Monday, March 14, 2011
Obscurity of the Day: The Sunbonnet Babies
Bertha Corbett created a short-lived Sunbonnet Babies Sunday comic strip series which first appeared on December 8 1907. Her sometimes partner Ms. Grover doesn't seem to have been involved, or at least wasn't credited. In the Boston Globe the series ended on October 18 1908. The syndicate responsible for distributing the series is uncredited and unknown, and the strip appeared in papers that took varying syndicate offerings. If I had to guess, I would say the feature was syndicated by a publisher (maybe Rand McNally?) as publicity for the book series.
Alfredo Castelli in Here We Are Again adds credit to Grover on the strip, but I've never seen that credit actually included.
Here's a website with more Sunbonnet Babies history.
Bertha L. Corbett was born in Colorado on February 8, 1872, according to the California Death Index. The Corbetts lived in Denver, Colorado; her father, Waldo, was listed in the "Corbett, Hoye and Co.'s Annual City Directory City of Denver" from 1876 to 1879. In the book "History of Arkansas Valley Colorado 1881", Mr. Corbett was mentioned as a member of the Knights of Honor in Leadville, Colorado. Sometime later, the family moved to Minnesota.
In the 1895 Minnesota State Census, Corbett was the oldest of three children born to Waldo and C.E. They lived in Minneapolis. On July 19, 1896, the Saint Paul Globe (Minnesota) reported the results of an art contest for the cover to the Big Store Fall Fashion catalogue: "The third prize, an English fob seal watch chain, was awarded Miss Bertha L. Corbett. Her design represented autumn and winter by two sweet faces appropriately arrayed."
According to the 1900 United States Federal Census, the family lived in Minneapolis at 3404 Chicago Avenue. Her mother had died between the state and federal censuses; her father was a sign painter. The Minneapolis Journal (Minnesota) published an New England Bazaar ad, on February 6, 1901, which featured "Valentine Novelties By Bertha L. Corbett; the cutest things ever seen. 'Sunbonnet Baby' Valentines, absolutely unique, artistic and dainty."
The Kansas City Star picked up a story from the Minneapolis Tribune about Corbett; excerpts, from March 26, 1902, on the Sunbonnet Babies.
...The Sunbonnet Babies really grew out of a group of children I saw
playing in the sand. I drew a picture, the original Sunbonnet Baby, as it
afterward proved. My fellow artists examined it critically and professed
to like it. I fell quite in love with it myself and at once set to work to
…They came out in a book bearing their names in June 189[illegible]
accompanied by little verses of explanation. Then the dainty maidens
began to appear on blotters, valentines, Christmas cards and calendars,
and now they are coming out in a primer, which Rand & McNally will
A different account of her Sunbonnet Babies origin was given in the Kalamazoo Gazette-News (Michigan) on June 29, 1902.
…[Corbett] told of a visit to the theatre with a friend who, after watching
her sketch this and that actor's face, remarked: "It is all in the face,
isn't it? There would be no expression or meaning in a picture if you
left out the face?" Miss Corbett after a moment's thought sketched for
her a little child tugging his wagon loaded with autumn leaves in which
no face appeared and yet the picture told its story.
From that time the idea grew and the little sunbonnet people have grown
and developed as healthy children will, until the oldest are 4 years of age.
Miss Corbett has collected a number of her earlier children late a little
volume which has been published. She is now working on a Sunbonnet
Baby Primer for Rand & McNally of Chicago, the text for which is being
written by Miss Eulalie Grover….
A book which won the heart of all was the Sunbonnet Children with four
leaved cloves over their shoulders, which Miss Corbett got out about
Christmas time, four years ago….
Corbett's Chicago studio was mentioned in the Minneapolis Journal on October 22, 1905.
MIss Corbett has an attractive studio in the Fine Arts building with
some other young women in art crafts, but she uses the place now
rather as business headquarters than as a workshop, for her work has
taken an entirely new turn and now the babies and boys are being
exhibited in chalk talks by their creator.
On September 20, 1906 the Minneapolis Journal reported her venture into advertising.
At present she is associated with R.F. Outcault of "Buster Brown"
fame, and together they evolve ideas which are to be set afloat in the
The Evening World (New York) published an ad, on May 31, 1907, touting the success of its Sunday art supplements.
The Sunbonnet Babies made a great hit when the Sunday World gave
them as illustrations of a series of art lessons to New York City readers.
It has now been decided to give the set to out-of-town readers.
Each picture in colors. Just the thing for framing or passepartouting.
Get the set. Order from newsdealer in advance. The Lovers Next
Sunday. [illustration of sunbonnet baby and overall boy kissing]
Perhaps the Evening World's sunbonnet series prompted Corbett to develop her comic strip, "The Sunbonnet Babies", which debuted in the Boston Globe on December 8, 1907.
Corbett was counted twice in the 1910 census. She was a roomer in Chicago at 4541 Prairie Avenue; her occupation was artist in a studio. And she was counted as a member of her father's household in Minneapolis at 203 14th Street. Later in 1910 she married George H. Melcher, who was an artist and 10 years younger.
In 1920 the Melchers and two daughters lived in Calabasas, California. The husband and wife were artists at a studio. The Melchers remained in Calabasas in the 1930 census; George was an artist and Bertha was an illustrator, both independent. According to the California Death Index Bertha C. Melcher passed away on June 8, 1950.
And to Alex, thank you as always for the biographical research. The word 'passepartouting' sent me scrambling for my dictionary. Turns out it is "a picture simply mounted between a piece of glass and a sheet of cardboard stuck together at the edges with tape." There really is a word for EVERYTHING, isn't there!
Moira F. Harris