. The fall did not seem to hurt the serpent. In African wilds his ancestors had dropped out of trees on to their prey, and probably it was this instinct that caused the python to drop on Walnut street.
Addams was a member of the Philadelphia Sketch Club. At a Sketch Club exhibition, the Inquirer, February 11, 1906, said “On the wall downstairs still riot the weird but well drawn and cleverly conceived animal drawings by Bob Addams, the well-known comic artist.”

In the late 1900s Addams was in New York City. Historical and Biographical Annals said “Robert N. Addams, better known as ‘Bob Addams,’ the caricature artist for ‘Life,’ ‘ Judge,’ and ‘Puck,’ made his home in New York and is well known both here and abroad.” The New York Tribune, January 19, 1910, said Addams lived at the Sheepshead Bay Yacht Club.

For the New York World Addams drew Listen to the Birds from May 22 to August 17, 1908. Life Publishing Company syndicated Funny Birds which started with Walt Kuhn on April 22, 1912. When Addams took over the series, on December 28, 1912, it was retitled Feathers Family.

Addams marriage was noted in the  Inquirer, February 15, 1914.

Mrs. Fell’s Brother Weds
Mr. and Mrs. Francis M. King, of Boston, announce the marriage of Mrs. Anna King Rogers to Mr Robert Addams on January 13, Mr. Addams was formerly a Philadelphian and is a brother of Mrs. Robert Gratz Fell, of this city. He served in Battery A, during the Spanish War, and is an artist of distinction. Nr. and Mrs. Addams are spending the winter at Miami.

The Miami Herald, (Florida), March 13, 1914, detailed the marriage.
Queer Matrimonial Experience of a Brookline, Mass.’ Couple
Brookline, Mass., March 12.—The divorce of Mrs. H. Ernest Rogers, on January 12, her marriage two days later to Robert Addams, the well-known New York cartoonist, and the marriage two weeks after, of her former husband to a 17-year-old girl, of Calais, Maine, are the queer matrimonial experiences of one of Brookline’s best known couples, which became known yesterday, when letters were received in this city from Mrs. Addams, at Miami, Fla.

Mr. and Mrs. Rogers were divorced at Miami, Fla. Mr. and Mrs. Addams are spending their honeymoon at Miami on a houseboat, and not the least strange feature of the peculiar tangle of events, is that Rogers and his girl bride are now speeding by motor to Florida on their honeymoon to meet the others.

Rogers and Miss King, as was his first wife’s maiden name, were married about 15 years ago. They separated last April; Mrs. Rogers went to Miami, Fla, established a residence there and applied for a divorce, which was granted on January 12.

On January 13, a license was issued authorizing here marriage to Robert Addams, the cartoonist. On January 15 they were married by the same judge, who granted the divorce. Mr. and Mrs. Addams immediately started upon their honeymoon, upon an elaborate houseboat, which Addams had decorated with numerous drawings of roosters, his best known subject.

Rogers was in Calais, Maine, when the divorce was granted. Last summer he was at Bar Harbor, where he met Agnes Gertrude Dixon, the 17-year-old daughter of Walter L. Dixon, a Calais upholsterer. The girl’s mother maintains a millinery establishment at her home.

Upon receipt of news of his wife’s divorce Rogers applied for a license to marry Miss Dixon. They were married on February 5th by the Rev. George W. Dawson, pastor of the Methodist church of St. Stephens, New Brunswick.

After the ceremony they started on [illegible] to Florida.

The 1918 Palm Beach, Florida city directory listed Addams’ address as “Houseboat Ubadamn & Philadelphia Pa”. He and his wife had an artists studio.

On September 12, 1918 Addams signed his World War I draft card. His address was houseboat “Ubadam” in Miami. The cartoonist was employed by “County[?] Public Information” in Washington, DC.

Addams applied for a passport on September 27, 1919 to visit the Bahamas and Cuba. The application included a notarized letter from his mother attesting to his birth, and Addams’ letter stating that he and his wife were “artists making a specialty of designs & paintings [illegible] fish.”

The Miami Herald, February 1, 1920, noted the sale of Addams’ houseboat.

Mr. and Mrs. Radclyffe Roberts of Villa Nova have taken their houseboat Cashalot from the Hotel Plaza dock to Palm Beach. The houseboat was formerly the Ubadamn and was purchased recently by the Roberts from Bob Addams.
On March 15, 1920, the couple arrived in Miami from the British West Indies.

Palm Beach city directories for 1924 and 1925 list Addams at Lake Trail North.

In the second half of the 1920s, Addams lived at 212 Worth Avenue which was his address into the early 1940s. Addams became a salesman and, at some point, moved to 160 Chilean Avenue.

A History of the Society of the Four Arts, Palm Beach, Florida, 1936 to 1996, said Addams attended the first meeting of the Civic Arts Association.

Details of Addams’ passing have not been found. The Palm Beach Post, November 22, 1951, published an estate notice, apparently the last of four notices, that named his wife, Anna King Addams, as the executrix.

When Anna passed away the Post, August 12, 1967, said, in part, “Mrs. Anna King Addams, 83, of 160 Chilean Ave., Palm Beach, and Boothbay Harbor, Me., died Tuesday in Harkness Pavilion, New York City. A long time resident of Palm Beach, she was the widow of Robert Neff Addams who died in Maine in 1951….” 

—Alex Jay

I have an original piece of artwork titled Bob and Anna Addams “UBADAMN”. Ink cartoon on a 86 inch plank of wood. Trying. Find out something about it.
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Wednesday, March 06, 2019


Obscurity of the Day: Unnatural History Lessons for Young People and Prize Fighters

Cole Johnson sent me the scan* above many moons ago, and it has languished in my "to be researched" pile for years. Obviously being an alphabet it should have had additional appearances past this first one in the New York Journal on January 30 1898, but neither Cole nor I were in possession of other samples.

When I finally decided to tackle it today, I was delighted to find that the information for Unnatural History Lessons for Young People and Prize Fighters was right here on the interwebs, patiently awaiting me! First I checked the Ohio State University Bill Blackbeard collection, which offers very thorough lists of the features to be found in his many 19th century comic sections. I found that they had a complete run of Journals from this part of 1898, and that there was a second installment of the series that ran on February 6, but no additional ones in subsequent issues. That second installment was like the first in that it was uncredited.

Next I followed a Google search that amazingly allowed me to see that second installment, which had been shared on A Blog of Bosh - Edward Lear and Nonsense Literature. That showed me that the alphabet only made it to L in that second installment. I wonder what happened to the rest of it? How very odd that it was either not produced or the Journal didn't bother running it.

That leaves only one missing piece of data. Who penned this delightful comicus interruptus? Cole Johnson offers the very likely answer. He said that the cartoonist almost had to be Bob Addams, who not only drew like this, but also specialized in these sorts of fanciful animal series. You can see two of them here on the blog: The New Zoology and Wild Animals You've Never Met. A quick look at those samples will convince even the most skeptical that Bob Addams is our guy. QED!

* actually it was two scans as the alphabet extended across two pages in a single-row spread - I have taken the liberty to rearrange it as one scan, stacked in two rows.


Bob Adams described himself as a "Nature Faker", a term originally used for those who ascribed human concepts such as love, reason, and pity to the animal kingdom. The term became more loosly applied, even to Teddy Roosevelt, whose critics called him a Nature Faker because they regarded him as a bloodthirsty killer of animals on his famous safaris, rather than the lover of wildlife he presented himself as.
Adams took the title with his literal faking of nature. Of course, make-believe animals for entertainment goes back to P.T. Barnum, and more seriously, ancient mythologies.
I recollect a one-panel daily cartoon of about 1919 vintage where a new faux critter was seen, by himself, with a caption explaining what he was. I haven't seen it in many years, I think it had a title like "Whotzit" or Whoozit". Don't remember author or syndicate. Ring any bells?
Only thing that springs to mind is "Who's Zoo" from the 20's (and a former obscurity of the day) but I'm sure you have something else in mind.

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Tuesday, March 05, 2019


Obscurity of the Day, Revisited: The Wandering Goat Bolivar

We featured Hal Coffman's The Wandering Goat Bolivar as an obscurity almost a decade ago, but all I had to share at the time was a black and white sample. I came across this additional Cole Johnson scan of a color version of the strip so thought I would throw it up here, just a tad belatedly.

Odd how they can't seem to keep the red sky from bleeding into those doggone word balloons when they touch it. I hate when that happens.


All the Haskell strips are pretty obscure, and I guess this is as good as they get. Frank Crane was about the only (at that time) really well known 'toonist they had. Obviously someone took an artistic choice to color in some of the word balloons, maybe just to see how it'd look. I think the reason why they aren't usually pigmented is because they are supposed to be invisible, like the spooky black ghost guys that move things along in a Bunraku play. If they are colored in, they seem more like they're supposed to be part of the physical world the cartoon characters inhabit.
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Monday, March 04, 2019


Clare Briggs' Kids All Cleaned Up to Sell Clothes

Clare Briggs was not above using his characters in marketing, as can be seen in this 1917 ad for the B&M clothing store in Iowa City. Briggs' kids are usually a bit ragged around the edges and in need of a bath, but he's cleaned them up here and decked them out in the finest the B&M has to offer.

Given that a small clothing store in Iowa City is unlikely to have made a deal with Briggs on their own, I guess the cartoonist was offering niche-specific pre-made cuts through a marketing firm. He probably got the idea from Richard Outcault, who made a very nice cottage industry out of selling cuts of the Yellow Kid and Buster Brown to local stores of various specialties.

Thanks to Cole Johnson for the scan.


Hello Allan-
This will show you how annoying and petty someone with time on his hands can be.
You mention above that My brother sent you the Briggs ad from an Iowa City paper. He, or I never had papers from that town, though I had a run of a Dubuque paper of that vintage. So I did a little research to see if that paper carried ads for a town twenty or more miles distant. But the problem is, there's no such address in either city, outside of very rural, very short country lane that would never have had a store on it.
In fact, I found "The B & M" clothing store at 201-3 S Adams Street is (or was) in Peoria, Ills. The ad had to have come from a small batch of the Peoria Journal-Transcript we had from the opening months of 1917. I "Google Map"ed the address, and whatever the "B & M" store looked like, it's been replaced by a bland, modern two story structure bearing the words "Illinois Central College" on it's surface. Fugit inreparabile tempus.
Ya got me dead to rights, Mark. Cole did not tell me what paper it was from, and I spent a ridiculous amount of time when prepping this post trying to figure out where this d**n B&M was located. I thought I had finally found it in Iowa City, but it may be that I was looking at an Iowa City paper and they were referring to Peoria, though that seems a pretty fur stretch. According to Mr. Goog, it is 153 miles distant.

Well, if I have to make a mistake, mislocating a long-defunct midwest clothing store is exactly the sort of fact I'd like it to be on!

Thanks, Allan
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