Tuesday, December 31, 2013

 

Ink-Slinger Profiles by Alex Jay: Charles Pearson


Charles D. Pearson was born in Brooklyn, New York, on May 21, 1913, according to his New York World War II enlistment record. The 1915 New York State Census recorded Pearson, his parents, Milton and Emily, and older brother, Homer, in Brooklyn at 48 Richmond Street. Pearson would reside there long enough to be found in the 1940 U.S. Federal Census. His father was a traveling salesman. The census records at Ancestry.com link his mother to an “Emilie Dahl” in the 1900 census. Pearson’s middle name may have been his mother’s maiden name.





The Chatham Courier (New York), November 21, 1957, published a profile of Pearson:
…Mr. Pearson was born in Brooklyn about 40 years ago and went to Jamaica High School where he started cartooning. After four years at Grand Central School of Art he began freelancing and made his first sale to the old Life magazine when that publication was devoted to cartoons instead of the news organ it has become since purchased by Time, Inc.
Later sales were made to Saturday Evening Post, Colliers, Ladies Home Journal, and American Legion Magazine among others. In between, there were 36 months in the South Pacific with the Army where he also cartooned and did editorial work for Yank. It was also at this time that he broke his bread and butter arm and was idled from the drawing board for a time.
The Courier did not mention Pearson’s cartoons that were featured in Life magazine, January 8, 1945. Another one by him was included in a group with other cartoonists in Life, November 24, 1946. Pearson’s third appearance in Life was in the letters column of the August 26, 1957 issue. (He was credited on page two.)

About Pearson’s post-war career, the Courier said:
…After the war Mr. Pearson picked up where he left off, and soon conceived his idea for “Notes.” He wrote directly to the then Herald-Tribune publisher Whitelaw Reid, submitting a few sample panels. His idea was approved by Mr. Reid and he has been with the Tribune Syndicate ever since…
…Editorial page cartoons have long been an important feature of many of the nation’s newspapers and the above have been included among the hundreds turned out in the last few years by Charles Pearson, who now makes his home on a small farm in the Town of Greenport.
Once weekly Mr. Pearson turns out six small panels entitled “Notes on the News”, devoted to some segment of that week’s happenings and these, in turn, are distributed by the New York Herald Tribune Syndicate to 60 publications including the Oakland Tribune, San Diego Times-Union, New Orleans Times-Picayune, and other large metropolitan dailies throughout the nation.
“The cartoons themselves are simple, once I get the idea under way,” Mr. Pearson says, “but the toughest part is writing the caption lines for them. I do all my own captions.” Ideas for cartoons come for the most part from reading the news and retaining what is big enough and important enough that everyone will know about It two weeks or so hence when they see the cartoon on that particular subject. For instance, the recent Sputnik flurry which in turn helped create the panel of the “beeping” Russian.
One corner room in the upstairs of his farm home is Mr. Pearson’s studio where he has a drawing desk next to a window that furnishes a view of the Greenport countryside as he contemplates his next cartoon. Within easy reach of the southpaw artist are an assortment of pencils, brushes, inks, paper, and a few newspapers for research.
As he formulates an idea for a cartoon or caption, it is jotted op a piece of paper and placed under a large clip oh his drawing board. By the end of a week there may be 25 to 30 ideas for panels from which he eventually chooses the six best sounding ones and sets to work. “It takes a week to get things in order,” Mr. Pearson, told us, and I wait right until the last minute so I can be up to date on the news. Then I draw all six at one time, devoting the entire day to my work.”
…Last March Mr. Pearson moved from Westbury, L. I., to his present Greenport farm. Mrs. Pearson, originally from Sherman, Texas, is a graduate of Texas State College for Women at Denton, and was a reporter-photographer, for the Marshall News Messenger. She later came to New York City as a fashion photographer and there met her future husband. Their three budding cartoonists, all boys, attend Claverack Union Free School.
As for outside freelance work, “that’s out right now,” Mr. Pearson said. “I have plenty to do right here getting the farm in shape. There are still a few repairs and odds and ends to be completed, and that leaves very little outside time. And my six panels keep me busy the rest of the time. And then there's always those captions.”
In the late 1940s into the mid-1950s, the Sunday paper magazine, This Week, published his cartoons; a photo of him appeared in the March 2, 1947 and July 31, 1949 issues. In 1952, his cartoons appeared in the Sunday paper magazine, Parade.

This Week 3/2/1947

Parade 10/19/1952

Sometimes Pearson’s jokes were printed without the cartoon as in the New York Post, September 7, 1946: “New approach to an old gag, by cartoonist Charles Pearson: Teacher to student—‘Your homework is 100 per cent right today. Are you sure your father did it all by himself?’ ”

Pearson’s piece about himself was printed in Best Cartoons of the Year 1947.
I was born 400 years ago in a life boat aboard the Mayflower. I’ve been drawing cartoons ever since. My first cartoons were drawn for a select group of subscribers. Each morning a cartoon was painted on the side of an educated elephant. During the day the elephant walked a route which took him past the home of each subscriber. He stopped in front of each one for three minutes. The elephant disappeared during a meat shortage. I suspected dirty work on the part of a diner that started to advertise ‘Jumbo Hamburgers’. Unfortunately I could never prove anything. Recently I was in Uncle Sam’s Marching and Chowder Club and right now I’m drawing left handed cartoons for magazines until such time as I invent the Elikafoobis. The Elikafoobis will revolutionize conditions here on the Universe. Wait and see.
What’s Funny About That? Cartoons from This Week (1954) had another story by Pearson:
“I was born in Brooklyn at least forty years ago. My family had already decided my brother would be President of the United States, so that left me unemployed. This annoyed me, so I decided to write nasty things about people on a fence but I didn’t yet know how to write so I drew pictures instead.”
Mr. Pearson’s brother is still not President, though he hopes to make it in 1956. Meanwhile Cartoonist Pearson is keeping his tuxedo pressed for the inaugural dinner, and he and his wife have raised three future presidents of their own. They all live in Carle Place, New York, wherever that is!
A 1961 issue of Saturday Review mentioned Pearson’s invention:
The editor of the Look humor department, Gurney Williams, has had on display a mousetrap invented by Charles Pearson, a cartoonist of Hudson, New York. It is a large tin can, the open end of which is covered with wire mesh. Bolted partway inside the can is a conventional mousetrap with its lethal snapper securely wired upright to the mesh.
It is physically impossible for any mouse to enter this trap, and even more impossible that the immobilized snapper could pose any threat to man or beast….
Sometime in the 1960s, Pearson was a cartoonist for the Albany, New York newspaper, the Knickerbocker NewsThe original art for a few of his cartoons are here and here.

A 1974 issue of The Conservationist had a brief explanation on how Pearson was involved illustrating an article:
...Work on our cover story (Heroes of the Christmas Bird Count) began in November 1973 when Samuel Yeaton of Bayside, a veteran of many Audubon bird censuses, agreed to write the story of the then upcoming bird-count. His article arrived in our office January 1974. Early in summer Charles D. Pearson of Hudson read the article and consented to prepare illustrations for it including a cover. The resulting combination of pictures and text is, we think, a most happy one.
…Mr. Pearson is widely known for his cartoons in the Knickerbocker News, which he draws with his left hand. He is also, he says, a left-handed farmer in Columbia County, where he serves on the Soil and Water Conservation Board. “I try to stir people up so they will be as enthusiastic about a countywide soil survey as I am,” he writes. “Actually I am not much of a birdwatcher. I’m more a bird talker-toer. I can warm up to those birds who will sit on a fencepost and say tweedletweedle at the proper times.”
According to the Social Security Death Index, Pearson passed away March 16, 1991, in New York.

—Alex Jay 

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Monday, December 30, 2013

 

Obscurity of the Day: Notes on the News







Sometimes it is hard to tell when a newspaper cartoon about the news should be categorized as editorial, but Charles Pearson's Notes on the News clearly falls on the side of pure entertainment. It appeared as a little breath of fresh air on the op-ed pages of the New York Herald-Tribune for quite a few years. Unfortunately for many of those years it was untitled and I failed to track it as I indexed other material in that paper. What I can say is that it was definitely already there in the early 1950s, and it gained its title around 1955.

The Herald-Tribune syndicated the panel until 1963, when it was passed on to Publishers Syndicate along with most of H-T's features. That syndicate didn't seem to have a great deal of interest in it, and it was dropped sometime in 1964. However, Charles Pearson then self-syndicated it with at least some modest success, until 1972.

I know very little about Pearson. According to this post on OSU's Cartoon Library website, he was a prolific gag cartoonist, appearing in most of the major magazines, and contributed to Yank during the war.

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Sunday, December 29, 2013

 

Jim Ivey's Sunday Comics


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Saturday, December 28, 2013

 

Herriman Saturday

Tuesday, May 19 1908 -- The statewide Democratic convention is now in session, and the news Herriman reports is that Gavin McNab, previously considered a shoe-in to continue as head of the California Democrats, has been dumped in favor of Theodore A. Bell. It seems McNab has been tainted with (probably true) rumors of being in the pay of the railroads and other interests, and of having run the Democratic party as an ethically impious organization.

Theodore Bell, a young fresh face in the party, is hot on reform of all kinds. Though not one of the vocal rabble-rouser who got McNab into hot water, he is believed to have done some back-room pulling of strings to get the dismissal of McNab into motion.


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Friday, December 27, 2013

 

Sci-Friday starring Adam Chase

Adam Chase strip #52, originally published May 28 1967. For background on the strip and creator, refer to this post.

IMPORTANT ANNOUNCEMENT

First the short version -- due to circumstances beyond our control, the second year of the Adam Chase comic strips, which complete the storyline and the run of the strip, is unavailable to run on Stripper's Guide. Russ and I apologize that we are unable to bring you the conclusion of the strip. Russ will provide a synopsis of the second year's storyline at the conclusion of this series, which ends with installment #52.

And here's the long version. Before we began running Adam Chase on the Stripper's Guide blog, Russ sent me the first year's worth of strips to scan. He believed that the second year of the run was in his attic, in the form of black and white proofs. We decided to see how things went with the first year, see if people liked it, before troubling Russ with the job of playing archaeologist up in his attic. Recently Russ did go on an expedition into cobweb land to retrieve the second year. Unfortunately to his surprise and dismay he was able to find only a little more than half the proof sheets for year two, not nearly enough to keep running the series.

Russ is very unhappy that his archive turns out to be incomplete, and I'm saddened that we can't bring you the rest of the series. That is, barring the miracle that someone out there has the tearsheets and is willing to lend them to us for scanning. I considered the possibility of pulling the missing episodes from microfilm, but then I realized that since they were run in color, the quality coming from microfilm will be really awful, if even legible, so that's no solution.

I hope you will accept the apologies of Russ and I. Having gotten you interested in the story, we know this is a big disappointment. Please keep in mind that I am just as disappointed as you, and Russ even more so at the loss of his archive. I hope you'll join me in letting Russ know that we really enjoyed year one of his delightful strip, Adam Chase.Your feedback in the comments would be much appreciated.

PS -- On a side note, this leaves the Stripper's Guide flat-footed as regards the future of Sci-Friday. I had expected to have another full year of material for it, and so have not until just now bothered to think of what we might run instead of Adam Chase.

I certainly don't have a long run of any sci-fi oriented strips that come to mind, at least nothing that suits our needs here. We need a feature that is well and definitely out of copyright, or comes with permission from the copyright holder. Also, it has to be something that isn't already readily available elsewhere on the web. Anyone have any ideas, or better yet ideas that include source material I can borrow to scan?

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~ Allan, so sorry to hear about the second year of Adam Chase. I've enjoyed it so far. How about Basil Wolverton's "Spacehawk" as a replacement? Love the art but maybe it's already available.
 
Sorry about the change with Adam Chase. I don't have any copies myself, but what about Stanley Pitt's "Silver Starr?" I remember reading those years ago in Captain George's Comic World and being very impressed with the Alex Raymond-style artwork.
 
Sorry Sam, but Spacehawk was a comic book feature. We stick with newspaper strips here. And Bill, we're so doggone parochial around here I had to look up this Silver Starr feature to even know what it was. New Zealand comic strips are way out of our knowledge zone. Does look intriguing. If someone wants to volunteer a run of scans ...

--Allan
 
Silver Starr is Australian, although it did feature in a small run of New Zealand comic books. I wouldn't consider it public domain, From what I gather the Captain George reprints were unauthorized and the copyright on Silver Starr is retained by Pitt's family.
 
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Thursday, December 26, 2013

 

Ink-Slinger Profiles: Royal King Cole


Royal King Cole was born in New York on June 3, 1907. His birthplace was found in census records and his birth date is from the Social Security Death Index. He was the oldest of two children born to Thornton B. and Etta Berger. His father was a writer and actor who joined D.W. Griffiths’ film company, Biograph, around 1910.

Cole has not been found in the 1910 U.S. Federal Census. The New York Dramatic Mirror, March 10, 1915, reported the passing of his father:

The death of Thornton Cole, a Biograph actor, carried away one of the most capable character men in the motion picture profession. Mr. Cole, wife and two children, came to Los Angeles with the Biograph aggregation. After a few weeks here Mr. Cole became ill and died of heart failure. Mr. Cole had been with the Biograph five years. His wife is not in the profession.
The date of his death was February 21 and he was buried at the Albany Rural Cemetery.

Cole has not been found in the 1920 census but he was living in New York City. The New York Evening Telegram, February 18, 1923, reported the exhibition at the National Arts Club and said:

Tony Sarg is very much his familiar self in his “illustrations.” Mrs. Henri (Marjorie Organ) is as incisive in two drawings as she ever was at the shows of the independents, while Royal K. Cole, “fifteen years old,” has already gone so far that some of our leading comic artists should be very much afraid of what he will do next.
The 1925 New York State Census recorded Cole, his mother and sister in the Bronx at 2005 Walton. His occupation was cartoonist.

According to the 1930 census, they lived remained in the Bronx but at a different address, 1130 Anderson Avenue. Cole continued as a newspaper cartoonist. According to American Newspaper Comics (2012), Cole’s first strip was Christmas in Toyland, which ran for most of December.

Christmas-themed strips would be his annual contribution for the next five years, ending with the Quints' Christmas in 1940.

Cole produced the Ace Drummond strip from some time in 1937 to the end of the series in 1939. The final Sunday page was published July 2, 1939.



In 1940, Cole, his wife, Kathryn, and mother-in-law, Lora Goodwin, resided at 87-84 165th Street, Queens, New York. Cole was writer, and his wife, a vocational school teacher; he had four years of high school, and she, four years of college.

In a few years Cole moved to Hollywood and wrote screenplays for a number of serials and movies. The 1944 North Hollywood city directory listed Cole at 11346 Emelita. His occupation was writer.

In 1952 Cole wrote an episode of the TV series Hopalong Cassidy. Later he was hired to write the comic strip, which was drawn by Dan Spiegel. In an interview, Spiegel said:

Like all writers, he had a tendency to overwrite things. He would always inject unneeded adjectives in the box captions and bog down dialog with long wordage. He’d go on and on, stealing my thunder since everything was already written out and I couldn’t even begin to create as much impact as I would want to with my drawings. A reader can get frustrated with so many descriptions in words when he can see what’s going on by glancing at the drawings. The drawing should always come first and the words second….I never really cared for the stories that Royal wrote, anyway. They just weren’t interesting.
Cole’s last writing credit was in 1974 for a segment of the Three Stooges Follies.

At some point Cole moved to Arizona and was found at four locations: 10618 North 26th Place, Phoenix; 7044 East Hubbell Street, Scottsdale; 201 South Greenfield Road, Benson (1992); and 245 South 56th Street, Mesa (apparently his last address).

Cole passed away August 14, 1993, in Mesa, according to the Social Security Death Index.


—Alex Jay 

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what about his art in 1930s Winnie Winkle the breadwinner as Martin Branner's assistant ???

 
What's a good citation for that? I see it only on Wikipedia (and clones) with no citation.
 
Bails' Who's Who listed him doing ghost writing on Winkle:

WINNIE WINKLE (ghost wr/) for Chicago Tribune-New York News Syndicate

No date given.
http://bailsprojects.com/bio.aspx?Name=COLE%2C+ROYAL

-Ray Bottorff Jr
 
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Wednesday, December 25, 2013

 

Merry Christmas!



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Tuesday, December 24, 2013

 

Santa Claus and Company Day 8


Merry Christmas !

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Monday, December 23, 2013

 

Santa Claus and Company Day 7


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Sunday, December 22, 2013

 

Jim Ivey's Sunday Comics


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Saturday, December 21, 2013

 

Herriman Saturday


Saturday, May 16 1908 -- While the Democratic convention last week descended into a wild melee, it seems like the Republican convention operated a lot smoother. Despite the disappointing news that Teddy Roosevelt would not run again -- he had made that rash promise years earlier and very much regretted it -- the GOPers seemed to be ready to unite behind Teddy's hand-picked successor, William H. Taft. And that would be another decision that Teddy would come to regret ...

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Friday, December 20, 2013

 

Sci-Friday starring Adam Chase

Adam Chase strip #51, originally published May 21 1967. For background on the strip and creator, refer to this post.

IMPORTANT ANNOUNCEMENT

First the short version -- due to circumstances beyond our control, the second year of the Adam Chase comic strips, which complete the storyline and the run of the strip, is unavailable to run on Stripper's Guide. Russ and I apologize that we are unable to bring you the conclusion of the strip. Russ will provide a synopsis of the second year's storyline at the conclusion of this series, which ends with installment #52.

And here's the long version. Before we began running Adam Chase on the Stripper's Guide blog, Russ sent me the first year's worth of strips to scan. He believed that the second year of the run was in his attic, in the form of black and white proofs. We decided to see how things went with the first year, see if people liked it, before troubling Russ with the job of playing archaeologist up in his attic. Recently Russ did go on an expedition into cobweb land to retrieve the second year. Unfortunately to his surprise and dismay he was able to find only a little more than half the proof sheets for year two, not nearly enough to keep running the series.

Russ is very unhappy that his archive turns out to be incomplete, and I'm saddened that we can't bring you the rest of the series. That is, barring the miracle that someone out there has the tearsheets and is willing to lend them to us for scanning. I considered the possibility of pulling the missing episodes from microfilm, but then I realized that since they were run in color, the quality coming from microfilm will be really awful, if even legible, so that's no solution.

I hope you will accept the apologies of Russ and I. Having gotten you interested in the story, we know this is a big disappointment. Please keep in mind that I am just as disappointed as you, and Russ even more so at the loss of his archive. I hope you'll join me in letting Russ know that we really enjoyed year one of his delightful strip, Adam Chase.Your feedback in the comments would be much appreciated.

PS -- On a side note, this leaves the Stripper's Guide flat-footed as regards the future of Sci-Friday. I had expected to have another full year of material for it, and so have not until just now bothered to think of what we might run instead of Adam Chase.

I certainly don't have a long run of any sci-fi oriented strips that come to mind, at least nothing that suits our needs here. We need a feature that is well and definitely out of copyright, or comes with permission from the copyright holder. Also, it has to be something that isn't already readily available elsewhere on the web. Anyone have any ideas, or better yet ideas that include source material I can borrow to scan?

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I certainly have enjoyed having such a classic sci-fi story with great art every Friday. Thanks for sharing.
 
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Thursday, December 19, 2013

 

Santa Claus and Company Day 6


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Wednesday, December 18, 2013

 

Santa Claus and Company Day 5


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Tuesday, December 17, 2013

 

Santa Claus and Company Day 4


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Monday, December 16, 2013

 

Santa Claus and Company Day 3


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Sunday, December 15, 2013

 

Jim Ivey's Sunday Comics


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Hey Jim - I got your Christmas card and follow-up letter. Just give us advance notice when you will be in Orlando after the holidays and we'll see what we can do. Weekends are best...

You should get your Christmas card later this week.

best,

Craig
 
I don't know where else to ask this, so here goes:
I've recently come across 2 framed comic strips... They are originals BTW
1. Bringing Up Father-date in strip is 1945
2. Little Orphan Annie- strip says 2/24/1929
(flip side is Mutt Mullins) from Chicago
Tribune.
I'm just curious why these are framed? I'm
assuming it's some sort of personal reason this was done but wanted to make sure.
 
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Saturday, December 14, 2013

 

Herriman Saturday


Saturday, May 16 1908 -- The fracas at the Democrat's convention a week earlier -- the one that Herriman totally missed by scooting out a little early -- has snowballed a bit. Now there are rumors, probably started by chairman Schwamm, that Dick Warner got a knuckle sandwich at some point in the rather loud disagreement.

The fact that Herriman went five days without a cartoon in the Examiner indicates that he was probably very deep in the doghouse for missing out on the excitement at that meeting. I wouldn't be surprised if he was suspended.

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Friday, December 13, 2013

 

Sci-Friday starring Adam Chase

Adam Chase (c) renewed 2013 by Russ Morgan. All rights reserved.

Adam Chase strip #50, originally published May 14 1967. For background on the strip and creator, refer to this post.

IMPORTANT ANNOUNCEMENT

First the short version -- due to circumstances beyond our control, the second year of the Adam Chase comic strips, which complete the storyline and the run of the strip, is unavailable to run on Stripper's Guide. Russ and I apologize that we are unable to bring you the conclusion of the strip. Russ will provide a synopsis of the second year's storyline at the conclusion of this series, which ends with installment #52.

And here's the long version. Before we began running Adam Chase on the Stripper's Guide blog, Russ sent me the first year's worth of strips to scan. He believed that the second year of the run was in his attic, in the form of black and white proofs. We decided to see how things went with the first year, see if people liked it, before troubling Russ with the job of playing archaeologist up in his attic. Recently Russ did go on an expedition into cobweb land to retrieve the second year. Unfortunately to his surprise and dismay he was able to find only a little more than half the proof sheets for year two, not nearly enough to keep running the series.

Russ is very unhappy that his archive turns out to be incomplete, and I'm saddened that we can't bring you the rest of the series. That is, barring the miracle that someone out there has the tearsheets and is willing to lend them to us for scanning. I considered the possibility of pulling the missing episodes from microfilm, but then I realized that since they were run in color, the quality coming from microfilm will be really awful, if even legible, so that's no solution.

I hope you will accept the apologies of Russ and I. Having gotten you interested in the story, we know this is a big disappointment. Please keep in mind that I am just as disappointed as you, and Russ even more so at the loss of his archive. I hope you'll join me in letting Russ know that we really enjoyed year one of his delightful strip, Adam Chase.Your feedback in the comments would be much appreciated.

PS -- On a side note, this leaves the Stripper's Guide flat-footed as regards the future of Sci-Friday. I had expected to have another full year of material for it, and so have not until just now bothered to think of what we might run instead of Adam Chase.

I certainly don't have a long run of any sci-fi oriented strips that come to mind, at least nothing that suits our needs here. We need a feature that is well and definitely out of copyright, or comes with permission from the copyright holder. Also, it has to be something that isn't already readily available elsewhere on the web. Anyone have any ideas, or better yet ideas that include source material I can borrow to scan?





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Sorry to hear that Year Two is not available been enjoying the strip
 
Yes. I am sorry about the logistics. It is quite excellent!
 
Wouldn't muddy-colored micro downloads, (blended in with Russ' b/w proofs) be better than nuffin' at all? You would still get the whole story.
 
As a replacement for Adam Chase, how about Obscurity worthy early SF like Speed Spaulding, Don Dixon and the Hidden Empire or Rod Rian of the Sky Police? If none of them are worth the effort, how about one of the peculiar Bungle Family sci fi storylines?
 
Cole -- I don't have ready access to the Eugene Register-Guard microfilm, so it's an academic question whether it would be worthwhile.

Andy -- Those are all PERFECT ideas for continuing Sci-Friday. Unfortunately I do not have anywhere near complete runs of any of those strips to scan.
 

I have most, if not all, of Don Dixon; lots in color.

Garth from the UK??

There were SF storylines in Abbie and Slats, Bungle Family and Scorchy Smith.

There's short lived strips like Dash Dixon. Drift Marlo.

So many choices!!

Oh I know!! Speculation from Closer Than We Think!!!

Art Lortie
 
Hi Art --
I really enjoy the campy fun of Closer Than We Think. But I sold most of mine and didn't think to scan them first. How dumb is that!

As to Don Dixon, I would be VERY interested in running that if you can provide scans of a good long run. I suspect we might be able to find an occasional fill-in date if necessary. Please contact me privately if you really want to do this.

Thanks, Allan
 
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Thursday, December 12, 2013

 

Santa Claus and Company Day 2


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Wednesday, December 11, 2013

 

Santa Claus and Company Day 1


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Tuesday, December 10, 2013

 

2013's Christmas Strip Starts Tomorrow

It's that time of year once again, when we take a breather from obscure comic strips and focus on ... more obscure comic strips.

Starting tomorrow we will begin a complete reprinting of the 1937 King Features Christmas strip, Santa Claus and Company. The strip was penned by Royal King Cole, who did a number of these holiday short-run strips. Cole always had a knack for bringing the surreal and bizarre to these strips, and Santa Claus and Company is certainly no slouch in the department of being kookie. I think Mr. Cole might just have been an early adopter of that stuff they just legalized in Colorado and Washington state.

I was lucky enough to score a complete run of this strip on syndicate proofs, from which these images are made. I hope you enjoy the strip!

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Hey Allan-- I'm not a lawyer, but may I offer some judicious advice:
Never--ever follow a statement like...
I think Mr. Cole might just have been an early adopter of that stuff they just legalized in Colorado and Washington state.
with another statement that begins...
I was lucky enough to score a....

 
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Monday, December 09, 2013

 

Obscurity of the Day: Betty's Boy Friend


Here's another of those newspaper Sunday magazine cover series, this one going way out on a limb to be different. It's a romance, if you can believe it! I know, I know, how original. Anyway, the artwork by Russell Patterson on Betty's Boy Friend is a delight, even if you have to brush the cobwebs off the storyline.

Betty's Boy Friend was distributed by Hearst's International Feature Service imprint, and was a short-runner. It had just eight episodes, running July 5 to August 23 1931.

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Sunday, December 08, 2013

 

Jim Ivey's Sunday Comics


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Hey Jim - I look to more of your tales of gambling. Might I also suggest you tell about the time a cigar saved you from a carjacking!

On another note, I'd like to get some of the guys along with Doralya and I down to see you for a meal at a local place. Not sure of a date but it would be sometime between Dec. 21st and the new year. Would you be up for that?
 
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Saturday, December 07, 2013

 

Herriman Saturday


Sunday, May 10 1908 -- It is anyone's guess why the Los Angeles Examiner felt it appropriate to devote an entire color page plus additonal interior page of their Sunday magazine section to a fellow named Charles James.

Mr. James, who studied theatre at the Brooklyn Institute of Arts and Sciences, was, in the parlance of the day, a crank. It was his belief, for reasons none too abundantly clear, that actors should subsist on no more than a salary of $1 a day (even in 1908, this was a pretty bare-bones salary). In vague terms, this was supposed to ensure that only those actors who truly were in thrall to the muse of acting would be drawn to the profession.

James was on his way to San Francisco to drum up more support for his idea, and hopefully to open a theatre there based on his principles.As far as I know, this never happened.

Poor Herriman got tapped to make a rare color appearance in the paper illustrating this odd piece. I'd say he did well under the circumstances.

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Friday, December 06, 2013

 

Sci-Friday starring Adam Chase

Adam Chase (c) renewed 2013 by Russ Morgan. All rights reserved.

Adam Chase strip #49, originally published May 7 1967. For background on the strip and creator, refer to this post.

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Only 3 left!! Allan, I hope you have some kind of Friday encore up your sleeve!
 
It ran for two years so we have plenty of installments remaining.
 
Way cool. I thought it was only one year
 
Dana is correct that the strip ran for two years in the Eugene Register-Guard. Unfortunately, I just got some bad news from Russ Morgan about continued appearances of his Adam Chase strip. Please see next week's installment for an announcement.

--Allan
 
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Thursday, December 05, 2013

 

Ink-Slinger Profiles by Alex Jay: C.J. Budd



Charles Jay Budd was born in South Schodack, New York, on February 14, 1859, according to Who’s Who in America, Volume 7 (1913) and Who Was Who in America with World Notables, Volume 1 (1943).

In the 1860 U.S. Federal Census, he was the son of John and and Rosalind. They lived in Schodack where his father was a farmer. Ten years later, he was the oldest of three children and his father continued farming. In 1880, Budd and his brother William were working with their father on the farm in Schodack.

Who Was Who said Budd received his education at the Troy Conference Academy in Vermont, and Claverack College, also known as the Hudson River Institute, in New York. The dates of his attendance are not known. His art education was at the Pennsylvania Academy of the Fine Arts, in Philadelphia, and the Art Students’ League, in New York. The Chatham Courier, (New York), July 4, 1883, noted his talent:

Charles J. Budd, a late student of the Philadelphia Art Institute, is now stopping at South Schodack, his home, and is doing some very fine work in copying pictures and photographs. We had the pleasure of seeing some of his work, and think it s as good as any we have seen in any art gallery. He will copy old photos in oil, of any size, for less than one-half the regular price.
In Life magazine, May 18, 1911, Budd spoke about his education and art training: “Boarding school, college, and the Pennsylvania Academy of Fine Arts, where, like Rockefeller, I took up oil. I entered the studio of Mr. E.B. Bensell, in 1886, and studied afterward at the Art Students’ League in New York.”

Who Was Who said Budd’s professional career began by illustrating children’s magazines and books in Philadelphia in 1885. In 1890 he moved to New York City. On October 27, 1892 he married Carrie Louise Tillapaugh.

Budd provided 25 illustrations for the story, “The Real Tom Brownson”, in Godey’s Magazine, October 1893. His association with Life magazine started in 1894 and ended in 1917.


The 1898 Trow’s Business Directory of the Boroughs of Manhattan and the Bronx, City of New York listed Budd at 41 West 22nd Street.

The 1900 census recorded Budd in East Orange, New Jersey, at 53 Hawthorne Avenue. His occupation was “illustration artist.” In the household was his wife, son Wilfred, mother-in-law and servant. He contributed over 20 illustrations to The Arnold Primer (1901).

Budd was a magazine illustrator in the 1910 census. He remained in East Orange but at a different address, 218 Grove Street. American Newspaper Comics (2012) said he drew the Sunday strip, Matts’s and May’s Matinees, for the New York Herald, from July 30 to September 24, 1911.



New York Herald 7/30/1911

According to Who Was Who, he was cartoonist on Harper’s Weekly, from 1912 to 1913, and he started his own business, the C.J. Budd Company, manufacturers of artistic gifts and other items. Who’s Who in America (1913) said his studio was at 37 West 22nd Street in Manhattan, New York City. He wrote the books Around the World in Eighty Minutes (1913) and The Blot Book (1915), which was illustrated by Fred T. Richards. Budd’s Old Fables Modernized was mentioned in several books but an actual copy has not been found.



Life 9/30/1915

Budd and his family resided at the same address in the 1920 census. His occupation was artist in an art company. Apparently his son was a salesman for the company. The American Elite and Sociologist Blue Book (1922) said his studio was located at 119 East 18th Street, New York City, and he was president of the Budd Line of Art Novelties.


Budd passed away April 25, 1926, in New York City. Two days later The New York Times reported his death:

Charles J. Budd, artist and magazine illustrator, died on Sunday night in St. Luke’s after a long Illness. He was 67 years old.
Mr. Budd studied at the the Philadelphia Academy of Fine Arts. He directed a novelty shop at 119 East Eighteenth Street and lived at 218 North Grove Street, East Orange. He was a member of the Salmagundi and Dutch Treat Clubs. Surviving him are his wife and a son, Wilbur [sic].

—Alex Jay 

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Wednesday, December 04, 2013

 

Ink-Slinger Profiles by Alex Jay: Juanita Hamel


Juanita Hamel was born in De Soto, Missouri on April 27, 1891. Her birthplace was found on a 1922 passenger list which had her birthdate as April 27, 1893. On the 1900 U.S. Federal Census, her birth information was recorded as April 1891, so I assume her parents provided the correct month and year. Her name was misspelled “Wanita”. She was the oldest of four children born to F.G. and Lucy; they resided in De Soto.

In 1910, her mother was the head of the household, a widow and self-employed milliner. They lived in Wellston, Missouri at 6219 Wells Avenue. Hamel’s college art training was mentioned in the St. Louis Reference Record (1927):

...To Washington University should be credited many, probably a majority, of St. Louis newspaper artists, past and present. I have met very few who had not been students of the St. Louis Art School, the art department of that University. A list of over one hundred artists who have worked for the local press will be found under the head of “Newspaper Artists”—see January 1. The list includes these ladies: Marie Armstrong (Mrs. Emil Mallinckrodt), Beatrice Benson (Mrs. Elmer J. Graham), Halcyon Brewer, Lillian M. Brown, Mrs. A.J. Dobbin, Fern Forester (Mrs. Frank Shay), Juanita Hamel, Martha H. Hoke, Aithra Holland, Marguerite Martyn (Mrs. Clair Kenamore), Anita Moore, Mrs. Ernest Schweppe, Helen Williams, Anne-Gene Witzig (Mrs. Joseph T. Funkhouser)….
Her participation in a newspaper exhibition was covered in Cartoons Magazine, February 1916.
Press Artists’ ExhibitThe recent exhibition of the St. Louis newspaper artists at the St. Louis Press Club, which was extended because of its popularity, closed December 13, 1915. One hundred and twenty pictures were shown, including oil paintings, water colors, crayon, and pen and ink sketches. Among the artists represented were A. Russell, R.J. Bieger, Arthur L. Friedrich, George Grinham and Percy Vogt, of the Globe-Democrat; Arthur Button, Gus T. Coleman and A.B. Chapin, of the Republic; Miss Juanita Hamel and Elmer Pins, of the Times; Frederick Tuthill, of the Star, and D.R. Fitzpatrick, of the Post-Dispatch.
The St. Louis (Missouri) Directory 1916 listed her address as “505 N Spring av” and occupation as artist. The St. Louis Reference Record said, “Juanita Hamel, the first lady artist of the St. Louis Times, was a student at the Washington University’s art school prior to her engagement by the paper. From the Times Miss Hamel went to a Chicago paper [around 1917], I have heard…” She produced artwork for the Chicago Herald which held the copyright. (Catalogue of Copyright Entries, 1917, Volume 14, Number 7, and 11; and Volume 15, Number 4.) Her illustrations were published in many newspapers. (Go to Google News and search, in double quotes, “by juanita hamel”.)  A poster with her art is at the Hoover Institution, Stanford University Library and Archives. The Library of Congress has two of her drawings, Fashionable woman and “Mother, my fiancé”. The Fourth Estate, May 11, 1918, published the following item: “Ted Brown, cartoonist for the Chicago Daily News, won first prize in the contest for newspaper artists drawing Liberty Loan designs. C. Orr of the Tribune was second and Miss Juanita Hamel of the Herald third.”

The 1920 census and New York City Directory 1920 have her address as 23 Christopher Street; the census enumerator misspelled her last name as “Harnel”. She was a newspaper artist. On June 28, 1922, she sailed from Boulogne-sur-Mer, France and arrived in New York on July 9. Her address was 96 Grove Street. A few months later, in October, she visited Bermuda. The New York Times, January 27, 1923, reported the results of the thirteenth annual specialty show of the American Pomeranian Club, at the Hotel Waldorf-Astoria: “Class 7—Novice Dogs, any solid color—Won by Juanita Hamel’s Early’s Black Bunny…” The St. Louis Reference Record said, “…[she] is now (1923) making sketches for the Newspaper Picture Service, with headquarters in New York City. A former St. Louis newspaper man, Moses Koenigsberg, recently was and perhaps still is the manager and president of that New York service company. The artist’s name, Juanita Hamel, in the Cleveland Plaindealer [sic] the other day (April 15, [sic] 1923) caught my eye and I stopped work to admire a sketch entitled ‘While He Waits.’ The picture was of a beautiful young lady primping before a mirror, putting on the final touches, as the reader is informed by the underlining below.”



Cleveland Plain Dealer 4/25/1923

During 1926 her output of illustrations slowly decreased and, by the Fall, her illustrations disappeared from the newspapers. I can find no further mention of her in the press or books. The GenForum at Genealogy.com has information saying she married “Lord Alison Fowle” and lived in Bermuda. Several passenger lists at Ancestry.com have an Allison Fowle of Bermuda who sailed to New York City. His first two trips were in September 1923 and October 1924. His next visit to New York was on June 17, 1926, for two weeks; he stayed at the Bristol Hotel. He named his father as his nearest relative. A few months later, on September 30, he was in New York on his way to Montreal. The passenger list had Mrs. A. Fowler of Bermuda as his nearest relative. There is another list with a “Juanita Fowle”, born 1897 in St. Louis, who sailed from Hamilton, Bermuda on October 9, 1926, and arrived in New York two days later. Her husband was identified as Mr. A. Fowle of Bermuda. It appears to me Hamel had married Fowle in Bermuda over the summer; news of their marriage has not been found. On the list, her New York address was 33 West 8th Street, which is about a five-minute walk to the Christopher and Grove street addresses mentioned earlier. I’m guessing she waited for her husband’s return from Montreal and then sailed home with him.

Curiously in July 1927, her next trip to New York, she was listed as an alien, a citizen of Great Britain. A few months later, in November, she returned, as a U.S. citizen, to New York and stayed at the Ritz Carlton Hotel. Only once did they travel together, on February 25, 1928, to the United States. During his two week visit, it appears they went to St. Louis and stayed at 4118 Ashland Avenue. Her subsequent visits alternated between New York City and St. Louis addresses. Apparently, her final U.S. visit was in August 1935.


Hamel passed away in July 1939 according to the St. Louis Dispatch, July 12, 1939. 
Mrs. Allison Fowle, Former Newspaper Artist, Dies
Ex-St. Louisan, Who Was Miss Juanita Hamel Before Her Marriage, Succumbs to Bermuda

Mrs. Allison Fowle, the former Miss Juanita Hamel of St. Louis, once a newspaper artist, died yesterday of a cerebral hemorrhage at her home in Hamilton, Bermuda. She was 42 years old. After studying art at the St. Louis School of Fine Arts and in Chicago, she began drawing for newspapers in St. Louis. Later her work was syndicated. Following an illness in New York, she moved to Bermuda 10 years ago. There she met and married Fowle, who is in the shipping business. Her mother, Mrs. Lucille Hamel Craven, lives at 4336 Olive street. Two brothers also survive. The funeral will be in Hamilton.
The St. Louis Public Library’s “St. Louis Artists Files” has a file on her.

Hamel’s husband fought in World War II. The Royal Gazette Online said, “…A number of men of the Bermuda Volunteer Rifle Corps went for duty with the Lincolnshire Regiment….A later contingent crossed the English Channel to join the late 1944 push from France into Germany. In late August, the first to be lost was Allison William Bluck Fowle, buried at Calvados, France….”


—Alex Jay

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Juanita is my great aunt! We have family photos and such, but some of her life is a mystery to us as well.
 
Here is her obituary. The St. Louis newspaper has her dying in July 11?, 1939.

https://stltoday.newspapers.com/search/#query=juanita+hamel


 
Thanks, Darlene. Hamel's profile has been updated.
 
i have several of her drawings

 
The Gaylord Music Library at Washington University has just acquired a piece of sheet music with an illustration by Hamel on the title page. The description may be seen at http://catalog.wustl.edu:81/search/t?SEARCH=song+came+back
 
I own several issues of the Chicago newspaper that she briefly worked for. I've always been a fan of her works, since I first became a pulp fiction fan. Back then I wondered what female artists of quality predated such renown artists as Margaret Brundage. To this degree, I turn to Juanita Hamel and Dorothy Dulin, as my Great War era heroes. Cordially, Morgan Wallace
 
I have an original piece of pen and ink by Juanita Hamel don't know much about it or what it goes for but I'd like to sell it. Email me at khattars96@gmail.com if you can help
 
I just found a beautiful framed composition that she illustrated in 1930. I am trying to figure out the history. Kellyjgeorges@gmail.com
 
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Tuesday, December 03, 2013

 

News of Yore 1969: New Panel Pokes Fun at Suburban Housewife



by Don Maley, Editor & Publisher August 9 1969
 
When Mary Gauerke (nee Flanigan) was a wee lass, her father, Lon, got himself enmeshed in the sauerkraut business in Geneva, New York. Young Mary grew up never realizing there was anything funny about her father being the Irish Sauerkraut King. "But when he appeared on 'What's My Line?' years later," she now admits, "I finally thought it was funny."

But for years she's been seeing humor in other situations. Despite life's apparent grimness Mary Gauerke thinks that life can be beautifully funny — and since 1947 has been putting humor on paper with a fine brush dipped into black India ink. The petite housewife is a rarity — a female in an almost exclusively male profession: cartooning.

"I didn't know that cartooning was a man's world," she admits, "when I first started doing it soon after getting married in '47." Since then she has sold cartoons to Look, The New Yorker, Playboy, National Review, True, Family Circle and a variety of newspapers, including The New York Times, the Chicago Tribune, the Wall Street Journal and The National Observer.

After more than two decades of depicting life's humor for magazines Mary created a six-a-week panel cartoon called "The Alumnae," which is being distributed by The Register and Tribune Syndicate. The well-drawn and completely contemporary panel pokes fun at distaffers. "The theme of the panel," explains Mary, "revolves around the diverse activities of four women with contrasting personalities. DeEtte, the youngest, is a caricature of youthful, frivolous femininity who lives only to be dressed up. The avant-garde Magda keeps her ear to the ground for current fads in the arts, politics, and social problems. She is feverishly determined to stamp out middle-class values, which, in turn, are feverishly determined to stamp out Magda. Helen is a calico-kitchen housewife forever engaged in a losing—sometimes gaining—battle with a self-indulgent appetite. And Myra is the organizer and leader of the group—a somewhat officious club-woman always seeking outlets for her frustrated executives urges." The girls' husbands were originally drawn into the panels but were later excluded.

'Not Paper Dolls'

Mary says the flavor of her creation is contemporary. "The characters are not paper dolls," she says, "but are rather designed to suggest their real-life counterparts, especially to women readers, particularly those in the younger age groups."

Before signing with the Register and Tribune Syndicate Mary was turned down by two other major syndicates. "We saw a great potential in it," says Denny Allen, the syndicate's managing editor. "We felt it was well done and that it filled a void. Many affluent and educated people have moved to the suburbs and we find there isn't too much in the paper today for the typical suburban housewife. She's no dummy and deserves more than she's getting. We feel 'The Alumnae' should appeal to her." Allen, who was instrumental in signing the feature, feels it's "sophisticated and intelligently constructed." "Mary uses empathy in 'The Alumnae,'" he says, "and the whole thing is tied into our times. The art is fresh and the humor is thought-provoking." To date over 30 newspapers feel the same way and have signed the panel.

Universal Humor
Mary says her humor is universal and her panels are checked by the syndicate before being distributed. "If I can understand them anybody can," says Allen. But before the cartoons are sent to the syndicate Mary's husband, Carl, checks them. "He's deaf, dumb and blind to all art," she says, "but he's got good taste when it comes to my cartoons. I show him a batch of my latest ones and he picks the ones he thinks are best." Husband Carl is with the Mergenthaler Linotype Company where he is manager of their overseas sales division. "He's happy because I've signed with the syndicate," confesses Mary. "Now that I'm working he can retire and play with his weather machines." (Carl is a frustrated weatherman and has a gaggle of weather-checking instruments in the Gauerke's Tenafly, New Jersey home.)

Ideas for "The Alumnae" come from inside Mary's head. "They're exclusively mine," she says. She skims through most magazines and newspapers to see what's new in the world and draws "three or four months ahead." Taboo subjects are strictly taboo in her panels, although they are slowly meeting with approval elsewhere in the media. "If she draws a panel involving the Pill," says Allen, "someone is bound to complain to a newspaper editor somewhere. And if readers complain then the whole thing is ruined and we defeat our own purpose."

Crossword Addict
Dreaming up situations for her four girls to get into takes up most of her time. "I'm only a part-time housewife now," she admits, "and I work whenever I have a chance to get to my drawing board." Her studio is the biggest room in her three bedroom home. Besides her family and her cartooning she has another passion. "I'm a puzzle buff," says Mary, who is so proficient at crossword puzzles that she's one of the few people able to complete The New York Times crossword puzzle— a feat accomplished only by English professors. "It's really an addiction, one that's worse even than booze or heroin," she complains. Another complaint: "When you live in the New York area there are very few comics available now that most of the papers are gone."

Before getting married Mary studied art at Stevens College in Columbia, Missouri, and her son, Carl Jr., shows inherited artistic talent. "He'd be a good cartoonist," says his mother, "but he just can't sit still long enough to draw." Carl Jr., 20, is a sophomore at the University of South Carolina and brings his college chums home on weekends. "He just brought up a whole bunch of hippies," says Mary, "and I think some of them are planning to stay for the summer."










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Do I smell burning brassiere? Honestly, this chick has one of the scariest-looking styles of the seventies. Oh, those faces....
 
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